Designed by Jeff Levine, Local Jeweler JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.
Local Jeweler JNL was inspired by an online image of a vintage 1940s-era store sign. This type design features a thin Art Deco sans serif in both regular and oblique versions.
Avona Serif is a serif font family. This typeface has six styles and was published by Alanna Munro.
The Avona family of fonts are inspired by fantasy games and calligraphy. Carolingian letterforms from the early ninth century guided the round, calligraphic structure and wide shapes. My aim was to capture the essence of fantasy in a typeface, which resulted in a polished humanist serif that is closely related to hand drawn forms. The large x-height and low contrast help with legibility requirements making it a great choice for longer uses of text and flavourful user interfaces.
When combined with Avona as the display typeface, the two work together to visually create a world of magical fantasy while meeting the demands of good modern typography. Avona is currently available in beta on my website.
Avona Serif Features:
• Good for UI and long text
• 6 styles
• Support for over 200 Latin-based languages
• Rounded Diagonals Stylistic set
• OpenType features: ligatures, old-style figures, tabular figures, fractions, case sensitive forms.
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| Designed by Hendry Juanda, Caramel Chestnut is a hand display and hand drawn font published by Letterhend Studio. |
Introducing, Charamel chestnut! this font is a carefully crafted display font but still have an organic touch. this font is perfect for branding, packaging, headline, title, etc.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and ligatures
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
Designed by Guille Vizzari and Agustín Maire, Espiritu is a multiple classification font family. This typeface has five styles and was published by Sudtipos.
Espíritu is the first font illustrated and designed by talented Graphic Designer, lettering artist, illustrator and musician Agustín Pizarro Maire.
For this entirely made-by-hand project, Agustín pushed his limits forward, significantly improving his notions in the type field, by applying his expertise and experience as an illustrator and letterer.
With Type Direction and design assist by Guille Vizzari, both joined forces to face this voyage together. The result is a peculiar font family that seeks for a free spirit, one that is imperfect and unpretentious. With its soul deeply rooted in wanderlust, just enjoying the journey, like an endless road trip.
Espíritu is a type family guided by the impulse of the hand, getting lost in the details of infinite drawn letters and icons, that perfectly fit meticulous designs, achieving also great impact when needed.
Espíritu consists of five styles that complement each other to get different voice tones for each kind of design piece. Espíritu Regular, the heaviest one and most versatile; Espíritu Condensed, for tall and compact compositions; Espíritu Expanded, a wide serif style that’s great for billboards and short messages; Espíritu Script, a mono-weight cursive to add softness to the family; and finally a huge set of illustrations, symbols, badges and more in Espíritu Dingbats.
Each of the alphabetical fonts offer an overflowing amount of alternates, swashes, and ligatures to maximize their capabilities.
To all the wild spirits out there, meet Espíritu, join the ride.
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| Designed by Carine de Wandeleer, RealBlue is a hand display, hand drawn and script font family. This typeface has three styles and was published by Eurotypo. |
RealBlue family of fonts is a useful collection of hand lettering designed for expressive graphic designs. This family includes three perfectly combinable hand-drawn fonts, containing stylistic sets, ligatures, swash letters, contextual and stylistic alternates, and some tails. All of this will give your designs extra flair and uniqueness, giving the impression of totally believable handwork.
RealBlue has an extended character set to support Central and Eastern European as well as Western European languages.
RealBlue is perfect for logos, brands, children’s books, restaurants, catering, cafes, packaging, magazines, weddings, beer labels, film and clothing.
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| Designed by Jeff Levine, Show Poster JNL is a hand display and retro font family. This typeface has two styles and was published by Jeff Levine Fonts. |
In the 1960 edition of Samuel Welo’s “Studio Handbook for Artists and Advertisers” is an example of poster lettering with the accompanying blurb “call this Chrysler”.
This casual brushstroke design was slightly modified and then reworked into what is now Show Poster JNL and is now available in both regular and oblique versions.
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| Download Show Poster JNL Fonts Family From Jeff Levine Fonts |
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| Designed by Md. Shohail Bhuiyan, Think Big is a hand display font published by Seemly Fonts. |
Think Big is a unique display font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!
Fall in love with its incredibly versatile style and use it to create spectacular designs!
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| Download Think Big Fonts Family From Seemly Fonts |
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| Designed by Hendry Juanda, Alessia Harvey is a hand drawn font published by Letterhend Studio. |
Introducing, Alessia Harvey - an authentic hand writing with natural signature style. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and ligatures
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
Designed by Jeff Levine, Novelty Nouveau JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts.
Novelty Nouveau JNL gets its name from its source of inspiration – the cover of a 1919 piece of sheet music for the novelty tune “America Never Took Water (And America Never Will)”
This Art Nouveau condensed sans serif type design is available in both regular and oblique versions.
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| Designed by Oğuzhan Cengiz, Stadiona is a display sans font family. This typeface has four styles and was published by Hurufatfont Type Foundry. |
Stadiona; it is a modern display font inspired by the functional and simple solutions of the 1920s design collective Bauhaus and blended with contemporary sans serif fonts. All letters are based on the stylized stadium of geometric form. To respond different and creative usage needs; it is presented in four different versions as Basic, Alternates, Inktrap and Shadow.
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| Designed by Hendry Juanda, Center Voyage is a display, hand display and hand drawn font published by Letterhend Studio. |
Introducing, Center Voyage - a Sans Serif typeface. This type of font perfectly made to be applied especially in headlines which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- numbers and punctuation
- multilingual
- ligatures
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
Designed by Jeff Levine, Nouveau Date JNL is an art nouveau and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.
The hand lettered title on the cover of the 1914 tune “I Want you to Meet My Mother” served as the inspiration for Nouveau Date JNL, which is available in both regular and oblique versions.
