Jaydan Bartlett: serif

Showing posts with label serif. Show all posts

Designed by Jeremy Dooley, Mandrel Didone is a serif font family. This typeface has fifty-four styles and was published by Insigne Design.

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A new family has sprung from the world of insigne. Mandrel Didone is his name. The face is well-liked by those with whom it seeks an audience because of its courtly demeanor and exquisite look. Mandrel Didone conducts itself beautifully in front of each set of eyes with a confident attitude, never wavering or tripping in its polished step.

But, despite it’s gentility, this exquisite family is not weak in the face of adversity. Mandrel Didone is a powerful and conspicuous typeface that has towering x-heights, great contrast, confident bends, and sharp serifs. It is well-crafted for high-impact resistance. It uses its sharp serif ends deftly, cutting through opponents’ clumsy clutter in the battle for the reader’s attention.

This noble family consists of nine weights and their matching italics, ranging from Thin to Black. Mandrel Didone also comes with a plethora of OpenType options to let you embellish your text. The family’s 500 glyphs and support for more than 70 languages are accompanied with ligatures, old-style figures, and stylistic sets.

Raise your glass in honor of the new Mandrel Didone! This champion, with its powerful serifs and great contrast, is ready to take on your challenge in many tests to come.

Mandrel Didone

Zerno is a serif font family. This typeface has eighteen styles and was published by Pepper Type.

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Zerno is a glyphic typeface with geometric roots. Its symmetrical flared serifs are reminiscent of stone carving techniques. With weights ranging from Thin to Black, it is versatile enough to be used in any environment - from screen to literal stone carving, as well as from posters to body copy that stands out.

Zerno

Designed by Dieter Hofrichter, Contane is a display serif and serif font family. This typeface has twenty styles and was published by Hoftype.

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Contane is a new font with a classical character. It is high-contrasted and nobel in appearance, but still objective and clean.
It is predestined for headlines, editorials and small text applications. All Italic weights also contain Swash Capitals for especially fancy occasions.
Contane supports up to 80 languages and it’s OpenType format allows a wide range of typographic applications. 20 styles offer fine graduation of the weights. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Contane

Designed by Ricardo Santos, Miragem is a serif font family. This typeface has eighteen styles and was published by Vanarchiv.

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This serif typeface was designed to be simple and neutral on text sizes, there descender proportions are short and the x-height is large. The loop form from the lowercase (g) is open which give more personality to this particular letterform. The lowercase italics contain different structure from roman characters, but the most differentiation detail is the fact the ascender and descender strokes don’t contain serifs. Italics characters are slightly more narrow and condensed than roman letterforms.

Miragem

Designed by Jeff Levine, Lettering Lesson JNL is a serif font family. This typeface has two styles and was published by Jeff Levine Fonts.

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Lettering Lesson JNL is a bold serif alphabet found within the pages of the 1922 instructional booklet from the St. Louis Show Card School, and is available in both regular and oblique versions.

Lettering Lesson JNL

Designed by Dusan Jelesijevic, Fabular is a display serif and serif font family. This typeface has twelve styles and was published by Tour de Force Font Foundry.

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Fabular is our serif font family with 12 styles. Inspired by vintage typefaces, but designed for modern purposes, Fabular comes in 6 weights with matching Italics. Short, thick and rounded serifs, spiced by specific terminal endings and finial bring gentle visual softness to Fabular’s design.

Tightly spaced by its serif’s design, Fabular packs paragraph easily with great balance and rhythm within the sentences. It is decorative and serious font family at the same time which gives wide range of possibility for designers to use it: on posters, packages, labels, magazines, websites and many more situations.

Contains Fractions, Oldstyle Figures, Denominator and Numerator as OpenType features.

Fabular

Designed by Dusan Jelesijevic, Fabular is a display serif and serif font family. This typeface has twelve styles and was published by Tour de Force Font Foundry.

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Contains Fractions, Oldstyle Figures, Denominator and Numerator as OpenType features.

Fabular

Designed by Elena Genova, The Seasons is a serif font family. This typeface has six styles and was published by My Creative Land.

