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| Designed by Jeff Levine, Sightseeing Boat JNL is a display and retro font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The free form hand lettering comprising the titles and credits for the 1966 romantic comedy “The Glass Bottom Boat” were the model for Sightseeing Boat JNL, which is available in both regular and oblique versions.
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| Designed by Md. Shohail Bhuiyan, Christmas Preference is a hand drawn font published by Seemly Fonts. |
Christmas Preference is a clean, simple, and natural handwritten font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.
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| Designed by Jeff Levine, No Entry JNL is a display slab font family. This typeface has two styles and was published by Jeff Levine Fonts. |
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| Designed by Jakob Fischer, Organic Benefit is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav. |
Say hello to my new organic monospaced unicase font! It’s handmade and has this true organic look to it!
Choose between 5 different versions of each letter, or just type ahead and let the Contextual Alternates do their cycling of letters automatically!
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| Designed by Jeff Levine, Grounds Crew Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.
This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Grounds Crew Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.
This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.
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| Designed by Jakob Fischer, Organic Benefit is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav. |
Say hello to my new organic monospaced unicase font! It’s handmade and has this true organic look to it!
Choose between 5 different versions of each letter, or just type ahead and let the Contextual Alternates do their cycling of letters automatically!
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| Designed by Jeff Levine, Grounds Crew Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.
This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Family Deco JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Family Deco JNL was inspired by the bold Art Deco hand lettering of the movie credits for the 1936 Laurel and Hardy comedy “Our Relations”, and is available in both regular and oblique versions.
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| Designed by Nicky Laatz, Nightingale Script is a historical and script font published by Nicky Laatz. |
Say hello to Nightingale Script - an intentionally imperfect, antique script based on old manuscripts, and handwritten notes from an era long ago.
Emulating beautiful penmanship, it’s perfect for adding a romantic old-world feel.
Includes a small selection of Opentype Ligatures and alternate letters (see preview) .
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| Designed by Kaja Słojewska, Rupert is a sans serif font family. This typeface has sixteen styles and was published by Nomad Fonts. |
Rupert is your new best friend! the type who’s truly happy when you’re happy, excited when you’re excited, and sad when you’re sad. He’s always has your back and is never judgemental.
Rupert is a geometric sans-serif consisting of 8 weights, ranging from Thin to Black with matching italics. At the moment he supports extended Latin and plans on growing in the future to cover all of your needs. Rupert’s OpenType features include tabular and old-style figures, fractions, ligatures and case-sensitive forms.
He’s flexible to accommodate all of your graphic needs including display, corporate, editorial, web and many more environments. And the best part is… Rupert Light is free to download! So grab it now and begin building great work together.
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| Designed by Adrian Talbot, Kelso Round is a display sans font family. This typeface has six styles and was published by Talbot Type. |
Kelso Round is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. A friendly and distinctive typeface that’s both easy to read and easy on the eye. Also available as Kelso, with sharper edges.
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| Designed by Álvaro Franca, Felipe Casaprima and Ben Nathan, Discórdia is a display, display serif and display slab font family. This typeface has four styles and was published by Naipe. |
Discórdia is a type-family of contrasting contrasts. Each of the four members of the family has a different contrast type. Regular has broad-nib contrast, Bold has horizontal contrast, the Italic is monoline, which means it has no apparent contrast, and Bold Italic is… Well, it’s probably best if see for yourself.
These different design structures were fine-tuned to work well together in the same line, creating emphasis and hierarchy through a mini-super-family that groups a wedge-serif Regular, a slab-serif Bold, a sans-serif-ish Italic and a twisted Bold Italic.
Naipe teamed up with Ben Nathan of Hafontia to extend Discórdia and give full Hebrew Support.
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