Designed by Jakob Fischer, Plain Stupid is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.

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eally, there is nothing stupid about this font. In some strange and weird way, I just thought that the name sounded like something eye-catching - in the same way that the font is eye-catching!
It may look like your average comic font, but it’s not! I carefully put a lot of funk, twist, comic and a spoonful of pizzadude into each and every letter. The result is a bouncy crazy looking comic font. Oh, I almost forgot - I topped the letters with a spoonful of grafitti mixed with the sounds of a party…that’s the recipe for this lovely multilingual font! :)

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Designed by Hendry Juanda, Lamberds is a brush script, retro and script font published by Letterhend Studio.

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Introducing, Lambered- a standout bold script with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates / swashes and ligatures
- PUA encoded
- illustration bonus pack

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Download Lamberds Fonts Family From Letterhend Studio

Download Lamberds Fonts Family From Letterhend Studio

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Designed by Jeff Levine, Retail Monoline JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.

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Retail Monoline JNL is a light weight sans serif extracted from the inline of Retail Price JNL and is available in both regular and oblique versions.

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Lightbox 21 is a sans serif font family. This typeface has eighteen styles and was published by Protimient.

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Lightbox 21 is a radical update of my previous version of a geometric sans serif. The design of the original Lightbox was fundamentally based on the idea of incorporating the proportions of the ‘Golden Ratio’ into each letterform; Lightbox 21 greatly improves on this concept by entirely abandoning it. The result is a much more readable, ‘natural’ typeface that retains elements of the original without being bound to it.
Overall, Lightbox 21 has been designed to convey that classic feel of a geometric sans that makes the genre so tremendously enduring and versatile, as well as providing an effortless sense of class to whatever they are applied.
Primarily intended for editorial work (i.e. short to medium length texts) or display settings, Lightbox 21 has a reasonably extensive character set, including support for Vietnamese, many currency symbols, arrows, and small caps. It also has OpenType support for nut fractions (via a stylistic set) and a barred alternate uppercase i and an alternate curled j.

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Designed by Hendry Juanda, Butter Slices is a modern calligraphy font published by Letterhend Studio.

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Introducing, Butter Slices - Brush Script. A beautiful modern calligraphy script based on manual hand writing. The natural flow with the swashes make this font looks even more prettier. This type of font perfectly made to be applied especially in wedding invitation, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- swash and ligature
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations

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Designed by Md. Shohail Bhuiyan, Generous Monarch is a brush display and hand drawn font published by Seemly Fonts.

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Generous Monarch is a unique and interesting display font. A little bit quirky, this font is a great choice for a wide variety of contexts! It looks stunning on thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a creative spark.

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Designed by Michael Parson, Conica is a display font published by Typogama.

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Conica is a bold, condensed typeface that aims to grab your attention. By playing with heavy, dark shapes and small counters, this single weight typeface explores the contrast between defined shapes and gentle curves to produce a surprising headline font. It equally includes a range of Opentype features, with a set of small capitals, stylistic alternates and ligatures, users can choose which forms best suit their needs. Conica includes an extended Latin glyph set covering most Latin based languages.

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Download Conica Fonts Family From Typogama

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Designed by Jakob Fischer, Busy Day is a hand display font family. This typeface has three styles and was published by Pizzadude.dk.

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Today has been a busy day. I managed to take the dog for a walk, go for a run, empty the dishwasher, clean the car, vacuum the entire apartment AND make this font! :)
The Busy Day font is all about fun and games: it’s playful, whimsical and legible at the same time. I’ve added an Outline version, Inside and the Regular version. They all work well together or as individual fonts - and they all have multilingual support!

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Designed by Alex Etewut, Riley Wow is a display sans font family. This typeface has three styles and was published by Etewut.

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Riley Wow typeface is rounded sans serif. It includes 3 font styles that can be used together to call glowing effect. The typeface supports all European languages based on Latin alphabet.

