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| Designed by Carine de Wandeleer, Calagio is a script font published by Eurotypo. |
“Calagio” is a casual and modern font, which can be categorized as expressive lettering style. This font contain 565 glyphs carefully designed, with OpenType features. A lot of alternative glyphs in upper and lower case letters, ligatures and ornaments, so you can combine and make your design more real at your convenience.
Designed by Roy Preston, Farquharson is a hand drawn and script font family. This typeface has three styles and was published by BluHead Studio.
Farquharson is a handwritten script design from Roy Preston. Based on the handwriting of an friend, Roy has expanded this friendly, semi-connecting script to include three weights, Light, Regular and Bold, opening up even more design possibilities. The fonts support an extended character set, as well as some ligatures, inferior and superior numbers, and unlimited fractions. There are some really nice letterforms in these fonts, particularly that uppercase W! Peruse the posters to see. I’m kind of partial to the Light weight, which is really quite elegant in use, but that Bold can really make a strong statement! Check it out for yourself.
Designed by Jakob Fischer, Lazy Dance is a hand display and hand drawn font family. This typeface has two styles and was published by Pizzadude.dk.
Check out these Lazy Dance moves - fits perfect to any dancefloor! :)
A tall and thin font made with a brush - it has slightly rugged lines, and a kind of jumpy x-line. All in all it is a font that deserves a design with a handmade look. There is 4 different versions of each letter, and thanks to Contextual Alternates, these automatically cycle as you type. Making your text look really authentic and handmade!
There is also multilingual support!
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| Designed by Ben Burford, Nuovo Deco is an art deco font family. This typeface has three styles and was published by Ben Burford Fonts. |
Following from the continued popularity of the original MB Deco. Here is its new and improved big brother. Nuovo Deco comes in three weights, Light, Regular and Bold. A full character set of Caps and lower case letters, alternate characters plus, some very nice Ligatures to give some added art deco style and a much wider scope.
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| Designed by Jakob Fischer, Basic Choice is a hand display font family. This typeface has three styles and was published by Pizzadude.dk. |
I don’t know what is it with me and bad copy machines these days…my previous font also had that look, like it was made using a poor copy machine! :)
Basic Choice comes in a regular, solid and distressed version - use these versions as they are, or play around and use them as layers.
Each letter has 6 different versions, and they automatically cycle as you type. It makes the text look scrambled and random at the same time!
Designed by Ricardo Marcin and Erica Jung, Outside is a grunge, hand display and hand drawn font family. This typeface has two styles and was published by PintassilgoPrints.
Alternates, ornaments, ligatures and two casual stylish faces.
This is Outside. Where we’d absolutely rather be.
* Released during the inside times of 2020 *
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| Designed by Emil Bertell, Slacker is a brush script and dingbat font family. This typeface has two styles and was published by Fenotype. |
Slacker is a carefree brush script with soft features, low contrast and well balanced character forms. Slacker is excellent for creating easygoing yet catchy headlines, logotypes or even longer texts.
Slacker is equipped with Standard Ligatures and Contextual Alternates - they help to keep the flow lively and balanced and connections smooth so you should normally keep the features on. In addition Slacker has Stylistic, Swash and Titling Alternates for more showy letterforms. If you want to keep letters connecting to one another at maximum try turning on Stylistic Set 01 (SS01). On top of these Slacker has even more alternates in the Character Window making the total glyph count to 660.
Slacker Extras is a set of 50+ brush strokes with the same style as the brush and a set of catchwords.
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| Download Slacker Fonts Family From Fenotype |
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| Designed by Måns Grebäck, Angilla Script is a brush script and script font published by Måns Grebäck. |
Angilla Script is a tattoo inspired calligraphy typeface.
It was drawn and created by Måns Grebäck during 2019 and 2020.
While having a feminine flow, it has confidence, attitude and dare.
Use it for a concert poster, a logotype or to give any project a bit of extra personality.
It has an extensive lingual support, covering European and Asian Latin scripts.
The font contains all characters you’ll ever need, including all punctuation and numbers.
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| Designed by Robert Schenk, Caltic is a hand display and retro font family. This typeface has six styles and was published by Ingrimayne Type. |
Caltic-Holiday, Caltic-Festival, and Caltic-Straight are three eye-catching, very bold typefaces that are suitable for posters and signage. Caltic-Holiday and Caltic-Festival base letter shapes on trapezoids with curved sides but with curves that are reversed going from one to the other. Caltic-Straight has letters based on trapezoids with straight sides. None are suited for text and with their built-in spacing will not work as all upper-case or all lower-case. All three come in two widths, regular and wide, giving the Caltic family six members.
Caltic has nothing to do with Celts. The Calt refers to the calt or contextual alternative OpenType feature that makes this typeface work. When the letters on the upper-case keys alternate with the letters on the lower-case keys, they fit snuggly together. As long as the user has a word processor that supports the contextual alternatives feature, there is no need for the user to alternate letters; the calt feature does it automatically.
