Haystack
Designed by Hendry Juanda, Haystack is a modern calligraphy and script font published by Letterhend Studio.


Haystack is a handwritten script with many . You can use also for headline or signature. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
alternates and ligatures
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/



Haystack


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Ovaltown
Designed by Robert Schenk, Ovaltown is a novelty font family. This typeface has three styles and was published by Ingrimayne Type.


Ovaltown is a geometric font family with three weights in which the letters are derived from ovals or ellipses. It does not have true lower-case letters but many of the characters in the lower-case slots differ from the corresponding characters in the upper-case slots. Ovaltown is strange, unusual, and bizarre and can be useful when one wants strange, unusual, and bizarre lettering.



Ovaltown


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Saturday Light
Designed by Jakob Fischer, Saturday Light is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav.


This font was made while listening to The Cure, and taking a trip down memory lane. However, the particular song I had in mind naming the font after, was already taken. But perhaps you can figure out which song I had in mind?



Saturday Light


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Haystack
Designed by Hendry Juanda, Haystack is a modern calligraphy and script font published by Letterhend Studio.


Haystack is a handwritten script with many . You can use also for headline or signature. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
alternates and ligatures
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/



Haystack


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Ovaltown
Designed by Robert Schenk, Ovaltown is a novelty font family. This typeface has three styles and was published by Ingrimayne Type.


Ovaltown is a geometric font family with three weights in which the letters are derived from ovals or ellipses. It does not have true lower-case letters but many of the characters in the lower-case slots differ from the corresponding characters in the upper-case slots. Ovaltown is strange, unusual, and bizarre and can be useful when one wants strange, unusual, and bizarre lettering.



Ovaltown


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Saturday Light
Designed by Jakob Fischer, Saturday Light is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav.


This font was made while listening to The Cure, and taking a trip down memory lane. However, the particular song I had in mind naming the font after, was already taken. But perhaps you can figure out which song I had in mind?



Saturday Light


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Haystack
Designed by Hendry Juanda, Haystack is a modern calligraphy and script font published by Letterhend Studio.


Haystack is a handwritten script with many . You can use also for headline or signature. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
alternates and ligatures
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/



Haystack


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Shelbie Roger
Designed by Hendry Juanda, Shelbie Roger is a display serif font published by Letterhend Studio.




Shelbie Roger


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Starboard
Designed by David Kerkhoff, Starboard is a brush display and grunge font family. This typeface has two styles and was published by Hanoded.


The term starboard derives from the Old English steorbord, meaning the side on which the ship is steered. Before the steering wheel, boats were steered by an oar at the stern of the ship. Since most sailors were right handed, this is where you would find your steering oar!
Starboard is a rough, handmade, brushy kinda font. It was, of course, made with my favourite cheap brush and Chinese ink - resulting in a slightly eroded looking font.
Starboard comes with all the trimmings, including double letter ligatures for the lower case.



Starboard


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TG Reglic
Designed by Iqbal Firdaus, TG Reglic is a sans serif font family. This typeface has eight styles and was published by Tegami Type.


TG Reglic is a new contemporary sans serif, influenced by grotesque and geometric typeface letterforms. It comes with four weights, matched with Italic styles. TG Reglic has several OpenType features such as various ligatures, lining figures (proportional, superior, inferior, denominator, numerator & fraction), stylistic features from 01-04 and covered more than 100 languages Latin based. TG Reglic would be the ideal alternative choice typeface for small or large text sizes with unique characteristics.



TG Reglic


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Mazot
Designed by Oğuzhan Cengiz, Mazot is a sans serif font family. This typeface has nineteen styles and was published by Hurufatfont Type Foundry.


Mazot is a modern sans serif with a compact and low contrast structure.
Low contrast structure and terminals being flush with the body,
gives it a raw effect. Perfect for Branding, Poster and Packaging designs.
It has rich OpenType features. It consists of a total of 18 styles, from Light to Heavy with 9 weights and matching italics.
It is available in 2-axes variable version.



Mazot


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Bert Watson
Designed by Hendry Juanda, Bert Watson is a modern calligraphy and script font published by Letterhend Studio.


Bert Watson is a beauty script based on a modern calligraphy with natural hand writing look and feel. It can be used as digital signature as well. It has many alternates and ligatures which contain many swashes that you can play with. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.



Bert Watson


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Ripster
Designed by Rodrigo Araya Salas, Bruno Jara and Andrey Kudryavtsev, Ripster is a display sans and hand display font family. This typeface has six styles and was published by Rodrigo Typo.


Ripster, is a typeface family of 6 variants (Regular, Inline, Shadow, Soft, Soft Inline, Soft Shadow.) especially for titles, with very dynamic and strange shapes, it also contains Cyrillic alphabet such as Greek.



Ripster


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