Arsenica
Designed by Francesco Canovaro, Andrea Tartarelli, Cosimo Pancini and Mario De Libero, Arsenica is a display serif font family. This typeface has forty-three styles and was published by Zetafonts.


Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.

The design of Arsenica takes its inspiration from Italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like “Il Popolo d’Italia”.

Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultra-bold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aesthetic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting.

The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over 900 glyphs, with full coverage of over 200 languages using latin and Cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contextual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations.


• Suggested uses: perfect for elegant modern branding and logo design, fascinating editorial design, expressive packaging and countless other projects.


• 43 styles: 7 weights + 7 italics, 4 different styles + 2 variable fonts.


• 942 glyphs in each weight.


• Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Oldstyle Figures, Ordinals, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Slashed Zero.


• 216 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük.



Arsenica


Arsenica
Designed by Francesco Canovaro, Andrea Tartarelli, Cosimo Pancini and Mario De Libero, Arsenica is a display serif font family. This typeface has forty-three styles and was published by Zetafonts.


Arsenica is a serif typeface designed by Francesco Canovaro for Zetafonts, and developed by a design team including Mario De Libero, Andrea Tartarelli and Cosimo Lorenzo Pancini.

The design of Arsenica takes its inspiration from Italian poster design at the beginning of the century, a time where typography, lettering and illustration where closely interwoven. Dawning nationalist movements, rather than using the modernist language, pushed on traditional Old Style letterforms often imbued with Art Nouveau and Deco sensibility. Artists like Giorgio Muggiani not only illustrated posters for Cinzano, Pirelli and Rinascente, but also provided logo design for newspapers, like “Il Popolo d’Italia”.

Starting from this mix of eclectic influences, Canovaro first developed the Arsenica Antiqua family, designed as display typeface that keeps the original Old Style low-contrast, wide proportions and quirky stylistic inventions. These where then distilled in a high contrast, Arsenica Display family, expanding the weight range to include both poster, ultra-bold weights and lighter weights that give the design a distinct calligraphic flavour. Bringing the letterforms into contemporary taste meant also developing alternate letterforms that were included in the Arsenica Alternate family, that drops the art nouveau details in favour of a more controlled modern serif aesthetic. Finally, Arsenica Text was developed by expanding the design space in the optical size axis, creating a low contrast, strongly readable old style typeface family, with a reduced weight set, oriented for long body copy typesetting.

The final result is a superfamily of 41 weights, covering the design space with an expanded charset of over 900 glyphs, with full coverage of over 200 languages using latin and Cyrillic alphabets. All the weights of Arsenica come with a full set of open type features allowing to explore its vintage-inspired visual inventions thanks to stylistic sets, discretionary ligatures, contextual alternates and positional numbers. Two variable typefaces are included in the full family, allowing you to explore the design space and precisely control not only the weight but also the optical size design variations.


• Suggested uses: perfect for elegant modern branding and logo design, fascinating editorial design, expressive packaging and countless other projects.


• 43 styles: 7 weights + 7 italics, 4 different styles + 2 variable fonts.


• 942 glyphs in each weight.


• Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Kerning, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Oldstyle Figures, Ordinals, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Stylistic Set 9, Slashed Zero.


• 216 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük.



Arsenica


Bardian
Designed by Hendry Juanda, Bardian is a script font published by Letterhend Studio.


Introducing, Bardian - a bold monoline script with a touch of vintage look and feel. You will also get 10 detailed hand drawn objects. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates / swashes and ligatures
- PUA encoded
- 10 hand drawn objects

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.



Bardian


Whitening
Designed by Rahmat Hidayat, Whitening is a modern calligraphy and script font family. This typeface has three styles and was published by RtCreative.


Whitening Font three a work that is purely handwritten, has natural characteristics. this is perfect for invitations, signatures, blogs, social media, business cards, product brands.

elegant has three sets of letters, namely Stylistic standard and Stylistic Alternate. and including uppercase and lowercase letters, numbers and punctuation, are also equipped with ligature.

FILE INCLUDES

*Whitening Regular (OpenType, PUA).
*Whitening italic (OpenType, PUA).
*Whitening Bold
Can be used for various purposes. Like titles, logos, wedding invitations, t-shirts, letterheads, nameplate, labels, news, posters, badges etc. OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office

THANK YOU TO ALL OF YOU
Price:$17



Whitening


Whitening
Designed by Rahmat Hidayat, Whitening is a modern calligraphy and script font family. This typeface has three styles and was published by RtCreative.


Whitening Font three a work that is purely handwritten, has natural characteristics. this is perfect for invitations, signatures, blogs, social media, business cards, product brands.

elegant has three sets of letters, namely Stylistic standard and Stylistic Alternate. and including uppercase and lowercase letters, numbers and punctuation, are also equipped with ligature.

FILE INCLUDES

*Whitening Regular (OpenType, PUA).
*Whitening italic (OpenType, PUA).
*Whitening Bold
Can be used for various purposes. Like titles, logos, wedding invitations, t-shirts, letterheads, nameplate, labels, news, posters, badges etc. OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office

THANK YOU TO ALL OF YOU
Price:$17



Whitening


Bork
Designed by Luisa Leitenperger, Bork is a blackletter and display font published by Harbor Type.


