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| Designed by Jeff Levine, Show Card Pen JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews offered a number of examples of then-modern lettering styles for sign painters and show card writers.
A bold display alphabet made with a round lettering nib is now available as Show Card Pen JNL, in both regular and oblique versions.
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| Designed by Jeff Levine, Show Card Roman JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Art Nouveau serif capitals and numerals in the 1917 instructional book “A Roman Alphabet and How to Use It” were the inspiration for Show Card Roman JNL; available in both regular and oblique versions.
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| Designed by Jeff Levine, Shutterbug JNL is a display and novelty font family. This typeface has two styles and was published by Jeff Levine Fonts. |
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| Designed by Jeff Levine, Sign Expert JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
An elegant, yet informal Roman alphabet with Art Nouveau influences was found amidst the pages of the 1922 edition of “The Expert Sign Painter”.
It is now available digitally as Sign Expert JNL in both regular and oblique versions.
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| Designed by Jeff Levine, Social Club JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The movie poster for the 1934 comedy/crime drama “Jimmy the Gent” (starring James Cagney) featured the title hand lettered in an ultra-bold Art Deco sans serif style.
This type design has been turned into Social Club JNL, and is available in both regular and oblique versions.
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| Designed by Jeff Levine, Social Club JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The movie poster for the 1934 comedy/crime drama “Jimmy the Gent” (starring James Cagney) featured the title hand lettered in an ultra-bold Art Deco sans serif style.
This type design has been turned into Social Club JNL, and is available in both regular and oblique versions.
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| Designed by Jeff Levine, Special Edition JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The Teapot Dome scandal was a 1920s bribery scandal involving Secretary of the Interior Albert Bacon Fall. Fall leased Navy petroleum reserves at Teapot Dome in Wyoming [along with some California reserves] at low rates with no competitive bidding.
The San Francisco Examiner for Feb. 20, 1924 ran the two line headline “U.S. Senator Named as Oil Stock Speculator; Whitney to Face Quiz Today on Slush Fund”.
The headline was set in a condensed, slightly squared sans serif typeface. This is now available as Special Edition JNL in both regular and oblique versions.
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| Designed by Jeff Levine, Stencil Edition JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The cover title for a 1950s British glamour magazine called “Beauty Parade” was the inspiration and model for Stencil Edition JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Special Edition JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The Teapot Dome scandal was a 1920s bribery scandal involving Secretary of the Interior Albert Bacon Fall. Fall leased Navy petroleum reserves at Teapot Dome in Wyoming [along with some California reserves] at low rates with no competitive bidding.
The San Francisco Examiner for Feb. 20, 1924 ran the two line headline “U.S. Senator Named as Oil Stock Speculator; Whitney to Face Quiz Today on Slush Fund”.
The headline was set in a condensed, slightly squared sans serif typeface. This is now available as Special Edition JNL in both regular and oblique versions.
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| Designed by Jeff Levine, Stencil Edition JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The cover title for a 1950s British glamour magazine called “Beauty Parade” was the inspiration and model for Stencil Edition JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Stocks and Bonds JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The hand lettered opening title for the 1935 movie “Thanks a Million” is rendered in a condensed, thick and thin Art Deco sans serif design.
It is now available as the digital typeface Stocks and Bonds JNL – in both regular and oblique versions.
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| Designed by David Kerkhoff, Moutarde is a hand display font family. This typeface has two styles and was published by Hanoded. |
Moutarde is French for mustard. At home we don’t eat that much mustard, as it is a condiment that goes well with burgers and hotdogs. We eat Asian food a lot, so our hot sauce of choice usually is sambal.
Moutarde is a good name for this fine, handmade font. Moutarde font is a rounded, easy to read, display font that comes with all the condiments - including a set of alternate a’s.
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| Designed by Oğuzhan Cengiz, Rapor is a sans serif font family. This typeface has twenty styles and was published by Hurufatfont Type Foundry. |
Rapor is a powerful and elegant combination, built from a combination of sans serifs with strong gemometric foundations such as Futura, and grotesque fonts based on the equal-width system. Its slightly softened evenly converging diagonal corners add distinctiveness to it.
It has 10 weights ranging from Thin to Black. It consists of twenty styles with matching italics.
Rapor is equipped for professional typography with rich opentype features.
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