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| Designed by Rodrigo Araya Salas and Franco Hernández, Clarence Pro is a hand display and dingbat font family. This typeface has eight styles and was published by Rodrigo Typo. |
Clarence pro, is a version with many alternatives such as ligatures and alternatives in letters, it also contains the Greek and Cyrillic alphabet, especially for children and teenagers!
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| Designed by David Kerkhoff, Gravitational Pull is a hand drawn and script font family. This typeface has two styles and was published by Hanoded. |
My 9-year old son Sam asks a lot (a LOT!) of questions. Like: ‘what killed the dinosaurs?’ (probably an asteroid), ‘what is the distance to Pluto’ (about 7.5 billion km), ‘how big is space’ (93 billion lightyears - give or take). I am pretty sure he asked me about gravity as well.
Gravitational Pull is a messy pencil script font. It comes with a whole bunch of double-letter ligatures and some really wonky glyphs.
And no, in its virtual form, this font is not subject to the Earth’s gravitational pull.
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| Designed by Jakob Fischer, Sticky Rush is a hand display and hand drawn font family. This typeface has four styles and was published by Bogstav. |
This is my and it’s handmade super legible sans font. Very suitable for anything that needs a clearly handmade look, but not overdoing it. I’ve added several different versions, and they all fit on top of each other - or you can use them just fine as individual fonts.
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| Designed by Jakob Fischer, Sticky Rush is a hand display and hand drawn font family. This typeface has four styles and was published by Bogstav. |
This is my and it’s handmade super legible sans font. Very suitable for anything that needs a clearly handmade look, but not overdoing it. I’ve added several different versions, and they all fit on top of each other - or you can use them just fine as individual fonts.
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| Designed by Giuseppe Salerno, Annuario is a sans serif font family. This typeface has forty-eight styles and was published by Resistenza.es. |
Annuario is a sans serif font family made by 48 fonts
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| Designed by Ana Parracho, Dramatico Script is a multiple classification font family. This typeface has five styles and was published by Ana's Fonts. |
Dramatico is a script font family inspired by vintage handwritten postcards and notes. Perfect for any design that needs a vintage calligraphy look, Dramatico was handmade using a real dip pen and ink. Use it in signatures and logos, notes and quotes, social media posts, and branding and packaging.
Dramatico includes:
- Ligatures for a more natural text
- Swashes for most of the lower-case letters
- A set of ornaments to decorate your text
- A set of extras (lines, scribbles, arrows, splatters, etc) to add a grungier look to your vintage designs
- Bonus! Underlined and Strikethrough versions of the script font
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| Designed by Ricardo Marcin and Erica Jung, Tenacious Brush is a brush display font published by PintassilgoPrints. |
Tenacious Brush is an expressive font, provocative, free spirited and wild hearted.
It’s an all-caps face, with 4 alternates for each letter and 2 for each numeral — some letters also have stylistic choices. For that spontaneous hand-painted feel, you know. Turn on the contextual alternates feature to automatically cycle all these variety of glyphs. Or pick your choices manually, a task that’s that nowadays is truly fun with the ease offered by some applications when the font has a feature called ‘access all alternates’, which is absolutely the case here! If working in Adobe applications, for example, just select a glyph and you’ll see the other options for that one. Love it!
In addition to multiple alternates, the font brings yet some useful ornaments to give an extra buzz here and there. And let’s not forget to mention the extended language coverage.
Definitely a cool brush font, with a contemporary punch, offering endless design possibilities: logos, poster art, branding, bold imagery, packaging, t-shirts, apparel and much more… Always with loads of attitude included. Step into it!
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| Designed by Jeff Levine, Rock Concert JNL is a display, hand display and retro font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Rock Concert JNL is a playful free form type design inspired by the opening title and credits for the 1964 motion picture comedy “Send Me No Flowers” starring Rock Hudson, Doris Day, and Tony Randall.
Strongly resembling hippie movement poster lettering of the mid-1960s, this fonts fits well with any retro project emulating the “Peace and Love” movement or (as its name implies) re-creating period piece rock concert posters.
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| Designed by Jeff Levine, Road Picture JNL is a display sans and hand display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Road Picture JNL was modeled after the hand lettered title and credits for the 1940 Bob Hope-Bing Crosby semi-musical comedy “Road to Singapore”, and is available in both regular and oblique versions.
