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| Designed by Jakob Fischer, Dramatisk is a display, hand display and hand drawn font family. This typeface has two styles and was published by Bogstav. |
Dramatisk is my attempt on making a square-is sans font, suitable for headlines, shoutouts and even massive amounts of text! Choose between the 5 different versions of each letter, or use the contextual alternates and see how the magic magically and automatically just happens!
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| Designed by Donald Tarallo, East is a sans serif font family. This typeface has thirteen styles and was published by Tarallo Design. |
East is a sans serif condensed font. It has six weights between Light and Extra Bold. A variable font is also available.
Clarity and versatility make East a good choice for app design, branding, film titles, information, packages, posters, and publications. It is simple, friendly, and confident.
Its condensed design makes it easy to fit text in tight spaces. The light weight has excellent clarity for easy reading, even at small sizes. The Extra Bold weight will capture attention as a headline or large body text.
The name «East» is intended to evoke optimism, movement, travel, and the sunrise. It is timeless and current with a subtle nostalgia—inspired by the charming one-off sans serifs on early Jazz albums, film titles, newspapers, and road signage.
East has many OpenType features (please see slides). It offers eight stylistic sets. These can quickly alter large amounts of text. It has a set for a one-story “a” for simpler paragraph textures, and a set for hooked letters (f, j, l, r, t, y) for a warmer and playful personality. A seriffed uppercase I and 1 along with a slashed zero offer better legibility when needed. There are also sets for a curly German eszett, cap-aligned punctuation for Spanish, and a raised colon. Other OpenType alternates include; three different uppercase German eszetts, a tapered exclamation point, an alternate 4, standard ligatures, discretionary ligatures, a tapered asterisk, and a set of bullets (round, square, and diamond).
It also contains vertically stacked pre-built fractions. Diagonally built alternatives are offered for the common fractions (one quarter, one half, and three quarters, percent, per thousand).
It will support western and central European languages as well as other Latin-based written languages (check for your language). There are some Greek math-related glyphs and math symbols beyond the common ones.
Read on if you are not familiar with variable fonts.
East is also available as a variable font. If you purchase the font family a variable font is included. It can also be purchased alone. If you want to try it, install the file “East-variable.ttf” first. See how it works and if you do not like it, remove it and install the standard “.otf” files.
What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, benefitting both web and software performance.
Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.
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| Designed by Rodrigo Araya Salas and Andrey Kudryavtsev, Elah is a display and hand display font family. This typeface has four styles and was published by Rodrigo Typo. |
Elah is a typeface family of 4 styles, a display typeface
especially for children and fantasy stories! It has the regular version
and an alternative, more online.
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| Designed by Ray Larabie, Xyzai is a display font family. This typeface has two styles and was published by Typodermic Fonts Inc. |
Xyzai is a hardcore, Y2K-style techno typeface. Imbue your designs with digital tenderness.
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| Designed by Philip Lammert, Adelbrook is a serif font family. This typeface has twelve styles and was published by Vibrant Types. |
Adelbrook is a dynamic serif typeface that keeps calm. It enriches text with the archaic structure of humanist type, because its characters arrange in a harmonious rhythm with a dynamic stroke, asymmetric serifs and stems that lean in the direction of reading. These characters have gravity and are firmly on the baseline. The tapered stems define a heaviness that end in emphasized foot serifs. Actually all the details are heftier the lower they are. This is particularly evident in a subtle vertical hairline variation, light or unapplied head serifs, and clipped upper dots.
The clearness of the semi-serif italics with a brushy nature integrates perfectly in a subtle way. All these details result in a sophisticated text typeface with a sharp contemporary design.
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| Designed by Jakob Fischer, Drowsy Lunch is a display and hand display font family. This typeface has two styles and was published by Pizzadude.dk. |
The inspiration for this font (as well as the name!) comes from a London cafe I visited years ago. I was fascinated with the handwritten menu - irregular and awkward, yet refreshingly charming. I did my best to recall that particular look by adding 4 slightly different versions of each lowercase letter.
The name of the font comes from the speed of the waiter…or the lack of it! But luckily he took his time, otherwise I wouldn’t have had the time to really look at the handwritten menu! :)
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| Designed by Robert Schenk, JetJane is a sans serif font family. This typeface has thirty-six styles and was published by Ingrimayne Type. |
JetJane is a geometric sans-serif family. The family has two widths and each width has nine weights. Each of these 18 fonts comes with an accompanying italics version, giving the family a total of 36 members.
JetJane, like other geometric sans faces, is plain, unadorned, and highly legible. It is derived from JetJaneMono, a monospaced sans-serif face. This development is unusual because one expects the monospaced variants to be created after the proportional variant, if a monospaced variant is even produced. This development history results in some distinctive differences between JetJane and two other geometric sans faces from IngrimayneType, AndrewAndreas and Yassitf.
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| Designed by Hendry Juanda, Modern Prestige is a display, display serif and script font published by Letterhend Studio. |
Modern Prestige is a unique serif which is combined with copperplate script letterform with all the swashes! This typeface has many alternates with swashes that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font one of a kind!
This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Jakob Fischer, Butter Cookie is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav. |
Did you ever taste a Butter Cookie that you didn’t like? I bet the answer is no. It hasn’t happened to me yet.
Actually I did have a butter cookie and a cup of coffee while finishing this font - and it was great! :)
The font, Butter Cookie, is a playful and whimsical comic font. Like magic, the letters change as you type - but that is really not magic, but the contextual alternates…they automatically cycles through the 3 different versions as you type!
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| Designed by Hendry Juanda, Modern Prestige is a display, display serif and script font published by Letterhend Studio. |
Modern Prestige is a unique serif which is combined with copperplate script letterform with all the swashes! This typeface has many alternates with swashes that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font one of a kind!
This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Jakob Fischer, Butter Cookie is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav. |
Did you ever taste a Butter Cookie that you didn’t like? I bet the answer is no. It hasn’t happened to me yet.
Actually I did have a butter cookie and a cup of coffee while finishing this font - and it was great! :)
The font, Butter Cookie, is a playful and whimsical comic font. Like magic, the letters change as you type - but that is really not magic, but the contextual alternates…they automatically cycles through the 3 different versions as you type!
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| Designed by Ricardo Marcin and Erica Jung, Chorine is a hand display and retro font family. This typeface has two styles and was published by The Flying Type. |
Chorine is a retro face, impacting and comfy, available in two cuts. It’s great for vintage, nostalgic and psychedelic pieces yet also for creative contemporary designs.
Chorine sounds sixties, sounds seventies and sounds perfectly now. Play it!
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| Designed by Jakob Fischer, Butter Cookie is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav. |
Did you ever taste a Butter Cookie that you didn’t like? I bet the answer is no. It hasn’t happened to me yet.
Actually I did have a butter cookie and a cup of coffee while finishing this font - and it was great! :)
The font, Butter Cookie, is a playful and whimsical comic font. Like magic, the letters change as you type - but that is really not magic, but the contextual alternates…they automatically cycles through the 3 different versions as you type!
