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| Designed by Jeff Levine, Blackletter Moderne JNL is a blackletter font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Blackletter Moderne JNL was inspired by the original 1935 pencil drafts for “Deutsche Schrift” (German script); designed for the country’s railway system – and is available in both regular and oblique versions.
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| Designed by Mateusz Machalski, Change Serif is a serif font family. This typeface has ten styles and was published by BORUTTA. |
Change is a typeface family designed as a part of Mateusz Machalski’s PhD project, carried out in 2015-2021. The main goal was to create a typeface allowing for the typesetting of complex humanistic texts, containing many historical letterforms. The starting point was the preparation of most of the glyphs provided in unicode for Latin, Cyrillic and Greek. From the formal point of view, the Change family is based on Renaissance proportions with contemporary details. Classic upright version is paired with expressive and calligraphic italics, inspired by the works of Robert Granjon.
Each of the styles contains about 4,000 characters, allowing for a broad range of typesetting capabilities – multiscript publications, historical translations, and texts transcription. The crucial aspect was to treat all scripts equally. All OpenType features, such as swashes, final forms, decorative ligatures, can be found in Latin, Cyrillic and also Greek. The name of the typeface refers to the design process in which there are constant changes and corrections. On the other hand, it means to convey how this project influenced my perception of typography and allowed me to embrace it as a medium of artistic expression. Due to its similar proportions, Change works perfectly with the Gaultier typeface.
Designed by Rian Hughes, Chantal is a hand drawn font family. This typeface has nine styles and was published by Device.
A loose, casual felt-pen script, Chantal comes in three weights plus italics, and a Cyrillic version too. Alternate versions are available in the upper and lower case keys, so settings can be customised according to taste. Chantal communicates a hand-drawn light touch with character. Originally designed to letter the RoboHunter series that Peter Hogan and Rian Hughes produced for the comic 2000AD.
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| Designed by Rian Hughes, Conquera is a display sans and sans serif font family. This typeface has six styles and was published by Device. |
Conquera is an extended caps-only font in five weights plus an inline. It is refined and masculine without being heavy-handed - the angled stokes and pointed vertices lend it a stylish, upmarket Moderne poise. Suitable for man’s grooming products, supercar showroom brochures, high-end developments, space vehicles and home technology. Letterspacing at small sizes adds extra sophistication. Includes an alternative A with a triangular crossbar and full international character set.
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| Download Conquera Fonts Family From Device |
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| Designed by Rian Hughes, Custard is a hand display font family. This typeface has two styles and was published by Device. |
Playful and funky. The ideal choice for candy wrapping, teen magazines, toy packaging and the like.
The reweighted condensed is useful where space is at a premium, and mixing the two weights freely leads to intriguing results.
Use with bright fresh colors for added “bounce”.
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| Designed by Rian Hughes, Dazzle is a display sans font family. This typeface has three styles and was published by Device. |
Op-art never looked so good.
Taking a cue from the popularity in the 1970s of deco Prismas and their related contemporary interpretations, this geometric font updates the trend. Overlap text in different colours or black and white for eye-teasing moiré combinations. An image above illustrates the use of Dazzle Underprint, a uniform-width version of the font that is placed under Dazzle and used to create two-colour effects simply and easily.
Dazzle Underprint is not intended for solo use, only as an underprint — please see Dazzle Unicase for a range of undecorated weights.
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| Download Dazzle Fonts Family From Device |
Designed by Rian Hughes, Droog is a display and retro font published by Device.
Droog is an unusual rounded font pierced with circular holes, some of which are used in lieu of counters. Used to best effect in shorter settings and at larger sizes. Suitable for science fiction posters, sweet wrappers, hipster bars, noodle joints, pet shops and native Nadsat speakers.
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| Designed by Rian Hughes, Fairtrade is a display serif and display slab font published by Device. |
Rough and ready artisanal lettering for your fair trade coffee shop, whiskey microbrewery or Victorian bill-poster — or, alternatively, distressed type for the cover of a hard-hitting novel set in a war zone.
Fairtrade uses opentype technology to cycle through three versions of each character, giving an authentically uneven time-worn appearance.
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| Download Fairtrade Fonts Family From Device |
Designed by Rian Hughes, Farthing is a serif font family. This typeface has ten styles and was published by Device.
With classy eccentricity, Farthing evokes elegant traditional serif styles. Playful but poised.
Farthing is a serif face in five weights, with alternate characters and both lining and old style numerals.
Suitable for both headline and short paragraphs of text.
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| Designed by Rian Hughes, Fathom is a sans serif font family. This typeface has fourteen styles and was published by Device. |
Fathom is a refined flared-serif face that is elegant and robust, modern yet suggests a legacy. The generous lower-case x-height make it worm and readable. Seven weights, plus matching italics, cover all headline and text requirements. The addition of old-style numerals and tabular numerals for charts make it a versatile family for brochures, corporations, heritage projects, packaging, book covers, reports, signage, magazines and more.
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| Designed by Rian Hughes, Grange Text is a sans serif font family. This typeface has fourteen styles and was published by Device. |
Grange Text is optimised for smaller text sizes, having more open character shapes and spacing. Use the non-text version of Grange for larger sizes and headlines, which has tighter spacing and detailing.
Grange is the Device interpretation of the classic “Grot” thick/thin sans style. Unlike the traditional models on which it is based, Grange takes a rational, consistent approach across wide range of weights and widths for contemporary use.
The font includes alternative curved and straighter versions of key characters, most obviously the lower-case ‘g’ and capital ‘R’, allowing the font to take on either a sharper or warmer, more playful appearance. These can be toggled on or off using the ‘Alts’ feature in Illustrator, or ‘Stylistc Sets’ in Indesign. Contains proportional, lining and tabular numerals.
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| Download Grange Text Fonts Family From Device |
Designed by Rian Hughes, Metaluna is a display sans font family. This typeface has six styles and was published by Device.
Metaluna is an extended sans serif family of five weights derived from Rian Hughes’ classic Forbidden Planet logo. Sleek and modern, it suggests cutting-edge tech, supercar marques or high-precision engineering multinationals.
