Rustica
Designed by Martin Sommaruga, Fernando Díaz and Vicente Lamónaca, Rustica is a sans serif font family. This typeface has twenty styles and was published by TipoType.


The world has changed; we want it to change. But it has a history too. Rustica draws back to the sans typeface tradition and updates it for the 21st century; we aim to go back to the humanist values without dismissing the role played by technology.It’s a GeoHumanist sans serif.

Type design looks back at its past to return with renovated strength to its march to the future. Rustica is based on a humanist architecture with the addition of the determination and precision of the geometry of the classic sans of the early 20th century.

Thus, a typographic conception typical of 21st century communications: returning to the human values of closeness and proximity, adding the certainty of knowledge and science.

Rustica is born out of the DNA of our awarded font Rotunda, contributing to this typographic ecosystem humanist notes enhanced by the precision and discipline of geometry.

Designers: Tipotype Team



Rustica


SK Merih
Designed by Salih Kizilkaya, SK Merih is a sans serif font family. This typeface has twelve styles and was published by Salih Kizilkaya.


SK Merih is a geometric sans serif and semi-condensed font family. Produced with a clean and modern design approach, SK Merih can be easily used in titles, body texts and many points you may need in design.

SK Merih takes its name from Mars. Although Merih is not used today, it is the Turkish equivalent of Mars.

SK Merih consists of 12 fonts and 5244 glyphs in total and has multilingual support. In this way, it contains all the typographic elements you will need in your designs.



SK Merih


Handmade Stencil JNL
Designed by Jeff Levine, Handmade Stencil JNL is a display slab and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.



Handmade Stencil JNL


Game Rules JNL
Designed by Jeff Levine, Game Rules JNL is a display slab font family. This typeface has two styles and was published by Jeff Levine Fonts.


While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”.

Game Rules JNL is available in both regular and oblique versions.



Game Rules JNL


Organic Pro
Designed by Neil Summerour, Organic Pro is a sans serif font family. This typeface has sixteen styles and was published by Positype.


When I released the original Organic in 2009, I was satisfied with it. It was what was possible from me and the technology at the time. The Organic Pro of 2021 takes those original desires of delivering a highly legible and friendly sans serif, and doubles down on those notions, while exploring what further infusing warmth in a highly structured sans serif can really do for a client.

Free of distracting and potentially dating visual traits and cues that could be seen as endemic of a specific time period or ‘type trend’, Organic Pro is its own person—take it or leave it. Inviting warmth, assured reliability, and a head nod of confidence is what you walk away with—a stark contrast to the cold, impersonal geometrics and grotesques proliferating the design annuals currently. Releasing this typeface now, completely redrawing the masters, as well as expanding the weight and language options, should be seen as a laid back challenge that we need to do less with type, let it communicate confidently and warmly when it needs to, and stop forcing one-size-fits-all type trends on everyone.



Organic Pro


Anatolian
Designed by Ceyhun Birinci, Anatolian is a display serif font family. This typeface has twelve styles and was published by Artegra.


Anatolian typeface was designed with inspiration from the traditional Anatolian kilim motifs and symbols that characterize Turkish culture. Motifs and design elements that has been used for centuries on carpets now found place in a typeface as serifs. It was exciting to see how these old design elements would turn into a modern font that would be applicable for modern designs.

The result was the Anatolian typeface; a purely Anatolian display family that is surprisingly readable as a text font also. Carefully designed proportions and serifs allowed this legibility while standing out as a unique typeface. This new type system would work great in branding, advertising, packaging and many other design areas whether traditional or modern.



Anatolian


Bonkey
Designed by Jakob Fischer, Bonkey is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.


Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!



Bonkey


Foreign Film JNL
Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”



Foreign Film JNL


Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


Bonkey
Designed by Jakob Fischer, Bonkey is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.


Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!



Bonkey


Foreign Film JNL
Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”



Foreign Film JNL


Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


Foreign Film JNL
Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”



Foreign Film JNL


Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


Bonkey
Designed by Jakob Fischer, Bonkey is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.


Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!



Bonkey


Foreign Film JNL
Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”



Foreign Film JNL


Greycliff Hebrew CF
Designed by Connary Fagen, Greycliff Hebrew CF is a sans serif font family. This typeface has nine styles and was published by Connary Fagen Type Design.


Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.



Greycliff Hebrew CF


PIXEL pattern
Designed by Manuel Viergutz, PIXEL pattern is a pixel and dingbat font family. This typeface has ten styles and was published by Typo Graphic Design.


The typeface PIXEL pattern is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz.

The display typeface is inspired in the past and present.

8 font-styles (Square, Circle, Square Flicker, Circle Cloud, Square Bold, Square Fat, Star, Star Spike) with 830 glyphs (Adobe Latin 3) incl. 100+ decorative extras like icons, arrows, German Capital Sharp S, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for or #SMILE for as OpenType-Feature dlig) and stylistic alternates (8 stylistic sets).

For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size.

Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

■ Font Name: PIXEL pattern
■ Font Styles: 8 font-styles (Square, Circle, Square Flicker, Circle Cloud, Square Bold, Square Fat, Star, Star Spike) + DEMO (with reduced glyph-set)
■ Font Cate­gory: Dis­play for head­line size
■ Font For­mat: .ttf (for Print) + .woff (for Web)
■ Glyph Set: 830 glyphs (Latin 3 incl. decorative extras like icons)
■ Lan­guage Sup­port: 93 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, NorwegianNynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu
■ Design Date: 2021
■ Type Desi­gner: Manuel Viergutz



PIXEL pattern


Pompano
Designed by Hendry Juanda, Pompano is a display sans and hand display font family. This typeface has two styles and was published by Letterhend Studio.


Pompano is an organic sans serif typeface which is purposely made for headline, display or logotype. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- regular & stamp version
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.



Pompano


Space Time
Designed by Lauren Ashpole, Space Time is a hand display and hand drawn font family. This typeface has five styles and was published by Lauren Ashpole.


What can I say? I like fonts with stars.

Space Time is a hand drawn font with a lot of variety. I started designing the regular version with the characters slightly touching but it wasn’t quite what I had in my head. I’d imagined tightly spaced letters with overlapping shadows and the only way to get that effect was to create a second version with stackable layers. That means this download includes regular, base, outline, shadow, and stars files. Plus, the base and outline can be used for stacking or work fine as standalone fonts.

This font is all caps but the lowercase letters feature alternative styles.



Space Time


Vienna Woodtype
Designed by Christoph Zeugswetter, Vienna Woodtype is a display sans and wood type font family. This typeface has two styles and was published by xtoph.


This font is based on real prints made out of a linocut.
The glyphs were handprinted, then scanned and then turned into a computer font.

*An additional font file (Vienna Woodtype SVG.ttf) is included as an attachment when you purchase this product. Due to its large size, it is not listed with the other two fonts. It will be inside of a subfolder called “References”.



Vienna Woodtype


Dark Misery
Designed by Md. Shohail Bhuiyan, Dark Misery is a brush display and display font published by Seemly Fonts.


Dark Misery is a simple yet spooky display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.



Dark Misery