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| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
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| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
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| Designed by Md. Shohail Bhuiyan, Enjoy Christmas is a hand drawn font published by Seemly Fonts. |
Enjoy Christmas is a cute and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a personal and realistic feel to your designs.
 |
| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
 |
| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
 |
| Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts. |
Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work.
Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind.
In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal.
For all fonts there are matching italics in a well-developed set of 677 characters. In addition, it is possible to change the digits and currency characters from proportional to tabular or OldStyle via the OpenType feature, and small caps are also available in all fonts.
Volker Schnebel, June 2021
 |
| Designed by Md. Shohail Bhuiyan, Enjoy Christmas is a hand drawn font published by Seemly Fonts. |
Enjoy Christmas is a cute and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a personal and realistic feel to your designs.
 |
| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
| |
| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
| |
| Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts. |
Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work.
Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind.
In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these extreme bolds that give them a special graphic appeal.
For all fonts there are matching italics in a well-developed set of 677 characters. In addition, it is possible to change the digits and currency characters from proportional to tabular or OldStyle via the OpenType feature, and small caps are also available in all fonts.
Volker Schnebel, June 2021
 |
| Designed by Md. Shohail Bhuiyan, Enjoy Christmas is a hand drawn font published by Seemly Fonts. |
Enjoy Christmas is a cute and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a personal and realistic feel to your designs.
 |
| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
 |
| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
