Milky Skies
Designed by Jakob Fischer, Milky Skies is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav.


Milky Skies is like a typewriter that was out in the rain all night - all wobbly and worn, but with the well-known details of a typewriter, just a bit…well a lot…out of the ordinary!
Although being awkward, Milky Skies is surprisingly legible. I’d like that the font should be used for labels, toys for kids, candy or any kind of organic product. It even looks really well with headlines or shoutouts in all-caps!



Milky Skies


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Poster Cut Neue
Designed by Adam Ladd, Poster Cut Neue is a hand display font family. This typeface has two styles and was published by Adam Ladd.


Poster Cut Neue is a hand-drawn, rough display font family. Having some retro grotesque sans serif inspiration, the characters give an informal and active look and feel. The imperfections keep it casual but it is still legible. This font is ideal for organic and natural applications where a more human touch is required with branding, packaging, headlines, posters, advertising, illustrations, titles, and more.

Simply switch between upper and lowercase letters for a uniquely drawn glyph, adding variety and helping avoid repetition. Underlined vowel stylistic alternates (PUA-encoded) also add visual interest to your typography.

Poster Cut Neue’s features include:

• Regular and Italic (Oblique) fonts
• Unique upper and lowercase letters
• Stylistic alternates
• Arrow icons

Having almost 500 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.



Poster Cut Neue


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Idealist Serif
Designed by Nicky Laatz, Idealist Serif is a display serif and serif font published by Nicky Laatz.


Idealist Serif - a stylish OpenType rich serif with letters that seem to dance and twist harmoniously together - to form unique & elegant typography designs.

A large selection of interwoven Opentype ligatures and alternates, means ample selection and variety in your finished look.

Language support is included for the following : Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, German (Switzerland), Irish, Italian, Low German, Luo, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swedish, Swiss German



Idealist Serif


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KG Ever Since New York
Designed by Kimberly Geswein, KG Ever Since New York is a hand display and hand drawn font published by Kimberly Geswein Fonts.


A teacher-friendly font with legible letters but a hint of fun!



KG Ever Since New York


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Milanesa Serif
Designed by Andrés Ramírez, Milanesa Serif is a serif font family. This typeface has eight styles and was published by Sudtipos.


Serif typefaces have undergone a constant change over time; this has allowed the emergence of modern shapes that bring expressiveness to each letter, making them fun to use and design.

Milanesa Serif is a typeface family with seven weights that changes the contrast angle in its black version, achieving a particular transition in the different interpolations. Beyond maintaining the traditional canon in a serif, Milanesa plays with a modern concept to impose its versatility in different graphic applications.

Milanesa Serif undergoes a metamorphosis in its weights, intensifying its shapes and varying its counterforms without losing the sense of the typeface family, perfect for versatile uses such as web design, editorial or packaging, among many others.



Milanesa Serif


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Edellyn Script
Designed by Hendry Juanda, Edellyn Script is a modern calligraphy and script font published by Letterhend Studio.


Introducing,
Edellyn Script, a modern script typeface. This collection of scripts is perfect for personal branding.  As you can see, this typeface has beutiful and modern look which is perfectly made to be applied especially in headline, logotype, apparel, invitation, branding, packaging, wedding card, advertising etc.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
alternates
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

if you have any questions don’t hesitate to send our email at letterhend@gmail.com. Thank you for purchase this font and Happy Creating !!!



Edellyn Script


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Oildale
Designed by Michael Parson, Oildale is a display and hand display font published by Typogama.


Oildale is a single weight, connecting script that explores the idea of using crossed strokes as the main body of the typeface. Designed as a display font, it’s bold form and unique appearance lend it a distinctive charm that can be used in branding, headlines or other titling. Featuring an extended Latin support covering a wide range of langages, it also includes a range of Opentype options, from a choice of numerals, ligatures or decorative, swash letters.



Oildale


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Packaged Cookies JNL
Designed by Jeff Levine, Packaged Cookies JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


An image found online of the first [1923] “Oreo Sandwich” package provided a type inspiration from the pen-lettered block sans with rounded corners used for the product’s name.  Prior to 1923, the cookies were sold in boxes or tins. 

The result is Packaged Cookies JNL, which is available in both regular and oblique versions.



Packaged Cookies JNL


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Rustica
Designed by Martin Sommaruga, Fernando Díaz and Vicente Lamónaca, Rustica is a sans serif font family. This typeface has twenty styles and was published by TipoType.


The world has changed; we want it to change. But it has a history too. Rustica draws back to the sans typeface tradition and updates it for the 21st century; we aim to go back to the humanist values without dismissing the role played by technology.It’s a GeoHumanist sans serif.

Type design looks back at its past to return with renovated strength to its march to the future. Rustica is based on a humanist architecture with the addition of the determination and precision of the geometry of the classic sans of the early 20th century.

Thus, a typographic conception typical of 21st century communications: returning to the human values of closeness and proximity, adding the certainty of knowledge and science.

Rustica is born out of the DNA of our awarded font Rotunda, contributing to this typographic ecosystem humanist notes enhanced by the precision and discipline of geometry.

Designers: Tipotype Team



Rustica


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SK Merih
Designed by Salih Kizilkaya, SK Merih is a sans serif font family. This typeface has twelve styles and was published by Salih Kizilkaya.


SK Merih is a geometric sans serif and semi-condensed font family. Produced with a clean and modern design approach, SK Merih can be easily used in titles, body texts and many points you may need in design.

SK Merih takes its name from Mars. Although Merih is not used today, it is the Turkish equivalent of Mars.

SK Merih consists of 12 fonts and 5244 glyphs in total and has multilingual support. In this way, it contains all the typographic elements you will need in your designs.



SK Merih


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Handmade Stencil JNL
Designed by Jeff Levine, Handmade Stencil JNL is a display slab and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.



Handmade Stencil JNL


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Game Rules JNL
Designed by Jeff Levine, Game Rules JNL is a display slab font family. This typeface has two styles and was published by Jeff Levine Fonts.


While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”.

Game Rules JNL is available in both regular and oblique versions.



Game Rules JNL


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Organic Pro
Designed by Neil Summerour, Organic Pro is a sans serif font family. This typeface has sixteen styles and was published by Positype.


When I released the original Organic in 2009, I was satisfied with it. It was what was possible from me and the technology at the time. The Organic Pro of 2021 takes those original desires of delivering a highly legible and friendly sans serif, and doubles down on those notions, while exploring what further infusing warmth in a highly structured sans serif can really do for a client.

Free of distracting and potentially dating visual traits and cues that could be seen as endemic of a specific time period or ‘type trend’, Organic Pro is its own person—take it or leave it. Inviting warmth, assured reliability, and a head nod of confidence is what you walk away with—a stark contrast to the cold, impersonal geometrics and grotesques proliferating the design annuals currently. Releasing this typeface now, completely redrawing the masters, as well as expanding the weight and language options, should be seen as a laid back challenge that we need to do less with type, let it communicate confidently and warmly when it needs to, and stop forcing one-size-fits-all type trends on everyone.



Organic Pro


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