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| Designed by Alan Meeks, Pantomime is a script font family. This typeface has three styles and was published by Alan Meeks Collection. |
Pantomime is an original and unusual casual Roman
Script. Designed for using at large sizes and headlines
I have spaced the font tight as I believe this is most
effective way for producing interesting word patterns.
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| Designed by Jakob Fischer, Cookie Kit is a hand display font family. This typeface has four styles and was published by Bogstav. |
Cookie Kit is just like that easy recipe for that delicious cake that you probably know - easy to make and it tastes absolutely fabulous - Cookie Kit has the same effect with designs: It’s easy to make cool effects with the 4 layers. Play around with your favourite colors and you get great results at the go!
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| Designed by Jeff Levine, Photo Developer JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
An image found online of a vintage storefront sign for the Kraus Photo Shop was the inspiration for Photo Developer JNL, which is available in both regular and oblique versions.
The sign featured a thick and thin Art Deco style lettering with an inline cutting through the thicker strokes.
Before the advent of digital photography, and way before chain stores offered in-house processing, neighborhood photo labs were the only place for getting prints from your roll film (unless you wanted to send the film into Kodak for developing and printing).
Customers of these stores could also purchase additional film, cameras and photographic accessories from the same location.
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| Designed by Salih Kizilkaya, SK Seren is a display, display sans and retro font family. This typeface has ten styles and was published by Salih Kizilkaya. |
SK Seren is a clean, double weight and semi-serif font family. This font family, which you can use in long texts or headlines, logos and posters you will design without hesitation, manages to stand out even in the most crowded environments.
As you can easily use in print and web design, this is the only font you need in every medium. This family consists of 10 different fonts and 5890 glyphs. In this way, it contains all the typographic materials you will need in your design and offers full support to the Latin alphabet.
This font family is a new version of the first font I designed while studying college in 2018. This version includes many new glyphs that were not available in the first version, and all bugs found in the first version were fixed and kerning settings were reconfigured.
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| Vastago Grotesk is a sans serif font family. This typeface has ten styles and was published by Sudtipos. |
We are pleased to announce the launch of Vástago Grotesk, a nine-weight sans serif font family, inspired by the traditional grotesque designs of the 20th century. The particular ink traps, result of the G drawing, create it a visual universe that is replicated throughout the system, generating personality and a functional distinctive in multiple contexts.
Vástago Grotesk was born out of an interest in exploring the possibilities of Sans Serif font design, a process that is complemented by the advice of excellent typographers throughout the world thanks to the Type Crit Crew initiative.
The design was carefully constructed, achieving functionality in different sizes, ranging from a subtle Thin to a Heavy weight that projects grandeur and character. Vástago Grotesk is a challenge come true. We hope you enjoy it.
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| Designed by Hendry Juanda, Black Rockets is a script font published by Letterhend Studio. |
Introducing, Black Rocket- a hand drawn dry brush script which is purposely made for headline, display or logotype, and signature. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Designed by Jeff Levine, Office Visit JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Dan Hardie, a Miami-based graphic artist and creative consultant at Mutiny, Inc. shared an image he’d spotted online of some interesting signage formerly on the front of the Miami Medical Building.
Comprised of hand-cut metal characters (with a thoroughly avant-garde “Art Deco meets Modernist” approach), this instantly became a font design idea unusual and quirky enough to develop as a digital typeface.
The end result is Office Visit JNL, which is available in both regular and oblique versions.
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| Designed by Md. Shohail Bhuiyan, Pretty Magnolia is a hand display and hand drawn font published by Seemly Fonts. |
Pretty Magnolia is a minimal and thin sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!
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| Designed by Jeff Levine, Late Hours JNL is a hand display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The free form hand lettered titles for the 1961 film “The Children’s Hour” inspired the digital typeface Late Hours JNL, which is available in both regular and oblique versions.
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| Designed by Elena Genova, Peachi is a display serif, retro and serif font family. This typeface has six styles and was published by My Creative Land. |
Peachi is a serif typeface loosely based on Morris Fuller Benton’s Souvenir forms and some other serif fonts designed in the early 1900s. It has a soft look - round corners, slightly curved legs of capital K, R, V and W; and lowercase k, v, w and y. Rather heavy ball terminals and a very large x-heigh make Peachi a perfect choice for designing titles, book covers; for branding, quotes design - basically any design that needs to make an impact and to be remembered.
Peachi is released in 6 weights from Thin to Black and has stylistic alternates that make it even more versatile. While the default style follows Souvenir’s trend, the alternative style looks more modern. It’s totally up to you which style to choose for your design.
To access all alternates and ligatures you’ll need an OpenType aware application such as Adobe Suite or MSWord.
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| Designed by Jeff Levine, Arrow Callouts JNL is a monograms and novelty font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Here’s a set of arrow shaped callouts in two varieties within one font. The black-on-white letters are on the upper case keys, and the white-on-black characters are on the lower case keys.
The numerals 1 thru 10 in black-on-white are in the standard key positions, while the white-on-black numbers are on the same keys when engaging the “shift” key. The ‘zero’ key houses the number ‘10’.
For a more dynamic look, the font is also available in an oblique version.
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| Designed by Jonathan Hill, Kopik is a comic and hand drawn font family. This typeface has six styles and was published by The Northern Block. |
Kopik is a modern hand-drawn script inspired by the 1960’s architectural handwriting style practised by draftsmen. Originated using a Copic 1.0 Multiliner pen, then traced digitally using a stylus and tablet to help reduce imperfections. The result is a simple, readable, monolinear typeface with a marker pen quality suitable for a wide range of written applications.
Details include 440 characters, three weights with matching italics, alternative a, g, and y four numerals variations. Opentype features inferiors, superiors, fractions and language support covering Western, South and Central Europe.
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| Neon Love is a script font family. This typeface has two styles and was published by Schriftlabor. |
Neon Love was designed originally for a circle coaster design with a quote by the Beatles’ “All you need is Love, Love is all you need”. The inspiration of the lettering was a neon sign style where a cursive script is kind of bended from those glass wires. The idea was to get the overall look and feel of neon signs into a font, as well as creating a good raw material to use for some further photoshop effects to enhance the visual presentation. Neon Love has many OpenType features that allow for choices that can make the lettering unique.
Neon Love has two versions of the font a Smooth one which is connected and the Cutout version which can be used to create neons and for this it is in parts.
Design by Roland Hüse and Schriftlabor team.
