Milanesa Serif
Designed by Andrés Ramírez, Milanesa Serif is a serif font family. This typeface has eight styles and was published by Sudtipos.


Serif typefaces have undergone a constant change over time; this has allowed the emergence of modern shapes that bring expressiveness to each letter, making them fun to use and design.

Milanesa Serif is a typeface family with seven weights that changes the contrast angle in its black version, achieving a particular transition in the different interpolations. Beyond maintaining the traditional canon in a serif, Milanesa plays with a modern concept to impose its versatility in different graphic applications.

Milanesa Serif undergoes a metamorphosis in its weights, intensifying its shapes and varying its counterforms without losing the sense of the typeface family, perfect for versatile uses such as web design, editorial or packaging, among many others.



Milanesa Serif


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Edellyn Script
Designed by Hendry Juanda, Edellyn Script is a modern calligraphy and script font published by Letterhend Studio.


Introducing,
Edellyn Script, a modern script typeface. This collection of scripts is perfect for personal branding.  As you can see, this typeface has beutiful and modern look which is perfectly made to be applied especially in headline, logotype, apparel, invitation, branding, packaging, wedding card, advertising etc.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
alternates
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

if you have any questions don’t hesitate to send our email at letterhend@gmail.com. Thank you for purchase this font and Happy Creating !!!



Edellyn Script


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Oildale
Designed by Michael Parson, Oildale is a display and hand display font published by Typogama.


Oildale is a single weight, connecting script that explores the idea of using crossed strokes as the main body of the typeface. Designed as a display font, it’s bold form and unique appearance lend it a distinctive charm that can be used in branding, headlines or other titling. Featuring an extended Latin support covering a wide range of langages, it also includes a range of Opentype options, from a choice of numerals, ligatures or decorative, swash letters.



Oildale


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Packaged Cookies JNL
Designed by Jeff Levine, Packaged Cookies JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


An image found online of the first [1923] “Oreo Sandwich” package provided a type inspiration from the pen-lettered block sans with rounded corners used for the product’s name.  Prior to 1923, the cookies were sold in boxes or tins. 

The result is Packaged Cookies JNL, which is available in both regular and oblique versions.



Packaged Cookies JNL


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Rustica
Designed by Martin Sommaruga, Fernando Díaz and Vicente Lamónaca, Rustica is a sans serif font family. This typeface has twenty styles and was published by TipoType.


The world has changed; we want it to change. But it has a history too. Rustica draws back to the sans typeface tradition and updates it for the 21st century; we aim to go back to the humanist values without dismissing the role played by technology.It’s a GeoHumanist sans serif.

Type design looks back at its past to return with renovated strength to its march to the future. Rustica is based on a humanist architecture with the addition of the determination and precision of the geometry of the classic sans of the early 20th century.

Thus, a typographic conception typical of 21st century communications: returning to the human values of closeness and proximity, adding the certainty of knowledge and science.

Rustica is born out of the DNA of our awarded font Rotunda, contributing to this typographic ecosystem humanist notes enhanced by the precision and discipline of geometry.

Designers: Tipotype Team



Rustica


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SK Merih
Designed by Salih Kizilkaya, SK Merih is a sans serif font family. This typeface has twelve styles and was published by Salih Kizilkaya.


SK Merih is a geometric sans serif and semi-condensed font family. Produced with a clean and modern design approach, SK Merih can be easily used in titles, body texts and many points you may need in design.

SK Merih takes its name from Mars. Although Merih is not used today, it is the Turkish equivalent of Mars.

SK Merih consists of 12 fonts and 5244 glyphs in total and has multilingual support. In this way, it contains all the typographic elements you will need in your designs.



SK Merih


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Handmade Stencil JNL
Designed by Jeff Levine, Handmade Stencil JNL is a display slab and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.



Handmade Stencil JNL


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Game Rules JNL
Designed by Jeff Levine, Game Rules JNL is a display slab font family. This typeface has two styles and was published by Jeff Levine Fonts.


While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”.

Game Rules JNL is available in both regular and oblique versions.



Game Rules JNL


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Organic Pro
Designed by Neil Summerour, Organic Pro is a sans serif font family. This typeface has sixteen styles and was published by Positype.


When I released the original Organic in 2009, I was satisfied with it. It was what was possible from me and the technology at the time. The Organic Pro of 2021 takes those original desires of delivering a highly legible and friendly sans serif, and doubles down on those notions, while exploring what further infusing warmth in a highly structured sans serif can really do for a client.

Free of distracting and potentially dating visual traits and cues that could be seen as endemic of a specific time period or ‘type trend’, Organic Pro is its own person—take it or leave it. Inviting warmth, assured reliability, and a head nod of confidence is what you walk away with—a stark contrast to the cold, impersonal geometrics and grotesques proliferating the design annuals currently. Releasing this typeface now, completely redrawing the masters, as well as expanding the weight and language options, should be seen as a laid back challenge that we need to do less with type, let it communicate confidently and warmly when it needs to, and stop forcing one-size-fits-all type trends on everyone.



Organic Pro


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Anatolian
Designed by Ceyhun Birinci, Anatolian is a display serif font family. This typeface has twelve styles and was published by Artegra.


Anatolian typeface was designed with inspiration from the traditional Anatolian kilim motifs and symbols that characterize Turkish culture. Motifs and design elements that has been used for centuries on carpets now found place in a typeface as serifs. It was exciting to see how these old design elements would turn into a modern font that would be applicable for modern designs.

The result was the Anatolian typeface; a purely Anatolian display family that is surprisingly readable as a text font also. Carefully designed proportions and serifs allowed this legibility while standing out as a unique typeface. This new type system would work great in branding, advertising, packaging and many other design areas whether traditional or modern.



Anatolian


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Bonkey
Designed by Jakob Fischer, Bonkey is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.


Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!



Bonkey


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Foreign Film JNL
Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”



Foreign Film JNL


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Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


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