Although the lettering design doesn’t resemble anything that was probably used in Singapore at the time, its faux “exotic” look still makes for an interesting revival.
Bob Hope and Bing Crosby made a total of seven “road” pictures, hence the homage in the name of this type font.
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| Designed by Jeff Levine, Road Picture JNL is a display sans and hand display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Road Picture JNL was modeled after the hand lettered title and credits for the 1940 Bob Hope-Bing Crosby semi-musical comedy “Road to Singapore”, and is available in both regular and oblique versions.
Although the lettering design doesn’t resemble anything that was probably used in Singapore at the time, its faux “exotic” look still makes for an interesting revival.
Bob Hope and Bing Crosby made a total of seven “road” pictures, hence the homage in the name of this type font.
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| Designed by Anita Jürgeleit, Captura Now is a sans serif font family. This typeface has eighteen styles and was published by Anita Jürgeleit. |
Captura Now supports you create your next award-winning typographic experience.
Carefully refined shapes and sensitively balanced spacing and kerning create the gentle rythm that grants Captura Now its warm-hearted face, perfect in form and shape. Expanded with an enormous character set, Captura Now offers the freedom to transform your design into the Cyrillic-language world, as well as into any Latin based language — including Vietnamese.
Select one of the predefined styles or choose to continuously adjust the weights using the brand new variable font technology*. Numerous OpenType-features such as stylistic alternates, small caps, circled arrows, slashed zero and many more, have been implemented to simplify your work process.
1160 Glyphs | 18 Styles | 8 Weights + Italics | 2 Variable Fonts
Open Type Features:
Access All Alternates, Localized Forms, Subscript, Scientific Inferiors, Superscript, Numerators, Denominators, Fractions, Ordinals, Proportional Figures, Tabular Figures, Small Capitals From Capitals, Small Capitals, Ligatures, Slashed Zero, Stylistic Alternates
Captura Now supports 256 Languages — extended Latin incl. Vietnamese; Cyrillic incl. local forms:
Abaza, Abenaki, Adyghe, Afaan Oromo, Afar, Afrikaans, Agul, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Avar, Aymara, Azerbaijani, Balkar, Bashkir (Latin), Basque, Belarusian (Latin + Cyrillic), Bemba, Bikol, Bislama, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chechen, Chichewa, Chickasaw, Chukchi, Chuvash, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin + Cyrillic), Croatian, Czech, Danish, Dargin, Dawan, Delaware, Dholuo, Drehu, Dungan, Dutch, English, Erzya, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Ingush, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kabardian, Kaingang, Kala Lagaw Ya, Kalmyk, Karachay, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin + Cyrillic), Karelian (Latin), Kashubian, Kazakh, Khinalugh, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Komi, Kumyk, Kurdish (Latin), Kyrgyz, Ladin, Lak, Latin, Latino sine Flexione, Latvian, Lezgian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moksha, Moldovan, Mongolian, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Nanai, Neapolitan, Ngiyambaa, Niuean, Nogai, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Russian, Rusyn, Rutul, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin + Cyrillic), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tabasaran, Tagalog, Tahitian, Tajik, Tat, Tatar, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin+Cyrillic), Tuvaluan, Tzotzil, Uighur, Ukrainian, Uzbek (Latin + Cyrillic), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni
*Variable fonts work well in software that supports variable font technology.
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| Designed by Jeff Levine, Post Production JNL is a display serif and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A title card listing the supporting cast of the 1950 Humphrey Bogart and Gloria Grahame drama “In a Lonely Place” provided the hand lettered slab serif type design that served as the model for Post Production JNL – available in both regular and oblique versions.
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| Designed by Ryoichi Tsunekawa, Golden Decades is a sans serif font family. This typeface has sixteen styles and was published by Dharma Type. |
Back to the basics.
In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through Swiss style, now we walk along the path as a matter of course. It is sans-serif.
The decades from the Swiss style, namely “less is more age” to the contemporary basic style “Less, but better age”, we call it golden decades. In those decades, type design met modernism.
Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better.
We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a contemporary, sharp, and neutral atmosphere, and geometric rounded bowls and counters create a nice rhythm.
Golden Decades consists of 8 weights and their matching Italics for a wide range of usages.
Farther, Golden Decades is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Golden Decades covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase “a” has OpenType stylistic alternate for advanced typography.
