Download JollyGood Proper Serif Fonts Family From Pixilate
Download JollyGood Proper Serif Fonts Family From Pixilate Download JollyGood Proper Serif Fonts Family From PixilateDownload JollyGood Proper Serif Fonts Family From Pixilate

Designed by Kemie Guaida, JollyGood Proper Serif is a hand display and serif font family. This typeface has twelve styles and was published by Pixilate.


What do you get if you mix a proper serif typeface with cartoony fun? JollyGood Serif! A whimsical font legible enough to work in longer texts, it’s perfect for childrens’ books and magazines.. It is a complete complete family with 8 weights in regular and italic (16 fonts in total). It has an amazing character set, with support for most european languages, as well as alternates and ligatures.



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Download Altogether Fonts Family From PintassilgoPrints
Designed by Ricardo Marcin and Erica Jung, Altogether is a hand drawn and novelty font published by PintassilgoPrints.

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Oodles of doodles! Altogether brings not two or three, but eight - yep! - flavours for each letter. Original, creative, authentic flavours. Sometimes sweet, sometimes fun, sometimes weird. A bit eccentric, let’s say. So we can say it different.
Let the autopilot cycle all these glyphs by simply turning on the contextual alternates feature inside your application. If you prefer, handpick your choices from a glyphs palette. And, mainly, have fun!


Download Altogether Fonts Family From PintassilgoPrints
Download Altogether Fonts Family From PintassilgoPrints



Download Altogether Fonts Family From PintassilgoPrints


Download Sportsboard JNL Fonts Family From Jeff Levine Fonts
Download Sportsboard JNL Fonts Family From Jeff Levine Fonts Download Sportsboard JNL Fonts Family From Jeff Levine FontsDownload Sportsboard JNL Fonts Family From Jeff Levine Fonts

Designed by Jeff Levine, Sportsboard JNL is a novelty font published by Jeff Levine Fonts.


Sportsboard JNL is a serif font alternate to the popular Flipboard JNL, which emulates the electronic flip-character message boards found at airports, sporting venues and used for election tallies.

The type design used for this version of a flipboard display is Sports Jock JNL.



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Download Sandwell Stencil JNL Fonts Family From Jeff Levine Fonts
Designed by Jeff Levine, Sandwell Stencil JNL is a display sans and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


A vintage British lettering stencil was the inspiration for Sandwell Stencil JNL, which is available in both regular and oblique versions.

This pleasant and condensed stencil font was originally a semi-stencil – many of the characters were made as solid letters ,while the others had a traditional stencil treatment.  For the digital version, the stencil treatment was applied to previously solid characters to create a consistency in the overall design.



Download Sandwell Stencil JNL Fonts Family From Jeff Levine Fonts


Download Trada Sans Fonts Family From Hoftype
Download Trada Sans Fonts Family From Hoftype Download Trada Sans Fonts Family From HoftypeDownload Trada Sans Fonts Family From Hoftype

Designed by Dieter Hofrichter, Trada Sans is a sans serif font family. This typeface has twenty styles and was published by Hoftype.


TradaSans is a new addition in the range of Univers and Helvetica. It represents a fresh face in this ongoing strong category of sans serif typefaces. TradaSans slightly squarish tendency, and its technical and neutral look create an objective and factual appearance. 

TradaSans is an ideal typeface for universal use. It offers high reading qualities with longer text applications and its sophisticated design details make it a distinctive headline typeface.

TradaSans consists of 20 well tuned weights and is well equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.



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Download Park West JNL Fonts Family From Jeff Levine Fonts
Designed by Jeff Levine, Park West JNL is an art deco and display slab font family. This typeface has two styles and was published by Jeff Levine Fonts.

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The thin, stylish Art Deco slab serif lettering featured on the cover of the 1934 sheet music for “Then I’ll be Tired of You” inspired the digital type face Park West JNL, which is available in both regular and oblique versions.

Central Park West has always been the upscale area for affluent New Yorkers, but in the Great Depression years of the 1930s the mystique of the well-to-do held an even stronger significance.


Download Park West JNL Fonts Family From Jeff Levine Fonts
Download Park West JNL Fonts Family From Jeff Levine Fonts



Download Park West JNL Fonts Family From Jeff Levine Fonts


Download Old Spur Stencil JNL Fonts Family From Jeff Levine Fonts
Download Old Spur Stencil JNL Fonts Family From Jeff Levine Fonts Download Old Spur Stencil JNL Fonts Family From Jeff Levine FontsDownload Old Spur Stencil JNL Fonts Family From Jeff Levine Fonts

Designed by Jeff Levine, Old Spur Stencil JNL is a display serif, stencil and western font family. This typeface has two styles and was published by Jeff Levine Fonts.


