 |
| Designed by Jeff Levine, Chunky Nouveau JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Chunky Nouveau JNL was inspired by a circa-1928 water applied decal for the Top Most Insulated Jug.
The plump, rounded hand lettering of the brand name was given a slightly thicker treatment to create a more poster-oriented display design.
Chunky Nouveau JNL is available in both regular and oblique versions.
Designed by John Roshell, Designer Genes is a display and pixel font family. This typeface has four styles and was published by Comicraft.
After eleven years and millions of character combinations, scientists at the Comicraft Alphabet Genome research facility in the Mojave Desert, under the direction of the genetartist known only as ’Ladronn,’ have finally determined the DNA sequence responsible for ensuring a good eye for design. DESIGNERGENES has been modified by our genetic engineers to guarantee high performance display lettering every time. Thanks to the selfless sacrifice of Comicraft volunteers, various mutations of this font have been thoroughly tested in the pages of UNCANNY X-MEN, NEW X-MEN and HIP FLASK: UNNATURAL SELECTION and can now be introduced to human society at large.
Designed by John Roshell, Enemy Lines is a display sans and stencil font family. This typeface has four styles and was published by Comicraft.
You’ve been shot down over enemy territory and you’ve managed to survive for weeks thanks to your training and instincts*... but now you’re being ruthlessly pursued by MAPPO’s footsoldiers… The ELEPHANTMEN! Will your commanding officer go against orders in an attempt to rescue you or will his mission be abruptly aborted, stranding you behind ENEMY LINES? In order to survive, you may have to betray your own rebel forces, your allies and the entire free world!
The future of mankind hangs in the balance! Failure is not an option! Bummer.
*This font’s modus operandi bears no relation to the story of any other font that may have been shot down behind enemy lines, real or imagined.
 |
| Designed by John Roshell, Hip Flask is a display sans font family. This typeface has eight styles and was published by Comicraft. |
Well, if you found this page via Google and what you’re looking for is NOT a Slam Bang display and logo font (made famous by the logo of our sister company’s flagship comic book title, HIP FLASK), but in fact a small metal bottle suitable for brandy, whiskey or the spirit of your choice, then we deeply apologize. If you’ve read this far, then we’d like to point you to eBay where you’ll find a wide selection of the items you’re looking for. While you’re there you might also like to consider how difficult it is for HIP FLASK fans to find back issues of our comic amongst all those pewter and stainless steel christmas gifts for your golfing friends and fellow alcoholics.
 |
| Download Hip Flask Fonts Family From Comicraft |
 |
| Designed by Ben Burford, Loopkin is a display font published by Ben Burford Fonts. |
Loopkin. A new display font from Ben Burford Fonts.
A stylistic take on the classic modern serif fonts that have been a staple in high fashion publications for decades,
A New Take on a Classic!!
The opentype font comes with a full set of characters with also ligatures and alternative characters using the stylistic sets
 |
| Designed by John Roshell, Manganese is a display, foreign and novelty font family. This typeface has three styles and was published by Comicraft. |
The entire Headquarters Building of Active Image Comicraft has been ripped from the ground by a giant lizard monster which has unexpectedly risen from the sea! It has the power of bodily transformation! By merely willing it, it can transform its atomic structure into any form and shape. It is completely hostile. It regards our entire island nation as its enemy. Run! RUN! Run from the Giant Monster!
 |
| Designed by Jakob Fischer, Minimum Waste is a hand display and hand drawn font family. This typeface has two styles and was published by Pizzadude.dk. |
Minimum Waste - the name is taken from a Sade song, but is meant more as a political statement. Please be aware about your everyday use to make sure the planet survives!
 |
| Download Minimum Waste Fonts Family From Pizzadude.dk |
 |
| Designed by John Roshell, The Story So Far & Near is a display sans font family. This typeface has eight styles and was published by Comicraft. |
Don’t say it! Is this THE END of THE STORY SO FAR?! Is there REALLY an END to ANY story, or just a place where it STOPS? We started near the beginning of the end, and now we are near the end of the beginning, so far away and yet so close… but Ends are not bad things and many ends aren’t really an ending, especially when you are merely near the end of a never ending story. Are you anywhere near with us so far?
 |
| Designed by John Roshell, Treacherous Corners & Curves is a display and novelty font family. This typeface has two styles and was published by Comicraft. |
Midnight, Pacific Coast Highway. You’re driving home alone at night and your battery’s dying. Your headlights have dimmed and you can barely see the road or the signpost up ahead. But there’s an eerie green light glimmering in your rear view mirror and that strange warning uttered by the pump attendant at the Devil’s Elbow gas station has put the frighteners on you. Is that Satan’s face glowering at you through the mist, or something far worse? Brought to you by John “JG” Roastinhell, the only way to handle this font is with one foot on the gas pedal and one foot on the brake.
 |
| Designed by Paulo Goode, Cream is a retro and serif font family. This typeface has twelve styles and was published by Paulo Goode. |
Cream is a big softy! This retro soft serif typeface comprises 12 fonts and can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional alternates and ligatures that are built into Cream. You’ll be creating distinctive typographic compositions that are pleasing to the eye in no time at all!
There are 12 fonts altogether, ranging from Light to Black weights in both roman and italic. It has an extensive character set that covers all Latin European languages.
Key features:
Designed by Thomas Mettendorf, Metroflex Pro Narrow is a sans serif font family. This typeface has ten styles and was published by GarageFonts.
This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.
Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.
Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.
Designed by Jeff Levine, Antique Stencil Borders Two JNL is a stencil and dingbat font published by Jeff Levine Fonts.
Antique Stencil Borders Two JNL is the follow-up collection to the July, 2018 release of Antique Stencil Borders JNL and features twenty-six more decorative stencil borders from various vintage sources.
Designed by Pavel Korzhenko, Benigne Sans is a sans serif font family. This typeface has sixteen styles and was published by Vintage Voyage Design.
VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols.
OpenTypeFeatures Ligatures, alternates, old style numerals and fractions.
Enjoy! VVDS
