Designed by Md. Shohail Bhuiyan, Christmas Day is a hand display font published by Seemly Fonts.
Christmas Day is a simple and thin lettered handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs.
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| Designed by Lisa Fischbach, Kaius Pro is a serif font family. This typeface has sixteen styles and was published by TypeMates. |
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A sophisticated text typeface, Kaius Pro is an academic. Specialised for text in small sizes and complex layouts, Kaius is capable of handling demanding structure, language and character requirements with ease.
Kaius is not just a fresh alternative to classic text typefaces. With a generous x-height, open apertures and wide round letters, it’s also extremely readable. Sharp vertical serifs emphasise Kaius’s rhythm and are finely balanced with sturdy baseline serifs, which are so important for legibility. Together, these features create a reliable text structure.
Kaius combines analytical thinking with a modern exterior. The typeface’s outlines have more curved than straight lines, giving it an unconventional appearance close up. Zoom out, and Kaius brings a fresh feel to longform reading. Distinguished in distinction, Kaius is equipped with small caps, italics and 16 weights to style, structure and clarify complex information at every scale.
From the narrow, low contrast Hairline, to the softer, rounder Black, Kaius’s sixteen weights are complemented by lively italics. Their even rhythm and comparatively slight angle are contrasted by expressive cursive letterforms. Used in upright text, they harmonise; neither standing out too much nor blending in.
Whether all caps text, arbitrary fractions or tabular-ranging figures, setting five dot punctuation or accessing rare symbols like interrobangs and manicules, typographic excellence is no challenge for this scholar of complexity.
Kaius’s love of books makes it a friend of fine typography. Kaius expertly selects the correct dashes and quotation marks for different languages and has sets of punctuation and symbols carefully refined for use in uppercase and small-cap texts.
And Kaius is a linguistic enthusiast. Along with Greek and Cyrillic, it supports almost every language that uses the Latin alphabet, from Icelandic to Vietnamese. It’s attentive to localised forms, supports ancient Greek and historical Cyrillic letters, and is well-versed in the International Phonetic Alphabet and the many special characters used in academic and lexical typography. All in all, Kaius’s character set covers an extensive 2,500 glyphs. Whatever you might need, Kaius covers it.
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| Download Kaius Pro Fonts Family From TypeMates |
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| Designed by Jeff Levine, Wood Clarendon JNL is a wood type font family. This typeface has two styles and was published by Jeff Levine Fonts. |
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Wood Clarendon JNL is based on Hamilton Clarendon Condensed (circa 1899) and is available in both regular and oblique versions.
The design of this typeface retains many of the charming (but slight) design irregularities often found within pantograph-cut wood type from the 1800s through the early 1900s.
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| Download Wood Clarendon JNL Fonts Family From Jeff Levine Fonts |
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| Designed by David Kerkhoff, Exit Strategy is a brush display font family. This typeface has two styles and was published by Hanoded. |
Every exit is an entry somewhere else. It’s a quote by British playwright Tom Stoppard and I really like it!
Exit strategy is a rough brush font, which I made using Chinese ink (where would I be without my Chinese ink??) and the new batch of French paper I bought.
Use this font to highlight all that is important, stick it on posters, slap it on book covers - it will definitely do the trick!
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| Designed by Jeff Levine, Reform School JNL is a display sans and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
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The extra bold sans serif stencil lettering on movie posters and lobby cards for “Reform School Girl” (a 1957 film by American International Pictures) was the basis of Reform School JNL, which is available in both regular and oblique versions.
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| Download Reform School JNL Fonts Family From Jeff Levine Fonts |
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| Designed by Jakob Fischer, Remarkably Dressed is a hand display font family. This typeface has eleven styles and was published by Bogstav. |
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Remarkably Dressed is designed by hand, with your book/comic/poster and alike in mind. There are several versions of the font that works well, using them as layers.
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| Download Remarkably Dressed Fonts Family From Bogstav |
Designed by Hendry Juanda, Black Hymned is a multiple classification font family. This typeface has three styles and was published by Letterhend Studio.
Introducing!
Black Hymned - Font Trio!
Black Hymned - Font Trio is a font package containing three style with same vibes!. Each font contains lowercase, uppercase, numbers, symbols and also supports multi languages. You will get TTF and OTF. This font can use in any software without problem! A simple font.
Please like and follow as appreciation, Thank You,
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| Designed by Dusan Jelesijevic, Kondes is a display sans font family. This typeface has twenty styles and was published by Tour de Force Font Foundry. |
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Kondes is our “101 Dalmatians” – it’s 101th release in our catalog! And it is the 1st one that belongs to variable typefaces. Kondes (which is made up word as mixture of “condensed” and “kondezovan” on Serbian) is simple, compact, straight-in-your-face sans serif family with 9 weights and 9 Italics. It was designed with purpose to serve and to be use in any project, from editorial to website. For example, Black weight could be used effectively as poster type, in big sizes while Regular fits perfectly as main webfont. Stem joining is done with generous ink trap that divides and opens letter contours, so letter breaths in smaller sizes. Contains extended Latin character set. Enjoy!
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| Download Kondes Fonts Family From Tour de Force Font Foundry |
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| Designed by Jeff Levine, Pettiford JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts. |
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Within the pages of the Pettingill & Co. (Boston) 1901-02 specimen book is Camelot Old Style – a thin stroke spurred serif typeface with traces of Art Nouveau influence.
This had been redrawn digitally as Pettiford JNL, and is available in both regular and oblique versions.
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| Download Pettiford JNL Fonts Family From Jeff Levine Fonts |
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| Designed by Craig Stainton, SB Network is a display font family. This typeface has two styles and was published by SelfBuild Type Foundry. |
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• 2x OpenType fonts: Regular and Italic.
• 2x WOFF fonts: Regular and Italic.
• Stylistic alternatives for P and Y.
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SB Network is an block, retrofuture style display font.
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| Download SB Network Fonts Family From SelfBuild Type Foundry |
Designed by Alex Etewut, Vulgary is a script font family. This typeface has four styles and was published by Etewut.
Vulgary is a script family that includes 4 fonts. They match each other but can be used separately as well. It supports all euro languages based on Latin alphabet. To use swashes you have to open glyphs panel in menu Window. The font is compatible on both Windows and Mac. You can use it in all popular apps like Adobe, Corel Draw, Microsoft, Final Cut etc.
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| Designed by Jeff Levine, Page Printer JNL is a display serif and typewriter font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Page Printer JNL was inspired by “Skeleton”, from the William H. Page wood type foundry circa 1848. Its name is a play on both Page’s surname as well as contemporary desktop printers.
Page Printer JNL is available in both regular and oblique versions.
Designed by Jeff Levine, Merchant Trade JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.
A precursor to Art Deco headline/display sans serif typefaces with thick and thin strokes is the Matthews Series (circa 1902). It was manufactured and sold through the Inland Type Foundry of St. Louis, MO.
Digitally redrawn as Merchant Trade JNL, it’s now available in both regular and oblique versions.
