jp DIN Vario
Designed by Volker Schnebel, jp DIN Vario is a sans serif font published by JPFonts.


DIN Vario (multi) variable font infinitely adjustable in 3 axes: from thin to black: from Compressed to Expanded Italic Angle: from 0 to 15°
The fact that there are finally user programs that support variable fonts and thus offer the user the possibility to make fine adjustments in line thickness and width without having to deform the characters unnecessarily, immediately thrilled me as a font designer. You can use this technique in different ways. Either they are used to achieve only marginal deviations between small and large font sizes, for example, or, as is also possible in DIN Vario, to cover a wide spectrum between thin and black, narrow and wide and in a third axis even a stepless italic angle between 0 and 15°. This task places special demands on the designer and not every type face is equally suitable for this, because shapes must be designed at the respective extremes, which provide a correct result in every possible intermediate interpolation. It was a particular concern to me that the italic angle should also be infinitely adjustable, because how many times have one thought: why exactly 10°? What about 9° or 12°? This can only works with a few fonts with high quality and without loss. DIN Vario, however, is suitable for its robust design, really perfect for this new technology. In order to be able to react additionally to individual requirements, it is possible to change the form of the “a” and “g” from double-storey to single-storey and vice versa by setting the corresponding style-set (under OpenType features) not only in the italics, but also in all fonts.



jp DIN Vario


Legit Didone
Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype.


Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.



Legit Didone


jp DIN Vario
Designed by Volker Schnebel, jp DIN Vario is a sans serif font published by JPFonts.


DIN Vario (multi) variable font infinitely adjustable in 3 axes: from thin to black: from Compressed to Expanded Italic Angle: from 0 to 15°
The fact that there are finally user programs that support variable fonts and thus offer the user the possibility to make fine adjustments in line thickness and width without having to deform the characters unnecessarily, immediately thrilled me as a font designer. You can use this technique in different ways. Either they are used to achieve only marginal deviations between small and large font sizes, for example, or, as is also possible in DIN Vario, to cover a wide spectrum between thin and black, narrow and wide and in a third axis even a stepless italic angle between 0 and 15°. This task places special demands on the designer and not every type face is equally suitable for this, because shapes must be designed at the respective extremes, which provide a correct result in every possible intermediate interpolation. It was a particular concern to me that the italic angle should also be infinitely adjustable, because how many times have one thought: why exactly 10°? What about 9° or 12°? This can only works with a few fonts with high quality and without loss. DIN Vario, however, is suitable for its robust design, really perfect for this new technology. In order to be able to react additionally to individual requirements, it is possible to change the form of the “a” and “g” from double-storey to single-storey and vice versa by setting the corresponding style-set (under OpenType features) not only in the italics, but also in all fonts.



jp DIN Vario


Legit Didone
Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype.


Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.



Legit Didone


Tuerca
Designed by Pablo Balcells, Tuerca is a display sans font family. This typeface has eight styles and was published by Graviton.


Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.

Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.



Tuerca


jp DIN Vario
Designed by Volker Schnebel, jp DIN Vario is a sans serif font published by JPFonts.


DIN Vario (multi) variable font infinitely adjustable in 3 axes: from thin to black: from Compressed to Expanded Italic Angle: from 0 to 15°
The fact that there are finally user programs that support variable fonts and thus offer the user the possibility to make fine adjustments in line thickness and width without having to deform the characters unnecessarily, immediately thrilled me as a font designer. You can use this technique in different ways. Either they are used to achieve only marginal deviations between small and large font sizes, for example, or, as is also possible in DIN Vario, to cover a wide spectrum between thin and black, narrow and wide and in a third axis even a stepless italic angle between 0 and 15°. This task places special demands on the designer and not every type face is equally suitable for this, because shapes must be designed at the respective extremes, which provide a correct result in every possible intermediate interpolation. It was a particular concern to me that the italic angle should also be infinitely adjustable, because how many times have one thought: why exactly 10°? What about 9° or 12°? This can only works with a few fonts with high quality and without loss. DIN Vario, however, is suitable for its robust design, really perfect for this new technology. In order to be able to react additionally to individual requirements, it is possible to change the form of the “a” and “g” from double-storey to single-storey and vice versa by setting the corresponding style-set (under OpenType features) not only in the italics, but also in all fonts.



jp DIN Vario


Legit Didone
Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype.


Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.



Legit Didone


Tuerca
Designed by Pablo Balcells, Tuerca is a display sans font family. This typeface has eight styles and was published by Graviton.


Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.

Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.



Tuerca


Legit Didone
Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype.


Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.



Legit Didone


Tuerca
Designed by Pablo Balcells, Tuerca is a display sans font family. This typeface has eight styles and was published by Graviton.


Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.

Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.



Tuerca


Vernacular Clarendon
Designed by Volker Schnebel, Vernacular Clarendon is a serif font family. This typeface has twelve styles and was published by JPFonts.


About the typeface
The build up of the inital project had the effect of bringing the different styles
closer together. Sans and Clarendon have a vertical axis and similar endings
in contrast to the Serif with a traditional diagonal axis.The straight stems from
the original project are used as an element to stress the closeness of the type
family. They thus share a comon feature.



Vernacular Clarendon


Vernacular Sans
Designed by Volker Schnebel, Vernacular Sans is a sans serif font family. This typeface has twelve styles and was published by JPFonts.


About the typeface
The build up of the inital project had the effect of bringing the different styles
closer together. Sans and Clarendon have a vertical axis and similar endings
in contrast to the Serif with a traditional diagonal axis.The straight stems from
the original project are used as an element to stress the closeness of the type
family. They thus share a comon feature.



Vernacular Sans


Silent Waste
Designed by Jakob Fischer, Silent Waste is a hand display font family. This typeface has two styles and was published by Bogstav.


Silent Waste is based upon a misspelling on a sign. It’s handdrawn, yet digitally manipulated. But you can’t tell!



Silent Waste