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| Designed by Jeff Levine, Grounds Crew Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.
This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.
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| Designed by Jakob Fischer, Organic Benefit is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav. |
Say hello to my new organic monospaced unicase font! It’s handmade and has this true organic look to it!
Choose between 5 different versions of each letter, or just type ahead and let the Contextual Alternates do their cycling of letters automatically!
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| Designed by Jeff Levine, Grounds Crew Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.
This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.
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| Designed by Jeff Levine, Family Deco JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Family Deco JNL was inspired by the bold Art Deco hand lettering of the movie credits for the 1936 Laurel and Hardy comedy “Our Relations”, and is available in both regular and oblique versions.
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| Designed by Nicky Laatz, Nightingale Script is a historical and script font published by Nicky Laatz. |
Say hello to Nightingale Script - an intentionally imperfect, antique script based on old manuscripts, and handwritten notes from an era long ago.
Emulating beautiful penmanship, it’s perfect for adding a romantic old-world feel.
Includes a small selection of Opentype Ligatures and alternate letters (see preview) .
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| Designed by Kaja Słojewska, Rupert is a sans serif font family. This typeface has sixteen styles and was published by Nomad Fonts. |
Rupert is your new best friend! the type who’s truly happy when you’re happy, excited when you’re excited, and sad when you’re sad. He’s always has your back and is never judgemental.
Rupert is a geometric sans-serif consisting of 8 weights, ranging from Thin to Black with matching italics. At the moment he supports extended Latin and plans on growing in the future to cover all of your needs. Rupert’s OpenType features include tabular and old-style figures, fractions, ligatures and case-sensitive forms.
He’s flexible to accommodate all of your graphic needs including display, corporate, editorial, web and many more environments. And the best part is… Rupert Light is free to download! So grab it now and begin building great work together.
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| Designed by Adrian Talbot, Kelso Round is a display sans font family. This typeface has six styles and was published by Talbot Type. |
Kelso Round is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. A friendly and distinctive typeface that’s both easy to read and easy on the eye. Also available as Kelso, with sharper edges.
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| Designed by Álvaro Franca, Felipe Casaprima and Ben Nathan, Discórdia is a display, display serif and display slab font family. This typeface has four styles and was published by Naipe. |
Discórdia is a type-family of contrasting contrasts. Each of the four members of the family has a different contrast type. Regular has broad-nib contrast, Bold has horizontal contrast, the Italic is monoline, which means it has no apparent contrast, and Bold Italic is… Well, it’s probably best if see for yourself.
These different design structures were fine-tuned to work well together in the same line, creating emphasis and hierarchy through a mini-super-family that groups a wedge-serif Regular, a slab-serif Bold, a sans-serif-ish Italic and a twisted Bold Italic.
Naipe teamed up with Ben Nathan of Hafontia to extend Discórdia and give full Hebrew Support.
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| Designed by Connary Fagen, Greycliff Thai CF is a foreign and sans serif font family. This typeface has eighteen styles and was published by Connary Fagen Type Design. |
Greycliff Thai CF adapts Greycliff’s popular soft, geometric design to the Thai script. Both Latin and Thai glyphs are included, allowing for cohesive multiple-script applications. Greycliff Thai CF includes nine weights, obliques, and full Thai diacritics.
Greycliff Thai CF works as a complete, self-contained type system, with both Latin and Thai scripts included and designed to compliment one another.
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| Designed by Adrian Talbot, Kelso Round is a display sans font family. This typeface has six styles and was published by Talbot Type. |
Kelso Round is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. A friendly and distinctive typeface that’s both easy to read and easy on the eye. Also available as Kelso, with sharper edges.
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| Designed by Vanessa Tinizara and Alejandro Paul, Tinkuy Patterns is a dingbat font family. This typeface has six styles and was published by Sudtipos. |
Meaning of Tinkuy.
Tinkuy is a Quechua word that means a meeting of opposing forces that complement each other. A meeting of opposites and differences. A meeting point where different thoughts, interests, feelings and aspirations confront and converge, providing the resurgence of new ways of thinking and that are embodied in confrontational actions, in mobilizations that seek change.
Tinkuy patterns is born from the analysis of different archaeological pieces of native cultures of the Andes, where the visual signs that are recorded on them are related to the concept of encounter. It is part of the research project Crónicas Visuales del Abya Yala by designer Vanessa A. Zúñiga Tinizaray.
The Tinkuy Patterns.
The Tinkuy Patterns system is divided into six files containing a total of more than 2650 modules that can be combined together creating an infinite range of possibilities. The digitization of the typeface family has been carried out by Ale Paul, through the Sudtipos foundry.
An infinite number of possible combinations can be accessed by using the letters on the keyboard. Although a certain shape predominates in each set, they can be combined with each other.
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| Designed by Hendry Juanda, Amillia Rochete is a modern calligraphy and script font published by Letterhend Studio. |
Amillia Rochete is an script font based on authentic hand writing with natural signature style. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
uppercase & lowercase
numbers and punctuation
multilingual
alternates and ligatures
swashes
PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/
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| Designed by Hendry Juanda, Binerka is a display serif and serif font published by Letterhend Studio. |
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