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| Designed by Nicky Laatz, Nightingale Script is a historical and script font published by Nicky Laatz. |
Say hello to Nightingale Script - an intentionally imperfect, antique script based on old manuscripts, and handwritten notes from an era long ago.
Emulating beautiful penmanship, it’s perfect for adding a romantic old-world feel.
Includes a small selection of Opentype Ligatures and alternate letters (see preview) .
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| Designed by Hendry Juanda, Killviners is a blackletter and historical font published by Letterhend Studio. |
Introducing, Killviners - A modern blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- stylistic alternate
- multilingual
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Hendry Juanda, Killviners is a blackletter and historical font published by Letterhend Studio. |
Introducing, Killviners - A modern blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- stylistic alternate
- multilingual
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Ana Parracho, Dramatico Script is a multiple classification font family. This typeface has five styles and was published by Ana's Fonts. |
Dramatico is a script font family inspired by vintage handwritten postcards and notes. Perfect for any design that needs a vintage calligraphy look, Dramatico was handmade using a real dip pen and ink. Use it in signatures and logos, notes and quotes, social media posts, and branding and packaging.
Dramatico includes:
- Ligatures for a more natural text
- Swashes for most of the lower-case letters
- A set of ornaments to decorate your text
- A set of extras (lines, scribbles, arrows, splatters, etc) to add a grungier look to your vintage designs
- Bonus! Underlined and Strikethrough versions of the script font
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| Victorian Alphabets Three is a historical font published by Intellecta Design. |
Victorian Alphabets Three is part of a increasing family of complete victorian style alphabets, researched and developed upon a comprehensive number of vintage books, magazines and catalogues from XIX century.
Designed by Keith Bates, We The People is a blackletter and historical font family. This typeface has three styles and was published by K-Type.
This typeface is extrapolated from the ‘We the People’ calligraphy of the handwritten US Constitution Preamble which employed a style based on German Text and Square Text exemplars from George Bickham’s penmanship copy-books, the most celebrated being ‘The Universal Penman’ published in 1743.
The original Constitution document was transcribed onto parchment by Jacob Shallus, a Pennsylvania Assistant Clerk, over a weekend in 1787. Shallus’s biographer, Arthur Plotnik (‘The Man Behind the Quill’, 1987), notes that he was paid $30, a modest monthly wage at the time. He also suggests that the calligraphic headings, ‘We the People’ and ‘Article’, may have been inserted by Shallus’s 14 year old trainee son, Francis,
“The manner in which the ‘Article’ headings are squeezed into the space Shallus allowed for them suggests a second hand—and perhaps not a very experienced one.”
The unconventional backslant of the headings would seem to support this contention, and at the end of the document there is perhaps a novice’s inconsistency in the structure of the letter n between that used for ‘done’ and those used for ‘In Witness’. However, one has to admire the elegant swagger of the wavy t, h and l which the K-Type font extends to the b, f and k. Also, the simpler, Schwabacher-style W, an enlarged version of the lowercase w, is a little less flamboyant than the capital W from the German and Square texts in Bickham’s manuals.
For designers using OpenType-aware applications, the typeface includes some Alternates, including a Bickham-style W, the letters t, h and n with added flourishes, two simpler forms of the A, and a few roman numerals for numbering articles. Also some ornamental flourishes and a round middle dot/decimal point. Punctuation marks are drawn in square, calligraphic style, but an alternative round period/full stop, for use with currency and numerals, is available at the period centered position (though placed on the baseline), accessed by Shift Option 9 on a Mac, or Alt 0183 on Windows. The full phrase, ‘We the People’, has been placed at the trademark keystroke and can be accessed by Shift Option 2 on a Mac, or Alt 0153 on Windows.
For designers who find the backslant awkward or unpleasant, the licensed typeface also includes two additional fonts which have a vertical aspect that may be more conducive to graphic design layouts. ‘We The People Upright’ and ‘We The People Upright Bold’ both retain the distinctive style, and the heavier weight is only slightly emboldened, just enough to add some punch.
Victorian Alphabets Two is a display serif and historical font published by Intellecta Design.
Victorian Alphabets Two is parte of a incoming family of complete victorian style alphabets, researched and developed upon a comprehensive number of vintage books, magazines and catalogues from XIX century.
