Victorian Alphabets C is a display font published by Intellecta Design. |
Nsai is a sans serif font family. This typeface has thirty-six styles and was published by Aukimvisuel. |
Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals.
On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design. It’s a wonderful, bold and elegant font.
This font is guaranteed to make your design stand out from the crowd and leave a lasting impression, as it has the potential to enhance any creation.
Designed by Iqbal Firdaus, TG Minagi Sans is a sans serif font family. This typeface has fifteen styles and was published by Tegami Type. |
TG Minagi Sans is a neo-humanist sans serif that takes inspiration from some calligraphy and blackletter letterforms providing sharp details and a little stiffness in some parts of the typeface. By combining these things with the modern form of the sans serif letter, TG Minagi Sans has a forceful and distinct character. Super terrific when used at massive sizes for display purposes and headlines, but reliable enough for small text sizes.
TG Minagi Sans comes with 7 weights, 2 axes & 14 Styles, including a variable font file. Has several OpenType features such as various ligatures, lining figures (proportional, old styles, superior, inferior, denominator, numerator & fraction), stylistic styles 01-04 & covered more than 100 languages Latin based.
Victorian Alphabets C is a display font published by Intellecta Design. |
Victorian Alphabets C is a display font published by Intellecta Design. |
Designed by Kimberly Geswein, KG Midnight Memories is a hand drawn font published by Kimberly Geswein Fonts. |
A chalky, handwritten neat school-friendly font.
Designed by Hendry Juanda, Silvestern is a display font published by Letterhend Studio. |
Introducing, Silvestern. A vintage display typeface with the touch of nostalgic feel yet still looks luxury in a modern design concept. This typeface has unique looks and strong character with its ornament as bonus. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- Uppercase & lowercase (alternates)
- Numbers and punctuation
- Stylistic alternates
- multilingual
- PUA encoded
- Extra ornament in vector
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
Victorian Alphabets Seven is a display font published by Intellecta Design. |
Designed by Rodrigo Araya Salas and Franco Hernández, Clarence Pro is a hand display and dingbat font family. This typeface has eight styles and was published by Rodrigo Typo. |
Clarence pro, is a version with many alternatives such as ligatures and alternatives in letters, it also contains the Greek and Cyrillic alphabet, especially for children and teenagers!
Designed by David Kerkhoff, Gravitational Pull is a hand drawn and script font family. This typeface has two styles and was published by Hanoded. |
My 9-year old son Sam asks a lot (a LOT!) of questions. Like: ‘what killed the dinosaurs?’ (probably an asteroid), ‘what is the distance to Pluto’ (about 7.5 billion km), ‘how big is space’ (93 billion lightyears - give or take). I am pretty sure he asked me about gravity as well.
Gravitational Pull is a messy pencil script font. It comes with a whole bunch of double-letter ligatures and some really wonky glyphs.
And no, in its virtual form, this font is not subject to the Earth’s gravitational pull.
Designed by Jakob Fischer, Sticky Rush is a hand display and hand drawn font family. This typeface has four styles and was published by Bogstav. |
This is my and it’s handmade super legible sans font. Very suitable for anything that needs a clearly handmade look, but not overdoing it. I’ve added several different versions, and they all fit on top of each other - or you can use them just fine as individual fonts.
Designed by Jakob Fischer, Sticky Rush is a hand display and hand drawn font family. This typeface has four styles and was published by Bogstav. |
This is my and it’s handmade super legible sans font. Very suitable for anything that needs a clearly handmade look, but not overdoing it. I’ve added several different versions, and they all fit on top of each other - or you can use them just fine as individual fonts.
Designed by Giuseppe Salerno, Annuario is a sans serif font family. This typeface has forty-eight styles and was published by Resistenza.es. |
Annuario is a sans serif font family made by 48 fonts