Although the fonts seem similar to hand-drawn lettering that was done on posters and signs during the hippie era of the 1960s and 1970s, I can find nothing quite like them. My inspiration for them is older, in a newspaper from 1932 that led to the typeface family PoultySign. Caltic (and Lentzers) are the result of seeing what else I could do with the inspiration that sprang from that 1932 newspaper
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| Download Caltic Fonts Family From Ingrimayne Type |
Designed by Robert Schenk, Eggad is a monograms and novelty font family. This typeface has two styles and was published by Ingrimayne Type.
Eggad features letters on eggs. It can be a fun font to use at Easter or for any egg-related message. Some of the eggs, those on the upper-case keys, have their large end on the bottom and some, those on the lower-case keys, have their large end on the top. The font uses the contextual alternatives feature of OpenType to alternate the big-bottom and big-top eggs. If you want only eggs with big tops or with big bottoms, turn off this feature.
Eggad comes in two styles, a regular style in which the eggs are outlined and a bold style in which the eggs are solid. Both are monospaced. The two styles can be layered to color the eggs. Alternatively, background color can be added (dot accent and ring characters) or the outline color can be changed (sterling and yen characters) using layers in the regular style. If you are typing numbers and want the start to be big-bottom number, switch on OpenType style set 1.
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| Designed by Eduardo Manso, Majorant is a sans serif font family. This typeface has sixteen styles and was published by Emtype Foundry. |
Majorant is a geometric sans serif interpreted from a contemporary point of view. Its wide range of weights makes it a multipurpose family. The extreme weights work as a display typeface, from the mathematical rigour of the UltraThin to the expressive refinement of the Black. Thanks to the several alternates included, the font offers multiple personalities. From sharp and audacious in the default version, to the soft and classic in the stylistic sets.
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| Download Majorant Fonts Family From Emtype Foundry |
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| Designed by Dieter Hofrichter, TradaSerif is a serif and slab serif font family. This typeface has twenty styles and was published by Hoftype. |
TradaSerif is a new addition to the Trada family. Crisp and clear in appearance, it preserves the same formal spirit and the principal structural elements of TradaSans. TradaSerif offers a wide range of styles, from tenderly thin to thundering black. It also affords excellent text qualities and works brilliantly as a distinctive headline face.
TradaSerif consists of 20 well-tuned weights and is well-equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures,
proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows, and alternate characters.
Designed by Moritz Kleinsorge, Allrounder Antiqua is a serif font family. This typeface has eight styles and was published by Moritz Kleinsorge.
Right after Allrounder Grotesk and Allrounder Monument, it’s time for the third member of the Allrounder Collection by Moritz Kleinsorge. Please welcome Allrounder Antiqua.
Allrounder Antiqua is a classic and timeless typeface, perfectly suitable for editorial and brand design. The lowercase a with its small and sharp counter provides a distinctive recognition feature, that will always stand out nicely.
While its main purpose is to set very legible body copy with an even color, its refined shapes also shine in display sizes and let you create elegant packaging, even for food, fashion or consumer goods, and lifestyle branding. It is also suitable as a strong corporate typeface, be it for a more conservative venture or the latest hipster start-up.
This classy serif typeface comes in four weights with corresponding true italics. And for sure, just like the workhorse Allrounder Grotesk, Allrounder Antiqua is also equipped with plenty of Opentype Features like small caps, six sets of figures, case-sensitive forms, superiors, fractions and many ligatures. You will find alternate letters with swashes within this extended character set, as well as all the accented glyphs necessary to support more than 200 Latin-based languages.
Allrounder Antiqua: Historical Background
The (french) renaissance inspired typeface started as Moritz Kleinsorge’s graduation project within the „Expert class Type design” course of the Plantin Institute for Typography, located in the famous Museum Plantin-Moretus in Antwerp, Belgium. There, Moritz Kleinsorge decided to create a revival of Robert Granjons Ascendonica Romain, which is described as „a beautiful face; typical of Granjon’s mature style” within the inventory book of available punches and matrices. To touch punches and matrices cut by Robert Granjon back in 1567 was an unbelievable feeling, he explained. Over time, the typeface moved away from being a true revival, becoming rather a Granjon inspired typeface.
Allrounder Grotesk: Perfect Pairing
Allrounder Grotesk is the ideal complement to Allrounder Antiqua. They both share the same vertical matrices and color, so you can pair both typefaces within a text without creating a visual disruption. Head over to the Family Page of Allrounder Grotesk to get more information about this typeface. You can also find Allrounder Antiqua and the matching four weights and italics of Allrounder Grotesk as a collection. Just search for „Allrounder Grotesk and Allrounder Antiqua” within the search bar and you will find all matching weights of both typefaces for a special price. With this collection all your design dreams come true for matching type with ease.
Design Trick: Bilingual Design with the Allrounder Superfamily
The combination of Allrounder Grotesk and Allrounder Antiqua is ideal for bilingual designs, wherein both languages get the same emphasis by two different typefaces. And of course, setting headlines with different but matching typefaces is a strong visual practice.
