 |
| Designed by Jeff Levine, Late Hours JNL is a hand display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The free form hand lettered titles for the 1961 film “The Children’s Hour” inspired the digital typeface Late Hours JNL, which is available in both regular and oblique versions.
Designed by Elena Genova, Peachi is a display serif, retro and serif font family. This typeface has six styles and was published by My Creative Land.
Peachi is a serif typeface loosely based on Morris Fuller Benton’s Souvenir forms and some other serif fonts designed in the early 1900s. It has a soft look - round corners, slightly curved legs of capital K, R, V and W; and lowercase k, v, w and y. Rather heavy ball terminals and a very large x-heigh make Peachi a perfect choice for designing titles, book covers; for branding, quotes design - basically any design that needs to make an impact and to be remembered.
Peachi is released in 6 weights from Thin to Black and has stylistic alternates that make it even more versatile. While the default style follows Souvenir’s trend, the alternative style looks more modern. It’s totally up to you which style to choose for your design.
To access all alternates and ligatures you’ll need an OpenType aware application such as Adobe Suite or MSWord.
 |
| Designed by Rodrigo Salas and Bruno Jara, Picaflor Soft is a display sans, hand display and sans serif font family. This typeface has six styles and was published by Rodrigo Typo. |
Picaflor soft, is a continuation of “Picaflor” now in a rounded version, especially for titles, it contains different styles from Thin-Black, in addition to multiple languages
 |
| Download Picaflor Soft Fonts Family From Rodrigo Typo |
 |
| Designed by Hendry Juanda, Welroseltone is a script font published by Letterhend Studio. |
Introducing, Welroseltone - a script typeface with beautiful unique swashes. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and swashes
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
 |
| Download Welroseltone Fonts Family From Letterhend Studio |
 |
| Designed by Jeff Levine, Formal Event JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The hand lettered actors’ credits on a title card from the 1937 film “Shall We Dance” served as the model for Formal Event JNL – an Art Deco sans serif font available in both regular and oblique versions.
 |
| Download Formal Event JNL Fonts Family From Jeff Levine Fonts |
 |
| Designed by Jeff Levine, Date Book JNL is a hand display font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The pen lettered opening credits for the 1937 film “The Awful Truth” inspired Date Book JNL, which is available in both regular and oblique versions.
A hybrid of both Art Nouveau and Art Deco influences, this casual type design is perfect for any project that wants to convey its message in a pleasant, informal manner.
 |
| Designed by Jeff Levine, Arrow Callouts JNL is a monograms and novelty font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Here’s a set of arrow shaped callouts in two varieties within one font. The black-on-white letters are on the upper case keys, and the white-on-black characters are on the lower case keys.
The numerals 1 thru 10 in black-on-white are in the standard key positions, while the white-on-black numbers are on the same keys when engaging the “shift” key. The ‘zero’ key houses the number ‘10’.
For a more dynamic look, the font is also available in an oblique version.
 |
| Designed by Nasir Udin, Departura is an art deco and sans serif font family. This typeface has eighteen styles and was published by Nasir Udin. |
Departura is a sans-serif family inspired by art deco travel posters in early 20th century, fused with modern & geometric touch. It comes in 18 styles, 9 weights and its matching italics.
With those style variatons, Departura offers many possibilities to be applied in many graphic or editorial projects.The modernized retro-look makes this family great to presents any contents related to travel, history & culture in the present/modern way. Also thanks to the extended latin character set so that Departura supports 200+ latin-based languages plus Cyrillic (including the Bulgarian and Serbian characters).
P.s.: The Bold Italic & ExtraLight styles are free to download, so you can use them for any projects free of charge.
 |
| Download Departura Fonts Family From Nasir Udin |
 |
| Designed by Jakob Fischer, Musty Scoot is a hand display font family. This typeface has two styles and was published by Bogstav. |
Got a pair of jeans that goes well with both party and casual living? A shirt that would fit well to a Hollywood movie premiere and would be suitable to pick up the kids from the kindergarten? If so, you know exactly what I mean, when I say that the Musty Scoot font is suitable for anything! Well, almost anything…maybe not that highway sign, or that security sign at the airport!!! But suitable for anything for children, toys, adventures, handcraft, invitation, restaurants, playgrounds, libraries…etc etc
Each letter has 7 slightly different versions, which automatically cycles as you type. There is even a version of right/left sided arrow to choose from!
 |
| Designed by Giuseppe Salerno, Norman Stencil is a display serif and stencil font family. This typeface has four styles and was published by Resistenza.es. |
 |
| Designed by Pablo Balcells, Oxima is a sans serif font family. This typeface has eight styles and was published by Graviton. |
Oxima font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a technical sans serif typeface with rounded endings that provide a mixture between strong general aesthetics and soft elaborated details. Its strong and industrial, yet legible shapes make it perfect for contemporary and futuristic oriented projects and suitable to be used in any sizes, from headlines to body text and everything in between.
Oxima consists of 8 styles, each containing small caps and glyph coverage for several languages.
Designed by Lukyan Turetskyy, Kolm Keltek is a dingbat font family. This typeface has two styles and was published by 2D Typo.
Kolm Keltek is a collection of ornaments organized into two font files. The ornaments can be divided into two groups:
Friezes (borders) and Rapports (patterns). All ornaments belong to the Celtic culture. These ornaments are taken from
manuscripts. This makes the font exclusive and unique among other digital collections of ornaments.
These patterns perfectly suit to be used in the design of invitations, diplomas, certificates or other printed materials in
historical style design.
Kolm Keltek is one of the many high-quality ornamental fonts offed by the 2D Typo foundry.
 |
| Designed by David Kerkhoff, Sunny Weather is a hand display font family. This typeface has two styles and was published by Hanoded. |
Spring is in the air! My chickens are broody and are sitting on an ever increasing pile of eggs; my fruit trees are budding and the sun is shining!
Sunny Weather is a happy kind of font: it was handwritten, using a Sharpie pen. It comes with double letter ligatures and a good dose of vitamin D!
