CigarBox
CigarBox is a display serif font family. This typeface has two styles and was published by vatesdesign.


Vintage small caps serif font family of two styles (Regular and Italic). Well suited for the design of Victorian style headlines & book covers, quotes, labels for tobacco, whiskey, rum, tequila, confectionery. Great for designing t-shirts, posters, playing cards, etc. The capital letters in both variants are ornate and embellished. CigarBox includes a full set of Uppercase Basic Characters, Numerals, and Punctuation. Many letters have stylistic alternates to fit various design options. CigarBox supports Western European, Central European, and South-Eastern European Languages. You can check your language by typing characters in the test box below.



CigarBox


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Gravity Well
Designed by David Kerkhoff, Gravity Well is a brush display and grunge font family. This typeface has two styles and was published by Hanoded.


I seem to be in my astronomical phase right now. I recently released several fonts with names relating to space! Don’t worry, it is just a phase and this too will pass…

Gravity Well is a handmade brush font, ideally suited for product packaging or book covers. Gravity Well comes with all the diacritics you can ask for and a set of double letter ligatures to boot!



Gravity Well


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Sightseeing Boat JNL
Designed by Jeff Levine, Sightseeing Boat JNL is a display and retro font family. This typeface has two styles and was published by Jeff Levine Fonts.


The free form hand lettering comprising the titles and credits for the 1966 romantic comedy “The Glass Bottom Boat” were the model for Sightseeing Boat JNL, which is available in both regular and oblique versions.



Sightseeing Boat JNL


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Gravity Well
Designed by David Kerkhoff, Gravity Well is a brush display and grunge font family. This typeface has two styles and was published by Hanoded.


I seem to be in my astronomical phase right now. I recently released several fonts with names relating to space! Don’t worry, it is just a phase and this too will pass…

Gravity Well is a handmade brush font, ideally suited for product packaging or book covers. Gravity Well comes with all the diacritics you can ask for and a set of double letter ligatures to boot!



Gravity Well


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Sightseeing Boat JNL
Designed by Jeff Levine, Sightseeing Boat JNL is a display and retro font family. This typeface has two styles and was published by Jeff Levine Fonts.


The free form hand lettering comprising the titles and credits for the 1966 romantic comedy “The Glass Bottom Boat” were the model for Sightseeing Boat JNL, which is available in both regular and oblique versions.



Sightseeing Boat JNL


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Christmas Preference
Designed by Md. Shohail Bhuiyan, Christmas Preference is a hand drawn font published by Seemly Fonts.


Christmas Preference is a clean, simple, and natural handwritten font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.



Christmas Preference


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No Entry JNL
Designed by Jeff Levine, No Entry JNL is a display slab font family. This typeface has two styles and was published by Jeff Levine Fonts.




No Entry JNL


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Organic Benefit
Designed by Jakob Fischer, Organic Benefit is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav.


Say hello to my new organic monospaced unicase font! It’s handmade and has this true organic look to it!
Choose between 5 different versions of each letter, or just type ahead and let the Contextual Alternates do their cycling of letters automatically!



Organic Benefit


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Grounds Crew Stencil JNL
Designed by Jeff Levine, Grounds Crew Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.

This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.



Grounds Crew Stencil JNL


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Grounds Crew Stencil JNL
Designed by Jeff Levine, Grounds Crew Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.

This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.



Grounds Crew Stencil JNL


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Organic Benefit
Designed by Jakob Fischer, Organic Benefit is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav.


Say hello to my new organic monospaced unicase font! It’s handmade and has this true organic look to it!
Choose between 5 different versions of each letter, or just type ahead and let the Contextual Alternates do their cycling of letters automatically!



Organic Benefit


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Grounds Crew Stencil JNL
Designed by Jeff Levine, Grounds Crew Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.

This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.



Grounds Crew Stencil JNL


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Family Deco JNL
Designed by Jeff Levine, Family Deco JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


Family Deco JNL was inspired by the bold Art Deco hand lettering of the movie credits for the 1936 Laurel and Hardy comedy “Our Relations”, and is available in both regular and oblique versions.



Family Deco JNL


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Nightingale Script
Designed by Nicky Laatz, Nightingale Script is a historical and script font published by Nicky Laatz.


Say hello to Nightingale Script - an intentionally imperfect, antique script based on old manuscripts, and handwritten notes from an era long ago.

Emulating beautiful penmanship, it’s perfect for adding a romantic old-world feel.

Includes a small selection of Opentype Ligatures and alternate letters (see preview) .

 

 



Nightingale Script


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Rupert
Designed by Kaja Słojewska, Rupert is a sans serif font family. This typeface has sixteen styles and was published by Nomad Fonts.


Rupert is your new best friend! the type who’s truly happy when you’re happy, excited when you’re excited, and sad when you’re sad. He’s always has your back and is never judgemental.

