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| Designed by Jeff Levine, Free Form Retro JNL is a hand display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The titles and credits from the 1960 French film “Le Passage Du Rhin” (English release title: “Tomorrow is My Turn”)” are hand made in a free form bold alphabet resembling both cut paper and quickly sketched lettering.
This avant garde style inspired the digital type revival, which is available in both regular and oblique versions.
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| Designed by Alejandro Paul, Plethora is a serif font family. This typeface has twenty styles and was published by Sudtipos. |
A few years ago I’ve discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet’s work I found a very unique kind of ligatures in his patented “Old Style Ornamented” type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later.
Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “Plethora”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries later. Available in 9 weights, from roman to italic, and also as variable format, “Plethora” supports plenty of latin languages and is a perfect choice for today’s design tides.
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| Designed by Jeff Levine, Evening Event JNL is a display serif and serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Hand lettering from the title credits for the 1950 film “All about Eve” were the inspiration for Evening Event JNL, which is available in both regular and oblique versions.
The font’s name is an (unintended) double-homage to the film’s title, for the first part of both words include “Eve”.
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| Designed by Jakob Fischer, Smartburst is a hand display font family. This typeface has two styles and was published by Bogstav. |
Are you throwing a party, growing eco friendly potatoes or having a babyshower?
Is so - go ahead and give Smartburst a try for the design. The friendly and rounded edges makes the letters look soft and legible.
I’ve added 5 different versions of each letter, and they automatically cycle as you type. Or, you can choose them individually from the glyph menu.
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| Designed by Carine de Wandeleer, Tarnese is a modern calligraphy and script font published by Eurotypo. |
Tarnese is a calligraphic font, created to look as close to a natural handwritten script as possible. Tarnese includes over 60 natural-looking open-type ligatures and and a full set of upper and lowercase alternates, making your design more attractive. In the glyph palette you will also find ornaments that can be used for underlining, and to combine and enhance your text.
Suitable for use in designing titles, invitations, title books, stationery designs, quotes, branding, logos, greeting cards, packaging, posters, and more.
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| Designed by John Beltrán, Yorkie is a serif font family. This typeface has sixteen styles and was published by FontPeople. |
Yorkie has significant contrasts in line thickness and triangular line terminals that are not unlike serifs, placing it somewhere between a Grotesque and Serif type family. The contrast between the features of a humanist Grotesque and an Antiqua gives the characters of Yorkie their distinctive charm and is the distinguishing attribute of this contemporary type family.
Thanks to a generous x-height and its open counters, Yorkie is also highly legible in small point sizes.
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| Designed by Jeff Levine, British Cinema JNL is a display and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The hand lettered titles and credits from the 1945 British film “The Way to the Stars” were the working model for the aptly-titled British Cinema JNL, which is available in both regular and oblique versions.
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| Designed by Hendry Juanda, Eligated is a display serif and wood type font family. This typeface has two styles and was published by Letterhend Studio. |
Introducing, Eligated - a display serif typeface with nostalgic look and feel. Inspired from 60s and 70s signages, labels, and ads. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- PUA encoded
- regular & bold version
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Marquise is a modern calligraphy and script font published by vatesdesign. |
Marquise is a jazzy calligraphic script for custom wedding invitations, save-the-date cards, baby shower invites, and personal branding. Based on classic shapes, it is designed to resemble natural handwriting with slight variations in tilt, baseline, swashes, and stroke width. Marquise has extended character set with Western European languages support
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| Designed by Monica Rizzolli and Tony de Marco, Just Pixo is a display font family. This typeface has eight styles and was published by Latinotype. |
Inspired by the streets of Brazil, Just Pixo is a display typeface that mimics pixação, Brazilian graffiti. In his book Pixação: São Paulo Signature, François Chastanet says, “This alphabet, with its vertical inscriptions axis, is to be directly classified in the king-size, monumental category; the systematic use of capitals, meticulously aligned and justified, their extreme verticality, are symptomatic of this architectural dimension”.
As such, we designed Just Pixo for monumental type sizes and vertical alignments—a family with seven weights, alternate glyphs, multiple ligatures and is provided as a Variable Font too. Unique decorative serif capitals and lowercase sans serif versions make Just Pixo the perfect option for large displays, strong headlines, urban logos, and contemporary concepts. Despite its controversial use on the streets, this often politically charged style will typeface will take your next project to the next level.
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| Designed by Hendry Juanda, Eligated is a display serif and wood type font family. This typeface has two styles and was published by Letterhend Studio. |
Introducing, Eligated - a display serif typeface with nostalgic look and feel. Inspired from 60s and 70s signages, labels, and ads. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- PUA encoded
- regular & bold version
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
 |
| Marquise is a modern calligraphy and script font published by vatesdesign. |
Marquise is a jazzy calligraphic script for custom wedding invitations, save-the-date cards, baby shower invites, and personal branding. Based on classic shapes, it is designed to resemble natural handwriting with slight variations in tilt, baseline, swashes, and stroke width. Marquise has extended character set with Western European languages support
 |
| Designed by Monica Rizzolli and Tony de Marco, Just Pixo is a display font family. This typeface has eight styles and was published by Latinotype. |
Inspired by the streets of Brazil, Just Pixo is a display typeface that mimics pixação, Brazilian graffiti. In his book Pixação: São Paulo Signature, François Chastanet says, “This alphabet, with its vertical inscriptions axis, is to be directly classified in the king-size, monumental category; the systematic use of capitals, meticulously aligned and justified, their extreme verticality, are symptomatic of this architectural dimension”.
As such, we designed Just Pixo for monumental type sizes and vertical alignments—a family with seven weights, alternate glyphs, multiple ligatures and is provided as a Variable Font too. Unique decorative serif capitals and lowercase sans serif versions make Just Pixo the perfect option for large displays, strong headlines, urban logos, and contemporary concepts. Despite its controversial use on the streets, this often politically charged style will typeface will take your next project to the next level.
