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| Designed by Rian Hughes, Ainsdale is a display sans font family. This typeface has four styles and was published by Device. |
A stylish condensed sans-serif with alternate characters.
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| Download Ainsdale Fonts Family From Device |
Designed by Rian Hughes, Albiona Soft is a serif and slab serif font family. This typeface has ten styles and was published by Device.
A rounded version of Albiona, a contemporary slab-serif which revisits aspects of Robert Besley’s classic Clarendon. Originally named after the Clarendon Press in Oxford, the type family was subsequently extended by Stephenson Blake in the 1950s.
Albiona adds the inwardly-curved stroke terminals of the same foundry’s Grotesque series, and includes italics and old-style and tabular numerals. The original Clarendon’s ball serifs and calligraphic eccentricities have been rationalised for functional contemporary uses. The family consists of five weights plus italics and a stencil, and its clean readable style is perfect for both extended text as well as headline setting.
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| Designed by Hendry Juanda, Asteria Royalty is a brush script and script font published by Letterhend Studio. |
Introducing, Asteria Royalty - A font made by natural handwriting. Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates, swash & ligatures
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Download Asteria Royalty Fonts Family From Letterhend Studio |
Designed by Rian Hughes, Atomette is a display sans font family. This typeface has six styles and was published by Device.
Atomette is a bouncy sans that is friendly without being flippant, warm yet still stylish. The upper case and lower case options provide letters with less or more animation. Five weights plus an inline provide a neat mini-family to cover all your requirements. Suitable for snack packaging, comic books, toys, celebratory banners, book covers and games. Contains two or three options for each letter, including automatically-substituting letter-pairs to prevent repetition, plus an alternate set of numbers in circles. These can be chosen from the Glyphs palette or toggled on and off in the Opentype panel.
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| Designed by Rian Hughes, Aurore Grotesque is a sans serif font family. This typeface has seventeen styles and was published by Device. |
Aurore Grotesque is an elegant, robust geometric sans for both text and headline. It has a classic European heritage that references the posters of Cassandre and the modern sans of Paul Renner or Karl Gustav Möhring, but is entirely new and does not slavishly follow any historical reference. The low lower-case x-height gives it character and definition in running text, while the capitals-only Titling variant lends weight and punch to headlines. The full range of weights, each with matching italics, make it perfect for brochures, magazines, advertising, web, app and corporate uses. Includes lining, old-style and tabular numerals, arrows, stylised geometric alternates, and a full international character set.
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| Designed by Jeff Levine, Blackletter Moderne JNL is a blackletter font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Blackletter Moderne JNL was inspired by the original 1935 pencil drafts for “Deutsche Schrift” (German script); designed for the country’s railway system – and is available in both regular and oblique versions.
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| Designed by Mateusz Machalski, Change Serif is a serif font family. This typeface has ten styles and was published by BORUTTA. |
Change is a typeface family designed as a part of Mateusz Machalski’s PhD project, carried out in 2015-2021. The main goal was to create a typeface allowing for the typesetting of complex humanistic texts, containing many historical letterforms. The starting point was the preparation of most of the glyphs provided in unicode for Latin, Cyrillic and Greek. From the formal point of view, the Change family is based on Renaissance proportions with contemporary details. Classic upright version is paired with expressive and calligraphic italics, inspired by the works of Robert Granjon.
Each of the styles contains about 4,000 characters, allowing for a broad range of typesetting capabilities – multiscript publications, historical translations, and texts transcription. The crucial aspect was to treat all scripts equally. All OpenType features, such as swashes, final forms, decorative ligatures, can be found in Latin, Cyrillic and also Greek. The name of the typeface refers to the design process in which there are constant changes and corrections. On the other hand, it means to convey how this project influenced my perception of typography and allowed me to embrace it as a medium of artistic expression. Due to its similar proportions, Change works perfectly with the Gaultier typeface.
Designed by Rian Hughes, Chantal is a hand drawn font family. This typeface has nine styles and was published by Device.
A loose, casual felt-pen script, Chantal comes in three weights plus italics, and a Cyrillic version too. Alternate versions are available in the upper and lower case keys, so settings can be customised according to taste. Chantal communicates a hand-drawn light touch with character. Originally designed to letter the RoboHunter series that Peter Hogan and Rian Hughes produced for the comic 2000AD.
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| Designed by Rian Hughes, Conquera is a display sans and sans serif font family. This typeface has six styles and was published by Device. |
Conquera is an extended caps-only font in five weights plus an inline. It is refined and masculine without being heavy-handed - the angled stokes and pointed vertices lend it a stylish, upmarket Moderne poise. Suitable for man’s grooming products, supercar showroom brochures, high-end developments, space vehicles and home technology. Letterspacing at small sizes adds extra sophistication. Includes an alternative A with a triangular crossbar and full international character set.
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| Download Conquera Fonts Family From Device |
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| Designed by Rian Hughes, Custard is a hand display font family. This typeface has two styles and was published by Device. |
Playful and funky. The ideal choice for candy wrapping, teen magazines, toy packaging and the like.
The reweighted condensed is useful where space is at a premium, and mixing the two weights freely leads to intriguing results.
Use with bright fresh colors for added “bounce”.
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| Designed by Rian Hughes, Dazzle is a display sans font family. This typeface has three styles and was published by Device. |
Op-art never looked so good.
Taking a cue from the popularity in the 1970s of deco Prismas and their related contemporary interpretations, this geometric font updates the trend. Overlap text in different colours or black and white for eye-teasing moiré combinations. An image above illustrates the use of Dazzle Underprint, a uniform-width version of the font that is placed under Dazzle and used to create two-colour effects simply and easily.
Dazzle Underprint is not intended for solo use, only as an underprint — please see Dazzle Unicase for a range of undecorated weights.
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| Download Dazzle Fonts Family From Device |
Designed by Rian Hughes, Droog is a display and retro font published by Device.
Droog is an unusual rounded font pierced with circular holes, some of which are used in lieu of counters. Used to best effect in shorter settings and at larger sizes. Suitable for science fiction posters, sweet wrappers, hipster bars, noodle joints, pet shops and native Nadsat speakers.