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Designed by Alessandro Butti, Hans van Maanen and Patrick Griffin, Normandia is a display serif font family. This typeface has three styles and was published by Canada Type.

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Designed over three years after the second World War, and published in 1949 by the Nebiolo foundry, Normandia was Alessandro Butti’s take on the fat face. As it usually was with Butti’s designs, this face effectively injected a catchy yet expertly calculated calligraphic spin into its source of inspiration — which was the essentially geometric/deco, thicker model of Bodoni’s very popular aesthetic.

The metal Normandia saw some widespread use for a handful of years after its publication, not least because of the multitude of sizes in which it was available. It stepped out of the limelight by the mid-1950s, due to a combination of the popularity of cold type and Nebiolo’s refusal to retool its faces for new technologies. It was copied by a few small film typesetting outfits on both sides of the Atlantic, but never really found its way back to the mainstream. By the time computer type became the norm, Normandia was pretty much relegated to a type historian’s collection of anecdotes.

This digital update of the classic series revives and refines the three original metal designs (Tonda/Regular, Corsiva/Italic, and Contornata/Outline) and expands the character set to more than 600 glyphs per font, including small caps, six types of figures, fractions and nut fractions, a full set of f-ligatures, some stylistic alternates, and other fine typography niceties.

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Designed by Svetoslav Simov, Mont Blanc is a sans serif font family. This typeface has eighteen styles and was published by Fontfabric.

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A new type giant emerges taking after the legendary geometric sans serif Mont!

Mont Blanc elevates all prized unique details of Mont and translates them into an independent flawless text font family. This type prodigy comes with heaping legibility improvements dedicated to the smaller sizes and challenging paragraphs.

The new type family is set to climb to the top of your “favorite design tools” with adjusted x-height, refined weight, and glyphs redesign to name but a few. Venture into new projects equipped with 8 font weights and matching italics, multi-script support, and rich OpenType features set.

Language Support: Extended Latin (all Western languages), Cyrillic, Greek

OpenType Features:

• Localized Forms
• Subscript
• Scientific Inferiors
• Superscript
• Numerators and Denominators
• Fractions
• Ordinals
• Lining Figures
• Proportional Figures
• Tabular Figures
• Oldstyle Figures
• Case-Sensitive Forms
• Standard Ligatures
• Stylistic Alternates
• Contextual Alternates

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Designed by Olcar Alcaide, Rufolo is a serif font family. This typeface has eight styles and was published by Eurotypo.

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Rufolo is a family of fonts that can be considered both aesthetic and utilitarian. It has an apparent serif, barely hinted at, whose clear past reference is a beautiful epigraphic script on the marble plate placed at the southern entrance of the Roman amphitheatre, in Pompeii.
Perhaps its origin dates back to Ugarit’s cuneiform writing (as Morrison suggests as the origin of the serif in “Politics and Scripts”) whose characteristic triangular-shaped incision footprint produces a powerful trait that not only gives character to the writing but also facilitates its support and visual compensation of sizes with neighboring signs.
Other clear inspirational references have been Robert Hunter Middleton’s Stellar (1929); Albertus (1932) by William A. Dwiggins; Optima (1952) by Hermann Zapf; And more recently RRollie (2016) by our foundry.
Rufolo collects the attractive characteristic of the stroke endings but the proportions of its structure becomes much more regular, the capitals are in line with a constant square module, while the above references retain the proportions of the Roman Trajan.
Some endings strokes have slightly baroque reminiscence with the intention of giving it greater plasticity and aesthetic enrichment, but absolutely controlled, taking special care of the aspects of readability and expressive neutrality.
Rufolo comes in four weight: Light, Regular, Bold and Black, accompanied by its corresponding Italic versions.

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Download Rufolo Fonts Family From Eurotypo

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Victorian Alphabets Three is a historical font published by Intellecta Design.

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Victorian Alphabets Three is part of a increasing family of complete victorian style alphabets, researched and developed upon a comprehensive number of vintage books, magazines and catalogues from XIX century.

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