SK Merih
Designed by Salih Kizilkaya, SK Merih is a sans serif font family. This typeface has twelve styles and was published by Salih Kizilkaya.


SK Merih is a geometric sans serif and semi-condensed font family. Produced with a clean and modern design approach, SK Merih can be easily used in titles, body texts and many points you may need in design.

SK Merih takes its name from Mars. Although Merih is not used today, it is the Turkish equivalent of Mars.

SK Merih consists of 12 fonts and 5244 glyphs in total and has multilingual support. In this way, it contains all the typographic elements you will need in your designs.



SK Merih


Continue reading
Handmade Stencil JNL
Designed by Jeff Levine, Handmade Stencil JNL is a display slab and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.



Handmade Stencil JNL


Continue reading
Game Rules JNL
Designed by Jeff Levine, Game Rules JNL is a display slab font family. This typeface has two styles and was published by Jeff Levine Fonts.


While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”.

Game Rules JNL is available in both regular and oblique versions.



Game Rules JNL


Continue reading
Organic Pro
Designed by Neil Summerour, Organic Pro is a sans serif font family. This typeface has sixteen styles and was published by Positype.


When I released the original Organic in 2009, I was satisfied with it. It was what was possible from me and the technology at the time. The Organic Pro of 2021 takes those original desires of delivering a highly legible and friendly sans serif, and doubles down on those notions, while exploring what further infusing warmth in a highly structured sans serif can really do for a client.

Free of distracting and potentially dating visual traits and cues that could be seen as endemic of a specific time period or ‘type trend’, Organic Pro is its own person—take it or leave it. Inviting warmth, assured reliability, and a head nod of confidence is what you walk away with—a stark contrast to the cold, impersonal geometrics and grotesques proliferating the design annuals currently. Releasing this typeface now, completely redrawing the masters, as well as expanding the weight and language options, should be seen as a laid back challenge that we need to do less with type, let it communicate confidently and warmly when it needs to, and stop forcing one-size-fits-all type trends on everyone.



Organic Pro


Continue reading
Anatolian
Designed by Ceyhun Birinci, Anatolian is a display serif font family. This typeface has twelve styles and was published by Artegra.


Anatolian typeface was designed with inspiration from the traditional Anatolian kilim motifs and symbols that characterize Turkish culture. Motifs and design elements that has been used for centuries on carpets now found place in a typeface as serifs. It was exciting to see how these old design elements would turn into a modern font that would be applicable for modern designs.

The result was the Anatolian typeface; a purely Anatolian display family that is surprisingly readable as a text font also. Carefully designed proportions and serifs allowed this legibility while standing out as a unique typeface. This new type system would work great in branding, advertising, packaging and many other design areas whether traditional or modern.



Anatolian


Continue reading
Bonkey
Designed by Jakob Fischer, Bonkey is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.


Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!



Bonkey


Continue reading
Foreign Film JNL
Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”



Foreign Film JNL


Continue reading
Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


Continue reading
Bonkey
Designed by Jakob Fischer, Bonkey is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.


Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!



Bonkey


Continue reading
Foreign Film JNL
Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”



Foreign Film JNL


Continue reading
Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


Continue reading
Foreign Film JNL
Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”



Foreign Film JNL


Continue reading
Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


Continue reading