Designed by Michael Hagemann, Bayside Tavern is a display serif and serif font family. This typeface has seventy-two styles and was published by FontMesa.

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Bayside Tavern is a weathered version of our Tavern Alt font family.

With its straight sides Bayside Tavern fits better in tight spaces and reads better at smaller point sizes than the regular Bay Tavern version.

With three weights, open faced and outline versions to choose from you’re sure to find the right style for your new project, restaurant menu, logo, t-shirt design or Pirate costume party.

While our original Tavern Alt font has been increased to include five weights additional weights for Bayside Tavern will have to wait for now, adding the deeper notched cut in’s were all done by hand which causes a lot of cramping so a long break is needed before creating the extra weights.

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Designed by David Kerkhoff, Clootie is a sans serif font family. This typeface has two styles and was published by Hanoded.

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My wife was watching a baking show in which a Scottish guy attempted to cook a clootie. A what?? A clootie??? Never heard of a clootie!
Apparently it is a suet dumpling, containing dried fruits (like raisins) and boiled in a piece of cloth (clootie means ‘rag’ or ‘strip of cloth’ in Scottish).

Clootie font is a handmade bundle of happiness. It is rounded, soft and legible and will look particularly good on book covers.

And I promise you all: one day I will cook clooties to find out what they taste like!

Download Clootie Fonts Family From Hanoded

Download Clootie Fonts Family From Hanoded

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Designed by Ani Dimitrova, Alamia is a sans serif font family. This typeface has twenty styles and was published by Ani Dimitrova.

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The Alamia type family is a sans serif in 20 weights, ranging from HairLine to Black with matching italics. Each style contains more than 900 glyphs. Alamia comes with an extended coverage of the Latin and Cyrillic Script.
All weights of this family are equipped for complex, professional typography with Open Type Features including: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction.The construction of the characters combines clean grotesque style with modern, that gives the font an organic, warm and friendly touch.
The Alamia font family is a perfect choice for body text, branding design, web design, editorial design and more.

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Designed by Jeff Levine, Deco Spot Initials JNL is an art deco and monograms font published by Jeff Levine Fonts.

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A set of rounded Art Deco initials set inside circular borders was found amongst the pages of the vintage French lettering book “Modèles de Lettres Modernes par Georges Léculier”. 

Now made into a digital font called Deco Spot Initials JNL, these classic letter forms are available in both the original white-on-black version and as a black-on-white alternate design.

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Designed by Måns Grebäck, Kurri Island is a comic and sans serif font family. This typeface has twenty-four styles and was published by Måns Grebäck.

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Kurri Island is a positive sans-serif typeface. 
It was drawn and created by Måns Grebäck between 2017 and 2020.
With its slightly irregular strokes and bends the font has a characteristic fun and comical and look.
The sans is easy-going and relaxed while being serious enough to be used professionally.

Kurri Island is an extensive multi-style font family, composed of 24 high quality fonts.
The weights are Thin, Light, Regular, Medium, Bold and Black.
Being favorably used as a block letter sans-serif, it has an additional Caps style to maximize the impression, and each font are provided as Italic.

Its range of styles gives the typeface great flexibility, while also giving the ability to emphasize phrases or words.

Kurri Island contains all characters you’ll ever need, including all punctuation and numbers.
It has an extensive lingual support, covering all European Latin-based scripts.

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Designed by Adam Ladd, Neulis is a sans serif and script font family. This typeface has thirty-six styles and was published by Adam Ladd.

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Neulis is a geometric sans serif and modern script hybrid font in two family variations.

The Neulis design presents a unique display of characters that are inspired by script letterforms (like the l, k, r, s) along with script-style exit strokes (like the a, n, u) that blend into the overall geometric skeleton of the typeface. The Neulis Alt design gives a bit more of a restrained option by keeping with more classic sans serif letterforms.

With a monoline appearance, the type looks clean and modern. The two family options can be paired together to fit the need for both display and text situations. Neulis provides a distinct, creative, and expressive message for branding, advertising, packaging, headlines, magazines, websites, logos, and more.

Neulis has many features:

• Normal and Alt families
• Swash capitals (PUA-encoded)
• Stylistic alternates (J, M, Q)
• Case-sensitive punctuation for All Caps
• Arrows
• Fractions, numerators, denominators
• Superscript, subscript

With almost 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.

