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| Designed by Rian Hughes, Chassis is a display font family. This typeface has two styles and was published by Device. |
A hefty, powerful geometric sans with weight and presence. The unusual counters are defined by lines which cut into the letter shapes.
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| Designed by Rian Hughes, Cynosure is a sans serif font family. This typeface has fourteen styles and was published by Device. |
Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces.
The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required.
Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.
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| Designed by Rian Hughes, Disclosure is a display and display sans font published by Device. |
Disclosure is suggestive of low-grade digital output, screen displays, fax machines, or high-speed data transfer. It is missing vertical sections, perhaps due to a faulty print head or signal degradation. It is intentionally monospaced — each letter has the same width, like a typewriter — and unkerned. Suitable for uses where an unfussy urgency and drama is required. Developed from the 112 Hours numbers-only font, Throughput.
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| Designed by Rian Hughes, Chassis is a display font family. This typeface has two styles and was published by Device. |
A hefty, powerful geometric sans with weight and presence. The unusual counters are defined by lines which cut into the letter shapes.
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| Designed by Rian Hughes, Cynosure is a sans serif font family. This typeface has fourteen styles and was published by Device. |
Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces.
The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required.
Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.
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| Designed by Rian Hughes, Disclosure is a display and display sans font published by Device. |
Disclosure is suggestive of low-grade digital output, screen displays, fax machines, or high-speed data transfer. It is missing vertical sections, perhaps due to a faulty print head or signal degradation. It is intentionally monospaced — each letter has the same width, like a typewriter — and unkerned. Suitable for uses where an unfussy urgency and drama is required. Developed from the 112 Hours numbers-only font, Throughput.
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| Designed by Rian Hughes, Valvolina is a display font family. This typeface has two styles and was published by Device. |
Valvolina is a bold headline font inspired by Italian Futurism and the Moderne graphic design of the inter-war period. It uses elementary geometric shapes to build its characters, lending it an energy and punch. Dramatic and contemporary.
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| Hermit Crab is a modern calligraphy and script font published by Dhan Studio. |
Hermit Crab is a beautiful modern handwritten font specially designed for your current and future design needs.
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| Designed by Jakob Fischer, Dramatisk is a display, hand display and hand drawn font family. This typeface has two styles and was published by Bogstav. |
Dramatisk is my attempt on making a square-is sans font, suitable for headlines, shoutouts and even massive amounts of text! Choose between the 5 different versions of each letter, or use the contextual alternates and see how the magic magically and automatically just happens!
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| Designed by Jakob Fischer, Dramatisk is a display, hand display and hand drawn font family. This typeface has two styles and was published by Bogstav. |
Dramatisk is my attempt on making a square-is sans font, suitable for headlines, shoutouts and even massive amounts of text! Choose between the 5 different versions of each letter, or use the contextual alternates and see how the magic magically and automatically just happens!
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| Designed by Donald Tarallo, East is a sans serif font family. This typeface has thirteen styles and was published by Tarallo Design. |
East is a sans serif condensed font. It has six weights between Light and Extra Bold. A variable font is also available.
Clarity and versatility make East a good choice for app design, branding, film titles, information, packages, posters, and publications. It is simple, friendly, and confident.
Its condensed design makes it easy to fit text in tight spaces. The light weight has excellent clarity for easy reading, even at small sizes. The Extra Bold weight will capture attention as a headline or large body text.
The name «East» is intended to evoke optimism, movement, travel, and the sunrise. It is timeless and current with a subtle nostalgia—inspired by the charming one-off sans serifs on early Jazz albums, film titles, newspapers, and road signage.
East has many OpenType features (please see slides). It offers eight stylistic sets. These can quickly alter large amounts of text. It has a set for a one-story “a” for simpler paragraph textures, and a set for hooked letters (f, j, l, r, t, y) for a warmer and playful personality. A seriffed uppercase I and 1 along with a slashed zero offer better legibility when needed. There are also sets for a curly German eszett, cap-aligned punctuation for Spanish, and a raised colon. Other OpenType alternates include; three different uppercase German eszetts, a tapered exclamation point, an alternate 4, standard ligatures, discretionary ligatures, a tapered asterisk, and a set of bullets (round, square, and diamond).
It also contains vertically stacked pre-built fractions. Diagonally built alternatives are offered for the common fractions (one quarter, one half, and three quarters, percent, per thousand).
It will support western and central European languages as well as other Latin-based written languages (check for your language). There are some Greek math-related glyphs and math symbols beyond the common ones.
Read on if you are not familiar with variable fonts.
East is also available as a variable font. If you purchase the font family a variable font is included. It can also be purchased alone. If you want to try it, install the file “East-variable.ttf” first. See how it works and if you do not like it, remove it and install the standard “.otf” files.
What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, benefitting both web and software performance.
Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.
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| Designed by Rodrigo Araya Salas and Andrey Kudryavtsev, Elah is a display and hand display font family. This typeface has four styles and was published by Rodrigo Typo. |
Elah is a typeface family of 4 styles, a display typeface
especially for children and fantasy stories! It has the regular version
and an alternative, more online.
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| Designed by Jakob Fischer, Dramatisk is a display, hand display and hand drawn font family. This typeface has two styles and was published by Bogstav. |
Dramatisk is my attempt on making a square-is sans font, suitable for headlines, shoutouts and even massive amounts of text! Choose between the 5 different versions of each letter, or use the contextual alternates and see how the magic magically and automatically just happens!