Rupert is a geometric sans-serif consisting of 8 weights, ranging from Thin to Black with matching italics. At the moment he supports extended Latin and plans on growing in the future to cover all of your needs. Rupert’s OpenType features include tabular and old-style figures, fractions, ligatures and case-sensitive forms.

He’s flexible to accommodate all of your graphic needs including display, corporate, editorial, web and many more environments. And the best part is… Rupert Light is free to download! So grab it now and begin building great work together.



Rupert


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Kelso Round
Designed by Adrian Talbot, Kelso Round is a display sans font family. This typeface has six styles and was published by Talbot Type.


Kelso Round is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. A friendly and distinctive typeface that’s both easy to read and easy on the eye. Also available as Kelso, with sharper edges.



Kelso Round


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Discórdia
Designed by Álvaro Franca, Felipe Casaprima and Ben Nathan, Discórdia is a display, display serif and display slab font family. This typeface has four styles and was published by Naipe.


Discórdia is a type-family of contrasting contrasts. Each of the four members of the family has a different contrast type. Regular has broad-nib contrast, Bold has horizontal contrast, the Italic is monoline, which means it has no apparent contrast, and Bold Italic is… Well, it’s probably best if see for yourself.

These different design structures were fine-tuned to work well together in the same line, creating emphasis and hierarchy through a mini-super-family that groups a wedge-serif Regular, a slab-serif Bold, a sans-serif-ish Italic and a twisted Bold Italic.

Naipe teamed up with Ben Nathan of Hafontia to extend Discórdia and give full Hebrew Support.



Discórdia


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Greycliff Thai CF
Designed by Connary Fagen, Greycliff Thai CF is a foreign and sans serif font family. This typeface has eighteen styles and was published by Connary Fagen Type Design.


Greycliff Thai CF adapts Greycliff’s popular soft, geometric design to the Thai script. Both Latin and Thai glyphs are included, allowing for cohesive multiple-script applications. Greycliff Thai CF includes nine weights, obliques, and full Thai diacritics.

Greycliff Thai CF works as a complete, self-contained type system, with both Latin and Thai scripts included and designed to compliment one another.



Greycliff Thai CF


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Kelso Round
Designed by Adrian Talbot, Kelso Round is a display sans font family. This typeface has six styles and was published by Talbot Type.


Kelso Round is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. A friendly and distinctive typeface that’s both easy to read and easy on the eye. Also available as Kelso, with sharper edges.



Kelso Round


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Tinkuy Patterns
Designed by Vanessa Tinizara and Alejandro Paul, Tinkuy Patterns is a dingbat font family. This typeface has six styles and was published by Sudtipos.


Meaning of Tinkuy.

Tinkuy is a Quechua word that means a meeting of opposing forces that complement each other. A meeting of opposites and differences. A meeting point where different thoughts, interests, feelings and aspirations confront and converge, providing the resurgence of new ways of thinking and that are embodied in confrontational actions, in mobilizations that seek change.

Tinkuy patterns is born from the analysis of different archaeological pieces of native cultures of the Andes, where the visual signs that are recorded on them are related to the concept of encounter. It is part of the research project Crónicas Visuales del Abya Yala by designer Vanessa A. Zúñiga Tinizaray.


The Tinkuy Patterns.

The Tinkuy Patterns system is divided into six files containing a total of more than 2650 modules that can be combined together creating an infinite range of possibilities. The digitization of the typeface family has been carried out by Ale Paul, through the Sudtipos foundry.

An infinite number of possible combinations can be accessed by using the letters on the keyboard. Although a certain shape predominates in each set, they can be combined with each other.​​​​​​​



Tinkuy Patterns


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Amillia Rochete
Designed by Hendry Juanda, Amillia Rochete is a modern calligraphy and script font published by Letterhend Studio.


Amillia Rochete is an script font based on authentic hand writing with natural signature style. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
alternates and ligatures
swashes
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/



Amillia Rochete


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Binerka
Designed by Hendry Juanda, Binerka is a display serif and serif font published by Letterhend Studio.




Binerka


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Mestiza
Designed by Antonio Mejía, Mestiza is a serif font family. This typeface has twelve styles and was published by Antonio Lechuga.


Mestiza is a type family with a living past, which combines its ancient roots bringing the handmade to the contemporary in a spirited mix that evokes elegance and strength.

Thanks to its sharp terminals and high contrast, Mestiza acquires a unique personality. It is ideal for headlines and branding projects and allows it to be set in 219 languages ​​of the Latin alphabet, thanks to the more than 700 characters set.

Mestiza has 12 variants, six Roman plus Italics including Small Caps, Old-Style numbers, Superiors, Inferiors, Contextual and Discretionary ligatures, Symbols, and some Alternates.



Mestiza


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