Wild Star Font Duo
Designed by Sam Parrett, Wild Star Font Duo is a blackletter, hand drawn and script font family. This typeface has three styles and was published by Set Sail Studios.


Wild Star is a font duo not to be tamed – this pairing of modern blackletter font & unrestrained script font aren’t afraid to make your message heard loud & clear. It’s a bold choice for merchandise, album artwork, logo designs, quotes & more.

This family includes;

Wild Star • A modern blackletter font containing lowercase only characters, plus numerals and a full range of punctuation. There are alternate stylistic versions for letters g, l & y which contain an underline flourish. To access these, simply turn on ‘Stylistic Alternates’, or access them via a Glyphs panel.

Wild Star Outline • A second version of the Wild Star font with an outline effect added.

Wild Star Script • A rough, hand-scratched font containing 2 sets of uppercase characters, numerals and a full set of punctuation. Simply turn your caps lock on & off to switch between the 2 sets of characters.

Language Support • All Wild Star fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian



Wild Star Font Duo


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Galvani
Designed by Dieter Hofrichter, Galvani is a sans serif font family. This typeface has eighteen styles and was published by Hoftype.


Galvani offers a new geometric Sans Serif with humanistic displays. With its straight lines and rectangular shapes, and its clean and coolish appearance, Galvani unites some of the principal sans design features of the last decades.

Galvani consists of 18 styles and is well equipped for advanced typography. It comes in OpenType format with extended languagesupport.

All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.



Galvani


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Turquoise Tuscan
Designed by Giuseppe Salerno and Paco González, Turquoise Tuscan is a display serif and serif font published by Resistenza.es.




Turquoise Tuscan


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Native Roast
Designed by Hendry Juanda, Native Roast is a display serif font family. This typeface has three styles and was published by Letterhend Studio.


Native Roast is a serif font with 3 layered style. You can create vintage 3D look without using any add-on, only with fonts! This font is suitable for a vintage poster, 3d type, or retro Including number and punctuation, also support multi language. This font also contain a bunch of alternates!

What will you get :

- Native Roast Regular, Extrude & Shadow
- uppercase and lowercase
- numbers and punctuation
- multilingual & stylistic alteranate
- PUA encoded



Native Roast


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Power Breakfast
Designed by David Kerkhoff, Power Breakfast is a hand display font family. This typeface has two styles and was published by Hanoded.


I am a firm believer in the fact that breakfast is the most important meal of the day. So, for the last 10 years (ever since I became a father), I have been serving my family a healthy breakfast. I live in The Netherlands, so the main portion of breakfast is bread, but I try to serve something ‘nice’ every day. Like strawberries, yoghurt with banana and brown sugar (not too much sugar!), oatmeal porridge or granola.
I myself like Indonesian fried rice (nasi goreng) for breakfast, but I am afraid my kids won’t eat that in the morning…

Power Breakfast is a handmade display font. Yes, it is wobbly, yes, it is uneven, but that’s what’s so darn good about it!



Power Breakfast


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Grato & Gratimo Classic
Designed by Jakob Runge and Mona Franz, Grato & Gratimo Classic is a sans serif font family. This typeface has twenty-one styles and was published by TypeMates.


The geometric Classic is available in two optical sizes: For larger sizes and purer geometry, Grato Classic is tuned for branding and identity design. If you need less geometry and more legibility, Gratimo Classic is fine-tuned for text and interface design.

Grato Classic is the humanist voice of the Geometric Suite. A timeless typeface with sharply cut terminals and apexes, it combines a pure, present voice with idiosyncrasy and luxury.
Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Classic takes that core and pursues the classical proportions and calligraphic detailing of early British geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work.
With a spectrum of nine weights, from fine Hairlines to super heavy Blacks, Grato can organise complex typographic hierarchies with ease.

Gratimo Classic is a powerful workhorse that combines elementary shapes and precise construction. An utilitarian family purpose-built for everyday use.
Where Grato Classic revels in pure geometry, Gratimo Classic has a practical focus. With a robust x-height, open apertures and generous spacing, its more restrained forms were the result of Grato being redrawn for reading. The result is a space saving typeface that draws on the humanist geometric types of Johnston and Gill to make something new.
An allrounder specialising in smaller reading sizes and lower resolutions, Gratimo Classic is suitable for user interfaces and longform writing. With a compact texture, it is efficient, robust and ready to work at any size.
For serious typography, Gratimo comes equipped with six weights, from Thin to sturdy Black. For greater distinction, it has matching italics.

Both combined are a super pack with 21 font styles and a long-lasting companion for brands that value diversity in language and clear screen performance.



