Rowan
Designed by Hendry Juanda, Rowan is a display serif font published by Letterhend Studio.


Rowan is a sophisticated serif with unique letterform. This typeface has been made carefully to make sure its premium quality and luxury feel. The letterform makes this typeface unique and stands out rather than the regular serif font. Very suitable for logo, headline, tittle, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

numbers and punctuation
multilingual
ligatures
alternates
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/



Rowan


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Rumble Born
Designed by Hendry Juanda, Rumble Born is a brush display, hand display and script font published by Letterhend Studio.


Rumble Born is a retro bold script which will bring you back to 60s feel but still with fun and playful look. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
ligatures
alternates
swashes
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!



Rumble Born


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Mandrel Didone
Designed by Jeremy Dooley, Mandrel Didone is a serif font family. This typeface has fifty-four styles and was published by Insigne Design.


A new family has sprung from the world of insigne. Mandrel Didone is his name. The face is well-liked by those with whom it seeks an audience because of its courtly demeanor and exquisite look. Mandrel Didone conducts itself beautifully in front of each set of eyes with a confident attitude, never wavering or tripping in its polished step.

But, despite it’s gentility, this exquisite family is not weak in the face of adversity. Mandrel Didone is a powerful and conspicuous typeface that has towering x-heights, great contrast, confident bends, and sharp serifs. It is well-crafted for high-impact resistance. It uses its sharp serif ends deftly, cutting through opponents’ clumsy clutter in the battle for the reader’s attention.

This noble family consists of nine weights and their matching italics, ranging from Thin to Black. Mandrel Didone also comes with a plethora of OpenType options to let you embellish your text. The family’s 500 glyphs and support for more than 70 languages are accompanied with ligatures, old-style figures, and stylistic sets.

Raise your glass in honor of the new Mandrel Didone! This champion, with its powerful serifs and great contrast, is ready to take on your challenge in many tests to come.



Mandrel Didone


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Matrijs
Designed by David Kerkhoff, Matrijs is a hand display and stencil font family. This typeface has two styles and was published by Hanoded.


Matrijs is the Dutch word for mold. It comes from the Latin word for mother or womb and is somewhat similar to the English word Matrix.

Matrijs is a handmade Garamond which can be used for a wide range of projects.



Matrijs


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VanderHand
Designed by JJW van der Ham, VanderHand is a brush display, hand drawn and script font published by JOEBOB Graphics.


The ‘VanderHand’ font is a friendly and easy to use handwritten font. It is so loaded with ligatures it could easily pass for actual handwriting.
The font was created with a felt-tip brush pen and so there are natural thick and thin parts in the characters. All writing was done upright with tightly fit characters. As a result this font has a unique ‘instant logo’ quality. But you should really try this out for yourself.

O, and the font was written by Jeroen van der Ham.
It’s his handwriting. That’s why it’s called VanderHand.



VanderHand


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Arque Pro
Arque Pro is a display sans font family. This typeface has seven styles and was published by Foxtype.


Arque Display is a Unique Modern Elegant Typeface with Web-fonts. It’s a very versatile font that works great in large and small sizes. Arque Pro would perfect for branding, logos, headlines, Captions. or simply as a stylish text overlay to any background image. Strong capitals and a smooth, open lowercase are effective in a variety of applications. It’s shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile and easy to read.

TTF, OTF, WOFF, WOFF2, EOT Included. Free updates and feature additions. 7 Weights Included.



Arque Pro


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Dancing Girl JNL
Designed by Jeff Levine, Dancing Girl JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The poster for the 1930 film “Show Girl in Hollywood” had the title hand lettered in a squared Art Deco style with some angled cross strokes.  This became the basis for Dancing Girl JNL, which is available in both regular and oblique versions.



Dancing Girl JNL


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Electric Newspaper JNL
Designed by Jeff Levine, Electric Newspaper JNL is a display font family. This typeface has two styles and was published by Jeff Levine Fonts.


Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”.

The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions.

A blank space to place between words is available on both the solid bar and broken bar keystrokes.



Electric Newspaper JNL


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Municipal Pool JNL
Designed by Jeff Levine, Municipal Pool JNL is a display and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


A photo of the now closed [circa-1953] Lowell Municipal Pool (at 1601 N. 28th St.) in Boise, Idaho shows the words “Municipal Pool” formed into the cement of the entrance to the above-ground swimming facility.

Both the lettering and building entrance designs harken back to the Art Deco era and the sign features stencil-like characters. 

This inspired a typeface aptly named Municipal Pool JNL, and is available in both regular and oblique versions.



Municipal Pool JNL


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Nouveau Meadow JNL
Designed by Jeff Levine, Nouveau Meadow JNL is an art nouveau and display serif font family. This typeface has two styles and was published by Jeff Levine Fonts.


A poster for the publication “The Quartier Latin – A Magazine Devoted to the Arts” featured the magazine’s name in a light Art Nouveau serif style. The Quartier Latin was published between 1896 and 1899 by the American Art Association of Paris.

This is now available as Nouveau Meadow JNL in both regular and oblique versions.



Nouveau Meadow JNL


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On Your Mark JNL
Designed by Jeff Levine, On Your Mark JNL is a display sans and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web. 

One in particular partially revealed a vintage sign for “J. Yormark Shoes” behind a barbershop sign at 15 – 8th Avenue in New York City.  The sign remained until 2014.

The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL, which is available in both regular and oblique versions.  The font’s name is a play on the shoe vendor’s name… “Yormark”.



On Your Mark JNL


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Privilege Sign JNL
Designed by Jeff Levine, Privilege Sign JNL is a display sans and retro font family. This typeface has two styles and was published by Jeff Levine Fonts.


The above-the-store signage for many newspaper stands, soda shops, candy stores, luncheonettes and pharmacies of the 1950s and early 1960s were what was referred to as “privilege signs” provided by one of the major cola brands.

Consisting of the brand’s emblems on the left and right, the remainder of the sign would carry the desired message of the storekeeper (such as “Candy – Soda – Newspapers”) in prismatic, embossed metal letters.

Inspired by these vintage signs, Privilege Sign JNL recreates the condensed sans serif lettering style in both regular and oblique versions.  The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.



Privilege Sign JNL


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Privilege Sign Two JNL
Designed by Jeff Levine, Privilege Sign Two JNL is a display sans and retro font family. This typeface has two styles and was published by Jeff Levine Fonts.


Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands.

Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters.

Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions.  The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.

This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from
the 1950s and early 1960s.



Privilege Sign Two JNL


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