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| Designed by Jakob Fischer, Empty Page is a hand display and hand drawn font family. This typeface has two styles and was published by Pizzadude.dk. |
A font based upon my own handwriting (when I am concentrating and making each letter legible!)
Very suitable for anything that needs a handwritten feeling. I’ve added 4 (slightly) different versions of each lowercase letter, and that really helps making your text look more like real handwriting rather than “just a font”
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| Designed by Aga Silva, Timernis is a display sans and sans serif font family. This typeface has nine styles and was published by Aga Silva Fonts. |
Timernis is humanist multilingual contrast sans serif available in nine weights from thin to extra black.
All caps have this super elegant, classic proportions old school look and is based on 1940 stone engraving commemorative plaque. The engraving itself boasted sophisticated clean look and was a joy to look at.
All caps: Would suit display usage such as: signage, titles, headers, engravings, high end packaging. Do try putting space between the letters in your selected word for suave and chic feel.
Expanded round shapes are prevalent in lowercase, which is legible in small sizes and pleasant to the eye.
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| Designed by Jeff Levine, Air Circus JNL is a display sans and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1930s advertising poster for the Inman Brothers Flying Circus offered up an interesting hand lettered Art Deco design that’s a cross between both squared and rounded character shapes.
Because of it’s ‘futuristic look’, the resulting type style can also lend itself to 1970s and 1980s retro projects as well as those from the 1930s and 1940s.
Now a digital font, Air Circus JNL is available in both regular and oblique versions.
A “Flying Circus” is a troupe of ‘barnstormers’ (stunt pilots) who performed aerial tricks either individually or as a team along with selling airplane rides to the general public.
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| Designed by Jeff Levine, Art Event JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1930s WPA (Works Progress Administration) poster advertising an exhibit of New Jersey area posters had its main lettering rendered in a very condensed hand lettered interpretation of the ever-popular Futura Black Art Deco style.
This has now been re-drawn and digitized as Art Event JNL, in both regular and oblique versions.
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| Designed by Jeff Levine, Art Materials JNL is a display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The cover of the 1930s-era “Catalog of Artists’ Materials” from Ernst H. Friedrichs, Inc. (New York) has the words “Artists’ Materials” hand lettered in a stylized Art Deco sans serif type style.
This unique design is now the digital font Art Materials JNL, which is available in both regular and oblique versions.
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| Designed by Pedro Teixeira, Ayaha is a brush script and retro font published by Pedro Teixeira. |
Ayaha, with alternate stylistic sets to add value to your projects.
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| Designed by Jeff Levine, Back Lot Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Back Lot Stencil JNL is a hand lettered slab serif stencil design based on the titles and credits from the 1954 film “Human Desire” and is available in both regular and oblique versions.
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| Designed by Jeff Levine, Baggage Claim JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Sometimes type designs are set aside as one project takes priority over another and occasionally it becomes overlooked. One such example is a set of extra bold, sans serif stencil characters drawn out in 2017.
Regrettably, as much time has passed, no backstory can be applied to this typeface. It was checked against existing releases in the Jeff Levine Fonts library and didn’t seem to have been re-worked for any subsequent release.
With this in mind, Baggage Claim JNL makes its belated appearance and is available in both regular and oblique versions.
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| Designed by Jeff Levine, Bill of Fare JNL is an art deco and display serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A 1942 menu cover for the restaurant at the Biltmore Hotel in Los Angeles features its name in a stylized Art Deco serif design.
This is has been turned into the digital typeface Bill of Fare JNL, and is available in both regular and oblique versions.
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| Designed by Jeff Levine, Business Letter JNL is a display serif and display slab font family. This typeface has two styles and was published by Jeff Levine Fonts. |
One of the text fonts showcased within the pages of the John Ryan Foundry (Baltimore, MD) specimen book from 1894 is a squared type face with rounded corners called “Geometric”.
The original design has been updated slightly by substituting straight lines for the inner corner curves to add a small contemporary touch to a classic alphabet from the 19th century.
Business Letter JNL is available in both regular and oblique versions.
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| Designed by Jeff Levine, Coffee Bar JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
An image of the wide, Art Deco influenced lettering of a sign over a coffee bar inside a Jacksonville, Florida Lovett’s Supermarket (a predecessor to Winn-Dixie) inspired the namesake font Coffee Bar JNL – available in both regular and oblique versions.
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| Designed by Jeff Levine, Convicted JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.
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| Designed by Jeff Levine, Counter Service JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The hand lettered name “Chickland” from a 1958 restaurant menu cover was actually a throwback to the Art Deco style with its condensed thick and thin sans serif design.
With just a few available letters to work with, it has been turned into Counter Service JNL; available in both regular and oblique versions.
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