A partial set of antique brass stencils inspired Old Spur Stencil JNL, which is available in both regular and oblique versions.

The lettering is based on a traditional Roman stencil design with Western-style spurs added to the approximate centers of each character.



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Download EURO Icon Kit Fonts Family From Typo Graphic Design
Download EURO Icon Kit Fonts Family From Typo Graphic Design Download EURO Icon Kit Fonts Family From Typo Graphic DesignDownload EURO Icon Kit Fonts Family From Typo Graphic Design

Designed by Manuel Viergutz, EURO Icon Kit is a grunge and dingbat font family. This typeface has two styles and was published by Typo Graphic Design.


The typeface EURO Icon Kit is designed at 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font is inspired by the here and now.

763 glyphs incl. icons, dingbats & symbols. Decorative extras like arrows, emojis, ornaments, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (20 stylistic sets) + sign of the zodiac.

Have fun with this font & use the DEMO-Font (with reduced glyph-set) for FREE!



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Download Nouveau Dreams JNL Fonts Family From Jeff Levine Fonts
Download Nouveau Dreams JNL Fonts Family From Jeff Levine Fonts Download Nouveau Dreams JNL Fonts Family From Jeff Levine FontsDownload Nouveau Dreams JNL Fonts Family From Jeff Levine Fonts

Designed by Jeff Levine, Nouveau Dreams JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts.


The 1910 sheet music for “In All My Dreams I Dream of You” had the title hand lettered in an eclectic sans serif that typified the free form Art Nouveau movement of the time.

The lettering was recreated digitally as Nouveau Dreams JNL, and is available in both regular and oblique versions.



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Download Cowboy Funk Fonts Family From Pizzadude.dk
Designed by Jakob Fischer, Cowboy Funk is a hand drawn and western font family. This typeface has two styles and was published by Pizzadude.dk.

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Howdy partner!
In need of a comic inspired cowboy font? Then Cowboy Funk is ready to ride with you into the sunset! :)
Dusty edges, thrilling spurs and shooting ornaments - the main ingredients of Cowboy Funk!
Multilingual support for all yall cowboys and gals! :)


Download Cowboy Funk Fonts Family From Pizzadude.dk
Download Cowboy Funk Fonts Family From Pizzadude.dk



Download Cowboy Funk Fonts Family From Pizzadude.dk


Download Incarceration JNL Fonts Family From Jeff Levine Fonts
Designed by Jeff Levine, Incarceration JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.

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The hand lettered Art Deco title on the cover of the sheet music for “There Must be A Bright Tomorrow (for Each Yesterday of Tears)” inspired the font Incarceration JNL, which is available in both regular and oblique versions.

Incarceration JNL earns its dubious name from the fact the song was written by Prisoner No. 3223 (Wallace Wysocki) who was held in the Marquette State Prison, Marquette, Michigan (1931)


Download Incarceration JNL Fonts Family From Jeff Levine Fonts
Download Incarceration JNL Fonts Family From Jeff Levine Fonts



Download Incarceration JNL Fonts Family From Jeff Levine Fonts


Download Montigny Fonts Family From Eurotypo
Download Montigny Fonts Family From Eurotypo Download Montigny Fonts Family From EurotypoDownload Montigny Fonts Family From Eurotypo

Designed by Carine de Wandeleer, Montigny is a script font published by Eurotypo.


Montigny is a contemporary calligraphic font with classical roots, based on an 18th-century English manuscript. It is carefully designed, with a special emphasis on the connection of the letters, with high ascenders to give rise to the ornaments of the different letters. There is a special search for high readability.
This font contain 585 glyphs, in addition, a wide selection of alternates and ligatures is included, to preserve the qualities of handwriting, in order to accommodate various design aesthetics. These alternatives are automatically applied through an advanced programming scheme or manually through several OpenType features.



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Download Sausage Fonts Family From Schizotype Fonts
Download Sausage Fonts Family From Schizotype Fonts Download Sausage Fonts Family From Schizotype FontsDownload Sausage Fonts Family From Schizotype Fonts

Designed by Dave Rowland, Sausage is a display sans and sans serif font published by Schizotype Fonts.


Sausage is unapologetically bold and bulbous. Influenced by magnetic fridge letters, hot dogs and 70s phototype fonts, it is retro, but not cloyingly so.

It was a deliberate plan to make Sausage only a single style typeface. The freedom that not having to think about how the font should relate to other weights allowed me to push the glyphs to places they might not otherwise have been able to go.

There isn’t a single corner in the entire font, and you’d be hard pushed to find a straight line. This is as soft and friendly as they come, and still equipped with numerous ligatures, alternates and arrows for sophisticated typography.



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