Victorian Alphabets is a historical font published by Intellecta Design.
Victorian Alphabets is a incoming family of complete victorian style alphabets, researched and developed upon a comprehensive number of vintage books, magazines and catalogues from XIX century. A partnership font between Intellecta Design and Monocracy Types (Paulo W)
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| Designed by Lazar Dimitrijević, Cal Fraktur Brush is a blackletter and historical font published by Posterizer KG. |
Cal Fraktur Brush is one more font from the PKG “Cal” (Calligraphic) group. This time, we used a wide brush instead of the calligraphic pen for the sketches.
This font is widely used in the typographic creation of shorter text forms such as headlines, tattoo and graffiti quotes, book covers, t-shirt designs, logos, posters, movie spots, banners, labels…
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| Download Cal Fraktur Brush Fonts Family From Posterizer KG |
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| Rajjah Familia is a blackletter and historical font family. This typeface has four styles and was published by Creative Media Lab. |
Rajjah Familia - Blackletter font family
Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century.
blackletter is currently widely used in modern creative design trends ranging from tattoo lettering, calligraphy, clothing brands, music, sports, labels and much more.
Rajjah Familia looks horror gothic but easy to read, neat and beautiful.
Comes with light, regular, medium and bold version, Rajjah is the right choice for your next projects!
Designed by Anastasia Dimitriadi, Patmos Sans is a historical font family. This typeface has two styles and was published by DimitriAna.
Patmos Sans is a hand drawn sans serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and it is delivered in Opentype and Truetype format. It supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages. Patmos Sans polytonic is an additional font that contains only Greek polytonic alphabet.
Patmos Sans has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures. The font is fully unicode-mapped (PUA encoded). This means that you can still access the Open type features even if you don’t use a software that supports Open type fonts.
Decorative ornaments: The standard ligatures are 4 decorative ornaments, that you may add at the end of a word and they fit perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application and then type d and a number from 1 to 4
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| Designed by Anastasia Dimitriadi, Patmos Serif is a historical and dingbat font family. This typeface has two styles and was published by DimitriAna. |
Patmos Serif is a hand drawn serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and it is delivered in Opentype and Truetype format. It supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages. Patmos Serif polytonic is an additional font that contains only Greek polytonic alphabet.
Patmos Serif has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures. The font is fully unicode-mapped (PUA encoded). This means that you can still access the Open type features even if you don’t use a software that supports Open type fonts.
Decorative ornaments The standard ligatures are 4 decorative ornaments, that you may add at the end of a word and they fit perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application and then type d and a number from 1 to 4
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| Designed by Måns Grebäck, Odenburgh is a blackletter and historical font family. This typeface has two styles and was published by Måns Grebäck. |
Odenburgh is a Medieval-style calligraphy typeface.
Hand-drawn by Måns Grebäck during 2018-2020, this high-quality lettering is inspired by historical Gaelic, British and Irish handwriting.
It comes as a regular, clean style as well as the additional Odenburgh Deco style.
The typeface is perfect for calligraphic headlines, products and logotypes in Middle Ages projects.
The font supports all European, Latin-based languages.
In addition to that, it contains numbers and all punctuation and symbols you’ll ever need.
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| Designed by Lazar Dimitrijević, Cal Uncial Rough is a historical font published by Posterizer KG. |
Cal Uncial Rough is a calligraphic font based on sketches written with cane calligraphy pen and ink on coarse-textured paper. Because of the fact that the Uncial don’t have lowercase letters, there are small capitals instead of the lowercase. As the Latin version of the Uncial was created from the Greek Uncial script (translating the Bible from Greek into Latin), in addition to the standard Latin graphemes, the font contains the Greek alphabet (and also the Cyrillic letters (Ustav), derived from the Greek Uncial too). Regardless of the stylistic connection, there is a difference between the morphology of related Greek, Latin and Cyrillic letters. Most of the graphemes are based on traditional roman and insular uncial calligraphy.
Cal Uncial Rough is suitable for the preparation of calligraphic sketches as well as an application in typography that should bring us closer to historical topics (European literature, quotes, history, film ...).
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| Download Cal Uncial Rough Fonts Family From Posterizer KG |