Grato & Gratimo Classic


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Native Roast
Designed by Hendry Juanda, Native Roast is a display serif font family. This typeface has three styles and was published by Letterhend Studio.


Native Roast is a serif font with 3 layered style. You can create vintage 3D look without using any add-on, only with fonts! This font is suitable for a vintage poster, 3d type, or retro Including number and punctuation, also support multi language. This font also contain a bunch of alternates!

What will you get :

- Native Roast Regular, Extrude & Shadow
- uppercase and lowercase
- numbers and punctuation
- multilingual & stylistic alteranate
- PUA encoded



Native Roast


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Power Breakfast
Designed by David Kerkhoff, Power Breakfast is a hand display font family. This typeface has two styles and was published by Hanoded.


I am a firm believer in the fact that breakfast is the most important meal of the day. So, for the last 10 years (ever since I became a father), I have been serving my family a healthy breakfast. I live in The Netherlands, so the main portion of breakfast is bread, but I try to serve something ‘nice’ every day. Like strawberries, yoghurt with banana and brown sugar (not too much sugar!), oatmeal porridge or granola.
I myself like Indonesian fried rice (nasi goreng) for breakfast, but I am afraid my kids won’t eat that in the morning…

Power Breakfast is a handmade display font. Yes, it is wobbly, yes, it is uneven, but that’s what’s so darn good about it!



Power Breakfast


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Grato & Gratimo Classic
Designed by Jakob Runge and Mona Franz, Grato & Gratimo Classic is a sans serif font family. This typeface has twenty-one styles and was published by TypeMates.


The geometric Classic is available in two optical sizes: For larger sizes and purer geometry, Grato Classic is tuned for branding and identity design. If you need less geometry and more legibility, Gratimo Classic is fine-tuned for text and interface design.

Grato Classic is the humanist voice of the Geometric Suite. A timeless typeface with sharply cut terminals and apexes, it combines a pure, present voice with idiosyncrasy and luxury.
Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Classic takes that core and pursues the classical proportions and calligraphic detailing of early British geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work.
With a spectrum of nine weights, from fine Hairlines to super heavy Blacks, Grato can organise complex typographic hierarchies with ease.

Gratimo Classic is a powerful workhorse that combines elementary shapes and precise construction. An utilitarian family purpose-built for everyday use.
Where Grato Classic revels in pure geometry, Gratimo Classic has a practical focus. With a robust x-height, open apertures and generous spacing, its more restrained forms were the result of Grato being redrawn for reading. The result is a space saving typeface that draws on the humanist geometric types of Johnston and Gill to make something new.
An allrounder specialising in smaller reading sizes and lower resolutions, Gratimo Classic is suitable for user interfaces and longform writing. With a compact texture, it is efficient, robust and ready to work at any size.
For serious typography, Gratimo comes equipped with six weights, from Thin to sturdy Black. For greater distinction, it has matching italics.

Both combined are a super pack with 21 font styles and a long-lasting companion for brands that value diversity in language and clear screen performance.



Grato & Gratimo Classic


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Margarita
Designed by Rahmat Hidayat, Margarita is a modern calligraphy and script font published by RtCreative.


Margarita, a work that is purely handwritten, has natural characteristics. It’s perfect for invitations, signatures, blogs, social media, business cards, product brands.

Margarita is a simple font that has Stylistic standards, Stylistic Alternatives. and includes uppercase and lowercase letters, numbers and punctuation.

FILE INCLUDES

Margarita (OpenType, PUA)
Margarita (TrueType, PUA)

ssed by using OpenType smart programs like Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.

special greetings for all, hopefully we are always successful with work.
Price: $15



Margarita


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Summer Motion
Designed by Md. Shohail Bhuiyan, Summer Motion is a hand display font published by Seemly Fonts.


Summer Motion is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.



Summer Motion


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Devendra
Designed by Jordan Davies, Devendra is an art deco font published by Wooden Type Fonts.


An art deco style sans serif font, unusual in that negative spaces are missing from letters like lower and upper case o.



Devendra


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Megumi
Designed by Dave Rowland, Megumi is a display serif font family. This typeface has two styles and was published by Eclectotype Fonts.


Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”.
In a mess of venture capitalist pull-outs and Covid related issues, the publication never came to be, but the Hipster Japanophile Magazine World’s loss is your gain, as this beautifully crafted, editorial oddity is now available to license. Use it editorially, obviously, but it would also look great on posters, perfumes, postmodern publications, and perhaps some other things that don’t begin with p.



Megumi


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