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The Seasons is an elegant classic serif font family consisting of a high contrast serif fonts with a vintage chic look, with corresponding calligraphic cursive italics that are based on a number of humanist italic scripts and written with a Pilot Parallel Pen.
Both upright and italic fonts (6 in total) share same style soft terminals with a sharp cut and are enhanced by OpenType features such as ligatures and stylistic alternates.
The Seasons can be used in high-end branding, logo designs, magazines, product packaging & invitations.

The Seasons

Designed by Elena Genova, The Seasons is a serif font family. This typeface has six styles and was published by My Creative Land.

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The Seasons

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Binerka

Designed by Antonio Mejía, Mestiza is a serif font family. This typeface has twelve styles and was published by Antonio Lechuga.

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Mestiza is a type family with a living past, which combines its ancient roots bringing the handmade to the contemporary in a spirited mix that evokes elegance and strength.

Thanks to its sharp terminals and high contrast, Mestiza acquires a unique personality. It is ideal for headlines and branding projects and allows it to be set in 219 languages of the Latin alphabet, thanks to the more than 700 characters set.

Mestiza has 12 variants, six Roman plus Italics including Small Caps, Old-Style numbers, Superiors, Inferiors, Contextual and Discretionary ligatures, Symbols, and some Alternates.

Mestiza

Designed by Antonio Mejía, Mestiza is a serif font family. This typeface has twelve styles and was published by Antonio Lechuga.

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Mestiza is a type family with a living past, which combines its ancient roots bringing the handmade to the contemporary in a spirited mix that evokes elegance and strength.

Mestiza has 12 variants, six Roman plus Italics including Small Caps, Old-Style numbers, Superiors, Inferiors, Contextual and Discretionary ligatures, Symbols, and some Alternates.

Mestiza

Designed by Antonio Mejía, Mestiza is a serif font family. This typeface has twelve styles and was published by Antonio Lechuga.

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Mestiza is a type family with a living past, which combines its ancient roots bringing the handmade to the contemporary in a spirited mix that evokes elegance and strength.

Mestiza has 12 variants, six Roman plus Italics including Small Caps, Old-Style numbers, Superiors, Inferiors, Contextual and Discretionary ligatures, Symbols, and some Alternates.

Mestiza

Designed by TypeType Team and Eugene Tantsurin, TT Ricordi Marmo is a serif font family. This typeface has three styles and was published by Typetype.

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TT Ricordi Marmo extends the series of experimental projects within the TT Ricordi fonts collection. The main goal of the TT Ricordi project is to look for gems in old signs and on stone and bringing those inscriptions back to life in the form of contemporary fonts with the umbrella name TT Ricordi.

TT Ricordi Marmo is an original experimental project by Eugene Tantsurin inspired by inscriptions at Basilica di Santa Croce in Florence. Working on it, we wanted to create a contemporary typeface which would unite the elements of a Florentine sans-serif mixed with more traditional visual solutions typical for the period’s serifs. As a result, we got a bright and somewhat provocative typeface with irregular serif distribution, some unusual contours and a free spirit.

In small body size TT Ricordi Marmo makes a neutral impression, but as the size gets bigger, the user is taken on a playful quest to search for interesting moves, graphic peculiarities and unusual solutions. TT Ricordi Marmo is great for poster design, packaging, and setting large and medium-sized inscriptions. Thanks to its idiosyncrasy, the typeface may look nice both at a poster in a grand academic theater and at an acid rave party.

You can find a set of icon patterns that can be used in several ways. First, you can substitute letters with these patterns, thus getting an inscription with a visible graphic element. Then you can also construct borders and interval marks, or just use them as icons. All patterns are perfectly adapted to the design of letters in the font.

TT Ricordi Marmo consists of 2 styles and one variable font. Each of the styles contains over 630 glyphs and 18 OpenType features. As we have conceived TT Ricordi Marmo as a poster typeface from the very beginning, it features small capitals instead of lowercase characters. In addition, the typeface has a set of interesting ligatures, stylistic alternates, pointers, hands, and pattern icons.

TT Ricordi Marmo OpenType features list: AALT, CCMP, LOCL, NUMR, ORDN, TNUM, PNUM, CASE, SS01 (Alternative latin E), SS02 (Alternative Eszett), SS03 (Alternative Cyrillic I), SS04 ( Alternative Amper- sand), SS05 (Romanian Comma Accent), SS06 (Dutch IJ), SS07 (Catalan Ldot), DLIG, CALT, SALT.

