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| Designed by Wayne Thompson, Lurline is a display font published by Australian Type Foundry. |
With deliberately tight kerning, Lurline wears its retro vibe as a badge of honour. Lurline features extreme reverse contrast, and intentionally pushes legibility boundaries. Suitable for anything requiring a vibrant tone of voice.
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| Designed by Jeff Levine, Electric Newspaper JNL is a display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”.
The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions.
A blank space to place between words is available on both the solid bar and broken bar keystrokes.
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| Designed by Jeff Levine, Municipal Pool JNL is a display and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A photo of the now closed [circa-1953] Lowell Municipal Pool (at 1601 N. 28th St.) in Boise, Idaho shows the words “Municipal Pool” formed into the cement of the entrance to the above-ground swimming facility.
Both the lettering and building entrance designs harken back to the Art Deco era and the sign features stencil-like characters.
This inspired a typeface aptly named Municipal Pool JNL, and is available in both regular and oblique versions.
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| Designed by Robert Schenk, Bihext is a display and novelty font family. This typeface has two styles and was published by Ingrimayne Type. |
The letters of Bihext fit into the trapezoids formed by bisecting hexagons from the top corner to the bottom corner. Because these trapezoids have two orientations, there are two sets of characters and the typeface was designed assuming that the user would want to alternate these two character sets. The alternating of characters is done automatically with the OpenType feature of contextual alternatives (calt) in applications that support it. The typeface is monospaced with very tightly letter spacing. If the letter spacing seems too tight, consider alternating colors to make the individual letters stand out as an alternative to loosening the letter spacing. Almost certainly the user will need to adjust line spacing if more than one line of text is used. The family includes an outline style that can be used in a layer above the filled style. A decorative, display face, Bihext is too difficult to read to be used for long text.
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| Designed by Robert Schenk, Bannetters is a display font family. This typeface has two styles and was published by Ingrimayne Type. |
Bannetters (Banner Letters) was designed to alternate two letter sets. Both sets are formed on parallelograms, with one set of parallelograms sloped upward to the right and the other sloped downward to the right. When alternated, the result is a zigzaggy line of text. In applications that support the OpenType feature contextual alternatives (calt), the two sets of letters are automatically alternated.
The Bannetters family has two styles, one with straight outer edges and the other that rounds these shapes for letters that have curved exteriors. Both styles are largely monospaced and monoline (not to mention weird, strange, and unusual). The tiling pattern of text created by Bannetters makes it attention-grabbing and appropriate for signage, posters, advertising, and other uses where eye-catching text is desired.
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| Designed by Jeff Levine, Art Materials JNL is a display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The cover of the 1930s-era “Catalog of Artists’ Materials” from Ernst H. Friedrichs, Inc. (New York) has the words “Artists’ Materials” hand lettered in a stylized Art Deco sans serif type style.
This unique design is now the digital font Art Materials JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Dance and Sing JNL is a display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1932 fan magazine from Spain entitled “Films Selectos” (“Select Films”) had those words hand lettered in a decorative Art Deco type style that was a cross between the “Futura Black” style of stencil influenced display lettering and “Fiesta” lettering.
This hybrid design is now available digitally as Dance and Sing JNL in both regular and oblique versions.
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| Designed by Jeff Levine, Movie Nouveau JNL is an art nouveau and display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1920s magazine featuring behind-the-scenes stories about the motion picture industry had its name [“Shadowland”] lettered in an Art Nouveau sans serif style.
This has been recreated digitally as Movie Nouveau JNL, and is available in both regular and oblique versions.
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| Designed by Jeff Levine, Shutterbug JNL is a display and novelty font family. This typeface has two styles and was published by Jeff Levine Fonts. |
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| Designed by Hendry Juanda, Allarmante is a display and grunge font published by Letterhend Studio. |
Inspired by Halloween theme. The authentic fontto give you fun and playful feel but scary vibes too. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, stationery, novels, labels or any type of advertising purpose.
Features :
uppercase & lowercase
numbers and punctuation
multilingual
PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/
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| Designed by Jeff Levine, Sightseeing Boat JNL is a display and retro font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The free form hand lettering comprising the titles and credits for the 1966 romantic comedy “The Glass Bottom Boat” were the model for Sightseeing Boat JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Sightseeing Boat JNL is a display and retro font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The free form hand lettering comprising the titles and credits for the 1966 romantic comedy “The Glass Bottom Boat” were the model for Sightseeing Boat JNL, which is available in both regular and oblique versions.
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| Designed by Álvaro Franca, Felipe Casaprima and Ben Nathan, Discórdia is a display, display serif and display slab font family. This typeface has four styles and was published by Naipe. |
Discórdia is a type-family of contrasting contrasts. Each of the four members of the family has a different contrast type. Regular has broad-nib contrast, Bold has horizontal contrast, the Italic is monoline, which means it has no apparent contrast, and Bold Italic is… Well, it’s probably best if see for yourself.
These different design structures were fine-tuned to work well together in the same line, creating emphasis and hierarchy through a mini-super-family that groups a wedge-serif Regular, a slab-serif Bold, a sans-serif-ish Italic and a twisted Bold Italic.
Naipe teamed up with Ben Nathan of Hafontia to extend Discórdia and give full Hebrew Support.
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| Designed by Michael Parson, Oildale is a display and hand display font published by Typogama. |
Oildale is a single weight, connecting script that explores the idea of using crossed strokes as the main body of the typeface. Designed as a display font, it’s bold form and unique appearance lend it a distinctive charm that can be used in branding, headlines or other titling. Featuring an extended Latin support covering a wide range of langages, it also includes a range of Opentype options, from a choice of numerals, ligatures or decorative, swash letters.
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| Designed by Md. Shohail Bhuiyan, Dark Misery is a brush display and display font published by Seemly Fonts. |
Dark Misery is a simple yet spooky display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.
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| Designed by Jakob Fischer, Easy Answer is a display and hand display font family. This typeface has two styles and was published by Bogstav. |
Is there such a thing as an easy answer, or is it just because you know the question?
Anyway, as a kindergarten teacher I like to make these quizzes with the kids. The object of the game is not to answer right, but to get a feeling of knowing a lot. I thought of these questions as being logical and really easy, but I also found out that it is a great way for the kids to remember and recall their knowledge!
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| Designed by Md. Shohail Bhuiyan, Dark Misery is a brush display and display font published by Seemly Fonts. |
Dark Misery is a simple yet spooky display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.
 |
| Designed by Jakob Fischer, Easy Answer is a display and hand display font family. This typeface has two styles and was published by Bogstav. |
Is there such a thing as an easy answer, or is it just because you know the question?
Anyway, as a kindergarten teacher I like to make these quizzes with the kids. The object of the game is not to answer right, but to get a feeling of knowing a lot. I thought of these questions as being logical and really easy, but I also found out that it is a great way for the kids to remember and recall their knowledge!
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| Designed by Md. Shohail Bhuiyan, Dark Misery is a brush display and display font published by Seemly Fonts. |
Dark Misery is a simple yet spooky display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.
| |
| Designed by Jakob Fischer, Easy Answer is a display and hand display font family. This typeface has two styles and was published by Bogstav. |
Is there such a thing as an easy answer, or is it just because you know the question?
Anyway, as a kindergarten teacher I like to make these quizzes with the kids. The object of the game is not to answer right, but to get a feeling of knowing a lot. I thought of these questions as being logical and really easy, but I also found out that it is a great way for the kids to remember and recall their knowledge!