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Designed by Olcar Alcaide, Cannoli is a brush script and script font published by Eurotypo.

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Cannoli is a brush lettering style font, designed specially for use in logotypes, advertising and packaging. It is interesting to note the use of free-flowing lettering to perform its own eye-catching.
This vintage typeface is a reminiscent of the posters of the 50s, painted with a brush in enamel advertising signs.
“Cannoli” was inspired by the delicacy of the Sicilian pastry, and the robust charm of its landscape.

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Designed by Brandon Knap, Clarika Office is a sans serif font family. This typeface has forty-eight styles and was published by Wild Edge.

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Clarika is driven by the core concept that a font family can provide both a geometric and grotesque set of sub-families, interchangeable to create a robust versatile type system.

Clarika Office is the suit-and-tie companion to Clarika Pro, offering a pared down set of styles to improve the ease of use within office applications such as Word or PowerPoint. Office carries nearly all the same features as Pro. Multiple family classes have been designed mapping popular combinations of weights from Clarika Pro giving flexible options for brands in an otherwise limited environment.

Within all Clarika families co-exists two sub-families, Clarika Geometric and Clarika Grotesque. Clarika Geometric is the backbone of the system defined by calculated precision, balance of hard and soft geometry, and simplicity of form while Clarika Grotesque is refined by traditional cues, elegant page texture, and classic grotesque detailing. Unique notches and angled terminals throughout both sub-families invite negative space into counters allowing letterforms to become more legible and gracefully support an incredible range of weight options. Clarika is both a nod to the past and a step towards the future.

Character sets support over 200 Latin-based languages covering Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, and Cyrillic languages. Equipped for professional typography, Clarika supports OpenType features include lining, tabular, and oldstyle figures, fractions, ordinals, superscripts, subscripts, and more.

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Download Clarika Office Fonts Family From Wild Edge

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Designed by Jeff Levine, Cow Palace JNL is an art nouveau and display serif font family. This typeface has two styles and was published by Jeff Levine Fonts.

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During the 1960s Hippie movement, a large amount of the rock and roll poster art was strongly influenced by the Art Nouveau period of the early 1900s.

A poster for an appearance by The Doors at San Francisco’s Cow Palace Exposition Center (presented by Fillmore East and West owner Bill Graham) featured some wonderfully eclectic Nouveau-styled serif hand lettering.

Now recreated as a digital type face called Cow Palace JNL (and named for the performance venue), the font is available in both regular and oblique versions.

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Designed by Jeff Levine, Aussie Stencil JNL is a display sans and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.

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An assortment of antique, hand-punched brass stencils from Australia [used for crate marking and shipping] served at the models for Aussie Stencil JNL, which is available in both regular and oblique versions.

The lettering of the original stencil punches had rounded edges to the characters; looking more machine rendered than hand punched into the brass sheets.

Download Aussie Stencil JNL Fonts Family From Jeff Levine Fonts

Download Aussie Stencil JNL Fonts Family From Jeff Levine Fonts

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Designed by Nick Shinn, Headwaters is an art deco and sans serif font family. This typeface has nine styles and was published by Shinntype.

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Full of curves, Headwaters is a nine-weight sans serif face with a special personality.

The lower case is more conventional than the capitals, for ease of reading in extended text setting. The capitals have some unusual, eye-catching letter shapes—a little bit art deco or geo—rendered in a subtly grotesk manner, in keeping with the overall tone of the typeface.

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Designed by Pablo Balcells, Nebulosa is a display sans and stencil font family. This typeface has ten styles and was published by Graviton.

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Nebulosa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a futuristic, slightly extended sans serif typeface with semi rounded endings that provide a softened aesthetic without losing its solidity. Nebulosa has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.

Nebulosa consists of 10 styles, 8 of which containing small caps and glyph coverage for several language and 2 of which are free.

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Download Nebulosa Fonts Family From Graviton

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Designed by Novia Jonatan, Glodok is a display serif and retro font published by Sudtipos.

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Glodok is a single-weight display typeface. It is bold, heavy and fun to play around with. It’s eye catching but also blends well when in use. It is retro-inspired and strikes a nice balance between formal and playful.

The name itself comes from the oldest Chinatown in Jakarta that is also considered the biggest in Indonesia, the place from where the designer took many inspirations.

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