Designed by Dan Jones, Palo Slab is a slab serif font family. This typeface has one hundred and eight styles and was published by TypeUnion.

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Palo Slab is an epic font family made up of 9 weights in four widths, along with italic & oblique options to total a massive 108 styles. Using our 2020 release Palo as the base, the slab version began to take on its own life and personality to become a unique entity in its own right. From super punchy heavy weights to the delicate lighter weights, the Palo Slab super family is a versatile beast that offers you ultimate flexibility.

The heavy weights ranging from Compressed Black to Wide Black are built with super tight spacing and love to be big and bold, so perfect for showing off your brand. The Italic styles add curves to the slab feel, providing a beautiful flow, but we’ve also included an oblique option if you want to use the blockier version.

Palo Slab features extensive latin language support as well as OpenType features such as case sensitive punctuation, old style figures, scientific numbers and ligatures, + arrows.

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Download Palo Slab Fonts Family From TypeUnion

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Designed by Md. Shohail Bhuiyan, Keep Me is a hand display font published by Seemly Fonts.

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Keep Me is a fresh and modern display font. Keep Me is perfectly suited for stationery, logos, t-shirts, paper, print designs, website headers and much more!

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Designed by Moritz Kleinsorge, Glance Sans is a sans serif font family. This typeface has fourteen styles and was published by Identity Letters.

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Geometric, stylish, and not quite a stencil face: Glance Sans is the urban alter ego of Glance Slab—a strong-willed sans-serif with no frills but a few unique character traits.

Glance Sans follows the design principle of nonjoining parts that made Glance Slab successful. Some strokes may not connect to their stems, creating visible gaps and thus, a dynamic impression of balance and movement. However, Glance Sans has a calmer appearance due to the lack of detached serifs. If Glance Slab’s home territory are large, crowded stadiums and massive sports events, Glance Sans prefers streetball courts, well-used skate parks, and underground clubs. It also adapts to urban work environments from finance to high-tech. Whenever a more toned-down look is called for while retaining the elegance of an athlete, Glance Sans is ready to roll.

In the city environment, versatility is key. That’s why Glance Sans sports 7 weights as well as a complete set of italics. These are not just sloped romans but individually drawn letterforms, subtly referencing classic italic construction for more effective emphasis. Among the 600+ glyphs of Glance Sans, you’ll find goodies such as six sets of figures, circled numbers, circled arrows, and all kinds of currency symbols in two stylistic versions. Glance Sans is a great tool for industrial and high-tech branding, for wayfinding systems in contemporary or modernist architecture, for corporate identities in arts, crafts, medicine, culture, and education, and for all kinds of sports-themed design.

Both members of the Glance superfamily are easily and effectively combinable; both are able to stand on their own feet. With its powerful italics, you might opt for Glance Sans as your text typeface and use Glance Slab for headlines. Or you set large, clean, display-sized lines in Glance Sans and spice them up with a bit of sportive Glance Slab. It’s up to you to decide how to bring out the best in both of them.

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Designed by Nasir Udin, Karsten is a serif font family. This typeface has twenty-seven styles and was published by Nasir Udin.

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The first development of Karsten typeface was inspired by signs on some old Dutch-buildings in Java. Then in the making, it blends with modern style. It’s a synthesis between two cultures, the East & the West. The typeface was named after the Dutch architect who gave major contributions to architecture and town planning in Indonesia, Thomas Karsten.

It comes in nine weights from thin to black with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph.

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Designed by David Kerkhoff, Full English is a hand display font published by Hanoded.

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I have always been fascinated by the ‘Full English Breakfast’. A Full English usually consists of toast, baked beans, sausages, fried eggs, fried tomatoes, fried mushrooms and sometimes blackpudding (a kind of sausage made from pig’s blood). When I lived in England, my friends were always quite happy to stow away a big full breakfast, but I, on the other hand, could not really set myself to eating one.

Full English is a hand made stencil font. If you own a pub and you serve breakfast, you could use it for your signs, but I guess this font looks good on anything that needs a bit of attention. For attention, it will get!

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Designed by David Kerkhoff, Popular Vote is a hand display font family. This typeface has two styles and was published by Hanoded.

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I made this font during the rather hectic start of 2021. Popular Vote is an easygoing, laid-back kinda font. It fits just about anywhere, regardless of your political orientation, your sense of aesthetics or the job you will use it for.
Popular Vote will feel at home on a box of crackers, on the cover of a book about keto diets, or on that T-shirt you have always wanted to design.

Enjoy!

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Ralsteda Script is a script font family. This typeface has fourteen styles and was published by Ajibatype.

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Ralsteda is a vintage script font family. Classic and elegant touch. Ralsteda script family consist of 14 fonts with 7 weigths. There are so many variations on each character. Include Opentype stylistic alternates, standard ligatures, discretionary ligatures and multilingual support. You are able to create so many different typographical layouts easily and quickly.  This font is suitable for badges, lable, posters, wedding invitation, t-shirts, signage, logos, branding, packaging, etc.

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Supernouveau is a dingbat font published by Intellecta Design.

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Supernouveau is a handfull and easy to use font with 244 pieces of art nouveau elements of decoration : frames, cuts, tailpieces, headpieces among others… Ready to use to make patterns, book coovers, publishing design, package material and all you need in your design with a XIX to XX century first decades feeling of beauty.

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Designed by Hendry Juanda, Earthgate is a script font published by Letterhend Studio.

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Introducing, Earthgate, A Vintage Script. This typeface has nostalgic feel because of its style, so the font is really match for your project with retro / vintage theme. The swashes make this typeface unique even more so you can use it to create beautiful vintage lettering in a sec.

This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

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Designed by Jakob Fischer, Quote Note is a hand drawn and dingbat font family. This typeface has three styles and was published by Pizzadude.dk.

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With Quote Note I did my best to make a simple and unsophisticated font. I wanted the letters to come out as if they were made with a fat marker on a note. Well, I’ll let you be the judge on how I succeeded. I’ve added 4 different versions of each lowercase letter and even did a simple complimentary dingbat. And of course there is multilingual support!

Download Quote Note Fonts Family From Pizzadude.dk

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Designed by Guillame Jean-Mairet, WT Solaire is a display serif and serif font family. This typeface has twenty styles and was published by Wraith Types.

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Inspired by the classical “Fell Types”, especially the charmingly quirky weights designed by Peter De Walpergen. WT Solaire is a liberal interpretation of those cuts, meant for the digital age. Its design reflects an elegant tension between tradition and modernity.

Its elegance and sharpness make it a perfect fit for any project that requires impact and subtlety at the same time. It is especially meant for editorial design, be it magazines or books, but it also works well with images.

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Download WT Solaire Fonts Family From Wraith Types

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Designed by Sofia Mohr, Amarela Stencil is a stencil font family. This typeface has seven styles and was published by Latinotype.

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Amarela Stencil is a contemporary typeface, specially designed for titles, packaging and branding. Sharp serifs and an extreme stroke contrast give the font a classy look and a strong personality.

Amarela Stencil comes in 5 weights, ranging from Ultralight to Black, plus two decorative styles- One and Two.

As you would expect from Latinotype, this font comes with a standard character set that supports over 200 languages. Alternates and OpenType features are also included.

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Designed by Hendry Juanda, Metro Capitals is a hand drawn and script font published by Letterhend Studio.

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Introducing, Metro Capitals, a fun handwritten typeface. This font is perfectly made for branding, packaging, headline, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

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