Bork is a display typeface that was inspired by an exercise in blackletter calligraphy. The style’s characteristic dark texture is seen mainly in the lowercase, with uniform spacing (where counterspace equals letterspace), shapes that recall the straight, interrupted strokes used in that style of writing, and the peculiar construction of certain letters. On the other hand, the uppercase aims for a more conventional roman construction, making it more legible for modern-day readers.

It features an extensive character set that includes contextual and stylistic alternates, superior/inferior figures, arbitrary fractions, as well as several unusual ornaments, symbols and punctuation. Bork is especially suited for use in book covers, headlines, packaging and logotypes.

Bork was designed by Luisa Leitenperger.



Bork


Calfine
Designed by Hendry Juanda, Calfine is a display serif font published by Letterhend Studio.


Introducing, Calfine, a Bold and strong serif with high contrast weight. This font very suitable to be used as a title or display, make it looks great and stands from the crowd. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.



Calfine


Nantiya
Designed by Rahmat Hidayat, Nantiya is a modern calligraphy and script font published by RtCreative.


Nantiya Modern Calligraphy. This font was designed by handwriting, and it has a modern and unique forms of calligraphy, the writing style is very natural.

The Features of this fonts is;

  * Standart ligatures
  * Stylistic Alternates
  * Contextual Alternates
  * Stylistic sets

File font Nantiya Include;

  * Nantiya OTF
  * Nantiya TTF
  * Nantiya font Web
  * Nantiya PUA Unicode (Private Use Areas)

Programs that support in this font is a Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.

Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.
Price:$10



Nantiya


Riotous
Designed by Hendry Juanda, Riotous is a brush display and hand display font published by Letterhend Studio.


Introducing, Riotous Brush Font! Riotous is a font that features a handwritten style with a free and expressive feel. the rough brush strokes leave a strong effect to make your design looks more natural and unique!

What will you get:

- Riotous (TTF/OTF)
- Including number and symbol.
- Support Multi Language

This font also support PUA Encoded! So, grab your own. Thank You!



Riotous


Fransk Nougat
Designed by Jakob Fischer, Fransk Nougat is a hand display font family. This typeface has two styles and was published by Bogstav.


Let me tell you a secret: This font has got absolutely nothing to do with nougat or France. I just love nougat, and I actually ate some while finishing this font!
My wife is a good at making cakes, and lucky for me is that she too adores nougat - that way I often get delicious cakes with nougat :)
Well, back to the font - a handmade rounded sans-serif, comic, organic, all-purpose with a playful attitude. Goes very well in both UPPERCASE and lowercase. I’d say you can use this for pretty much anything, but categories such as organic, packaging, kids product or sweets come in mind!



Fransk Nougat


Fransk Nougat
Designed by Jakob Fischer, Fransk Nougat is a hand display font family. This typeface has two styles and was published by Bogstav.


Let me tell you a secret: This font has got absolutely nothing to do with nougat or France. I just love nougat, and I actually ate some while finishing this font!
My wife is a good at making cakes, and lucky for me is that she too adores nougat - that way I often get delicious cakes with nougat :)
Well, back to the font - a handmade rounded sans-serif, comic, organic, all-purpose with a playful attitude. Goes very well in both UPPERCASE and lowercase. I’d say you can use this for pretty much anything, but categories such as organic, packaging, kids product or sweets come in mind!



Fransk Nougat


Logopedia Next Rounded
Designed by Bülent Yüksel, Logopedia Next Rounded is a display sans font family. This typeface has six styles and was published by Bülent Yüksel.


What makes “Logopedia Next Rounded” unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony.


All letters in the character have “alternatives” in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using “Logopedia Next Rounded”.


Logopedia Next Rounded” is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design.


Logopedia Next Rounded” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.


The designation “Logopedia Next Rounded 500 Regular” forms the central point. “Logopedia Next Rounded” comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs.


Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs.


Logopedia Next Rounded” is the perfect font for web use.


Be sure to check out the other siblings of “Logopedia”.

- Logopedia Now

- Logopedia Now Rounded

- Logopedia Next

- Logopedia Next Rounded


You can enjoy using it.

 



Logopedia Next Rounded


Logopedia Now Rounded
Designed by Bülent Yüksel, Logopedia Now Rounded is a display sans font family. This typeface has six styles and was published by Bülent Yüksel.


What makes “Logopedia Now Rounded” unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony.

All letters in the character have “alternatives” in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using “Logopedia Now Rounded”.

Logopedia Now Rounded” is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design.

Logopedia Now Rounded” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation “Logopedia Now Rounded 500 Regular” forms the central point. “Logopedia Now Rounded” comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs.

Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs.

Logopedia Now Rounded” is the perfect font for web use.

Be sure to check out the other siblings of “Logopedia”.

  Logopedia Now
  Logopedia Now Rounded
  Logopedia Next
  Logopedia Next Rounded

You can enjoy using it.



Logopedia Now Rounded