Designed by Keith Bates, Rima is a stencil font family. This typeface has four styles and was published by K-Type.
Rima is a stencil display face with imposing slab serifs, designed to suggest strength, confidence, expertise and efficiency.
Regular and Bold weights are included along with two handy italics (optically corrected obliques).
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| Designed by Hendry Juanda, Fountencil is a blackletter font published by Letterhend Studio. |
Introducing, Fountencil - A blackletter stencil typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- stylistic alternate
- multilingual
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Download Fountencil Fonts Family From Letterhend Studio |
Designed by Jakob Fischer, Syndebuk is a hand display font family. This typeface has four styles and was published by Bogstav.
Syndebuk is designed with comics and print in mind. I’ve added 5 slightly different versions of each letter, which really comes in hand when you need a natural and organic handmade look. Play around with the different layers for nice effects!
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| Designed by Ani Dimitrova, Gezart is a sans serif font family. This typeface has thirty-two styles and was published by Ani Dimitrova. |
Gezart is a modern sans serif with geometric touch in 32 weights - 16 uprights and its matching italics. The weights are ranging from Hair to Heavy, with one of them (Extra Thin) is for free of charge. Each weight of Gezart contains more than 700 glyphs. The family is equipped for complex, professional typography with Open Type Features including — small caps, localized forms, old-style figures, standard ligatures, subscripts, superscripts, numerators, denominators, numbers in circles arrows, currency symbols and fractions. The Gezart font family is ideally suited for branding & layout design, posters, body text, web, editorial design, and more.
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| Download Gezart Fonts Family From Ani Dimitrova |
Designed by Jakob Fischer, Chunky Dressing is a hand display and dingbat font family. This typeface has three styles and was published by Bogstav.
A chunky dressing may not sound very delicate, but I remember my grandmother used make a very chunky dressing for the mashed potatoes. I really loved it - actually I wish I had the recipe so that I could reproduce that particular consistency. But instead I made this font in memory of that lovely chunky dressing! :) Chunky Dressing has got a little Garamond in it, Baskerville as well - and even a touch of Times…
Each lowercase letter has 5 different versions and they magically cycles as you type, leaving your text very lively with a natural twist of energetic and organic look. Put some of the Chunky Dressing circular doodle here and there in your design, just a way to give more to that chunky and organic feeling! :)
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| Designed by Hendry Juanda, Braleno is a brush display font published by Letterhend Studio. |
Introducing, Braleno - a condensed SVG typeface. This type of font perfectly made to be applied especially in headlines which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- numbers and punctuation
- multilingual
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
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| Download Braleno Fonts Family From Letterhend Studio |
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| Designed by Craig Stainton, SB Sublevel is a display font family. This typeface has two styles and was published by SelfBuild Type Foundry. |
• 2x OpenType fonts: Regular and Italic.
• 2x WOFF fonts: Regular and Italic.
• Includes many alternative glyphs and stylistic sets for ease of use.
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SB Sublevel is a block, retrofuture style display font.
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| Download SB Sublevel Fonts Family From SelfBuild Type Foundry |
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| Designed by Enrique Hernandez, Grobek is a serif font family. This typeface has thirty-two styles and was published by Latinotype. |
Grobek is a serif typeface inspired by Garamond and American Typewriter fonts as well as classic 15th century typefaces. Its main features are a diagonal stress and soft curved teardrop shape terminals.
Grobek comes in 8 weights, from Thin to Heavy, with matching italics- 32 styles in all. The font consists of 2 subfamilies: the basic family is classic yet contemporary while the alternative version has a stronger personality and allows more design freedom.
Grobek is ideal for short text and paragraphs, and specially designed for logos, branding, editorial design and web use. This font contains 576 characters that support over 200 Latin-based languages.
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| Download Grobek Fonts Family From Latinotype |
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| Designed by Francesco Canovaro, Andrea Tartarelli and Cosimo Pancini, Eastman Grotesque is a sans serif font family. This typeface has forty-six styles and was published by Zetafonts. |
Designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau and Cosimo Lorenzo Pancini, the original Eastman typeface family was conceived as a geometric sans workhorse family developed for maximum versatility both in display and text use. The original wide weight range has been complemented with three more additional widths, to give you maximum control over the appearance of text in your page. While Eastman Compressed and Eastman Condensed behave as space-saving condensed families, Eastman Grotesque adapts the family design style to humanist proportions. All share a solid monolinear design and a tall x-height that makes body text set in Eastman extremely readable on paper and on the screen.
Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms). The most impressive feature of all Eastman fonts remains the huge choice of alternate characters and stylistic sets that allows you to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. Don’t want to lose too much time with the glyphs palette? Use the Eastman Alternate weights, thought for display use and presenting a selection of some of the more eye catching & unusual letter shapes available for the family.
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| Designed by Ricardo Marcin and Erica Jung, Search is a hand display font family. This typeface has two styles and was published by PintassilgoPrints. |
Search is a brush script font, seasoned with unconventional choices here and there – ‘Hey, they are everywhere!’, one may say, and that’s okay. This is a contemporary upbeat font with loads of personality and yet some alternates: there are two choices for each letter, delivering that nice, organic, tasty handmade feel. Available in two flavors: with and without a dry brush texture.
Isn’t it what you’ve been searching for? We bet! Cheers!
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| Download Search Fonts Family From PintassilgoPrints |