TT Ricordi Marmo languages: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani +, Banjar, Basque +, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Bosnian (lat), Breton +, Catalan+, Cebuano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican +, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gikuyu, Guarani, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish, Italian+, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Kamba, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Kikuyu, Kinyarwanda, Kirundi, Kongo, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian+, Livvi-Karelian, Luba-Kasai, Ludic, Luganda+, Luo, Luxembourgish+, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay+, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Meru, Minangkabau+, Moldavian (lat), Montenegrin (lat), Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish+, Portuguese+, Quechua+, Rheto-Romance, Rohingya, Romanian +, Romansh+, Rombo, Rundi, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (lat)+, Seychellois Creole, Shambala, Shona, Silesian, Slovak+, Slovenian+, Soga, Somali, Sorbian, Sotho+, Spanish+, Sundanese, Swahili, Swazi, Swedish+, Swiss German +, Tagalog+, Tahitian, Taita, Talysh (lat), Tatar+, Teso, Tetum, Tok Pisin, Tongan+, Tsakhur (Azerbaijan), Tsonga, Tswana +, Turkish+, Turkmen (lat), Uyghur, Valencian+, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Walser+, Welsh+, Wolof, Xhosa, Zaza, Zulu+, Belarusian (cyr), Bosnian (cyr), Bulgarian (cyr), Erzya, Karachay-Balkar (cyr), Khvarshi, Kumyk, Macedonian+, Montenegrin (cyr), Mordvin-moksha, Nogai, Russian+, Rusyn, Serbian (cyr)+, Ukrainian.

TT Ricordi Marmo

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Idealist Serif - a stylish OpenType rich serif with letters that seem to dance and twist harmoniously together - to form unique & elegant typography designs.

A large selection of interwoven Opentype ligatures and alternates, means ample selection and variety in your finished look.

Language support is included for the following : Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, German (Switzerland), Irish, Italian, Low German, Luo, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swedish, Swiss German

Idealist Serif

Designed by Andrés Ramírez, Milanesa Serif is a serif font family. This typeface has eight styles and was published by Sudtipos.

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Serif typefaces have undergone a constant change over time; this has allowed the emergence of modern shapes that bring expressiveness to each letter, making them fun to use and design.

Milanesa Serif is a typeface family with seven weights that changes the contrast angle in its black version, achieving a particular transition in the different interpolations. Beyond maintaining the traditional canon in a serif, Milanesa plays with a modern concept to impose its versatility in different graphic applications.

Milanesa Serif undergoes a metamorphosis in its weights, intensifying its shapes and varying its counterforms without losing the sense of the typeface family, perfect for versatile uses such as web design, editorial or packaging, among many others.

Milanesa Serif

Designed by Philip Lammert, Adelbrook is a serif font family. This typeface has twelve styles and was published by Vibrant Types.

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Adelbrook is a dynamic serif typeface that keeps calm. It enriches text with the archaic structure of humanist type, because its characters arrange in a harmonious rhythm with a dynamic stroke, asymmetric serifs and stems that lean in the direction of reading. These characters have gravity and are firmly on the baseline. The tapered stems define a heaviness that end in emphasized foot serifs. Actually all the details are heftier the lower they are. This is particularly evident in a subtle vertical hairline variation, light or unapplied head serifs, and clipped upper dots.

The clearness of the semi-serif italics with a brushy nature integrates perfectly in a subtle way. All these details result in a sophisticated text typeface with a sharp contemporary design.

Adelbrook

Designed by Andriy Konstantynov, Accia Variable is a serif font family. This typeface has two styles and was published by Mint Type.

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Accia is one of the world’s first true sans-to-serif variable fonts. Its weight axis ranges form Thin to Extra Bold, and its serif axis ranges from Sans to Forte. Accia is designed to be perfectly usable at every possible point of the design space, and its different instances work together perfectly as an infinitely flexible type system.

The typeface contains a total of 879 glyphs supporting multiple Latin-based and Cyrillic-based languages, together with added sets of numbers and punctuation, small capitals, ligatures, and other commonly supported OpenType features.

Accia is also available as separate font families.

Accia Variable

Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype.

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Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.

Legit Didone